At the beginning of the poem, I described what I saw in the spring: the mountains and rivers are still there, but the capital has fallen and the city was destroyed in the war. The grass is overgrown with weeds and the trees are barren. The poet remembers how prosperous the spring in Chang 'an was, with birds singing and flowers fragrant, sheep flying, bright smoke and tourists lingering, but that scene has disappeared today.
A word "broken" makes people stunned, and another word "deep" makes people sad. The poet wrote about today's scenery, which truly expressed people's sense of history, pinned their feelings on things, and created a desolate atmosphere for the whole poem with the help of scenery. The two diametrically opposite images of "national destruction" and "urban spring" coexist, forming a strong contrast.
Full text appreciation
This poem is a blend of scenes, deep feelings, implicit and concise, which fully embodies the artistic style of "depression and frustration". This poem has a compact structure and revolves around the word "Wang". The first four sentences are lyrical by borrowing scenery and scenery. The poet's sigh and anger, in the cross-transformation of feelings and scenery, have been conveyed implicitly, from ascending to overlooking to focusing on the perspective, from far and near, from light to strong.
From the beginning, I described the bleak scenery of Beijing, to the tears when I saw the spring flowers and the resentment when I listened to the birds singing; Then I wrote that the war lasted so long that there was no news at home. Finally, I wrote my own sadness and aging, interwoven and progressive, creating a realm that can arouse people's voices and deep thoughts.
It shows the typical feelings under the background of typical times, reflects the good wishes of contemporary people to love the country and yearn for peace, and expresses everyone's unanimous inner voice. It also shows the poet's noble feelings of worrying about the country and the people and being sad at times.