Ode to the Six Meanings of the Book of Songs
Style, elegance and praise are divided according to different music. Wind, the fifteen-country wind, is a musical tune in various places, including Nan Zhou, Zhao Nan, Bi Feng, Bi Feng, Feng Wei, Feng Wang, Zheng Feng, Bi Feng, Qi Feng, Feng Wei, tang style, Qin Feng, Qian Feng, Martin, Cao Feng 15 voices, 160 articles. Ya 105 pieces, including Ya 3 1 piece and Ya 74 pieces. The ode is divided into three parts: Zhou Song, Truffle and Shangsong, which are thirty-one, four and five, respectively, for the joy of sacrifice in suburban temples.
Fu Bixing
Fu, Bi and Xing are the expressions of The Book of Songs. In Song Dynasty, Zhu had a clear explanation in Biography of Poems: "The giver, the doer, the doer who speaks frankly"; "Comparator, compare this thing with other things" and "Excited person, say something else first to cause words to be sung". Simply put, Fu is to directly express the thoughts and feelings to be stated. For example, the phrase "hold your hand and grow old with your son" in "Drumming at the Peak" means expressing love words directly and enthusiastically; Another example is "Self-protection", which tells the grievances of a divorced woman without reservation in a "blessing" way. Comparison is to compare one thing with another by analogy. For example, in Feng Wei Telling People, a beautiful woman is described as "soft-skinned". "。
Characteristics and Influence of The Book of Songs First of all, lyric poetry is the mainstream of The Book of Songs.
Secondly, the poems in The Book of Songs, except for a few, fully reflect the real world, daily life and daily experience.
Thirdly, in connection with the second item mentioned above, The Book of Songs has obvious political and moral color as a whole.
Fourthly, the lyric poems in The Book of Songs are generally restrained when expressing personal feelings, so they appear peaceful.