I don't explain the history and causes of the old cadres too much because I ask how to treat them. Just a personal opinion.
As a new poetic style, the old cadre style seems to be less popular in recent years. After all, this noun has taken a derogatory meaning. The paper media is the most popular among the old cadres, although there are some on the Internet, but because the network is a two-way and diverse boundary, it is inevitable that the old cadres will not be ridiculed as long as they show up on the Internet. As an old cadre creator who has a table in life, a position in the family and an influence in the unit, who can stand such a spray on the Internet?
Therefore, the number of people who post old-fashioned poems on new media is still relatively small.
if there are any, they are mostly diehards who are not afraid to spray. They don't need and won't accept other people's opinions, and they still regard themselves as heroes.
People who really have brains and love poetry, even if they are confined to decades of life experience, will learn poetry from the old cadres and see the real world of poetry in the big dyeing vat of the Internet, and most of them will put away their pride and learn from scratch.
there are many such people around me. The change of position makes them rethink, pay more attention to the connotation of poetry itself, try their best to break up the pattern of their old cadres and make good poems.
we say that the old dry style is a new poetic style, but it is not accurate. Come to think of it, which literati can't write two poems after the Chinese Millennium officialdom? Which retired official hasn't written a poem that praises and praises? Therefore, the old dry body is not a new thing in origin. Li Bai, Du Fu, Wang Wei, Gao Shi, Ouyang Xiu, Su Shi, Xin Qiji, these great poets, who are not old and who have not written?
However, why do you say that the old style is a new poetic style, but what those poets wrote doesn't count? Because people are literary.
No matter what you say, China's traditional officialdom officials are all literary talents. He will sing praises and turn around, and will not be shameless because of flattery. The cultural fault is an irreparable defect of the new China generation, which is related to the ruling class and consciousness.
Today, with the whole society paying more attention to cultural literacy and advocating and preaching traditional culture, our next generation, when they come to this retirement creative season, will naturally be much higher than today's generation, and there is no need to start all over again to learn rules and regulations, and they will not simply write their enthusiasm into slogans and output it.
The literary model and the slogan encourage Bunsen to be two things that help each other.
These two things are similar to each other, which makes the old cadre a freak.
With the improvement of the whole social and cultural level, this freak should disappear except in some unavoidable occasions.
I hope this day will come soon. The literary and poetic circles are very lucky.