Ask the canal to be so clear, because there is running water at the source. 2. "Shi Shuo" era: Qing Author: Three hundred poets have poems, all of which have become swan songs.
Today, people don't talk about the source water, just ask who the school is. 3. "Forty-eight Poems of Qianhai" Year: Qing Author: Gong Zizhen, the source of all things, must be renamed, which is not the same as Han Gongqing.
When the times didn't fall, I was crazy about it. I stood on Donghua's side. 4. "Li Participates in Politics Birthday" Year: Song Author: Wei Liaoweng released Qingming Zuiyan to wake up, and everyone flicked his fingers to wish the former stars.
Who to mention the source? It takes six classics to govern the country. 5. "Even Topic" Year: Song Author: Zhu followed the running water to find the source of the stream, but he was disappointed at the source.
I believe that the real source has not been found, or the column of walking stick enjoys the flow when it comes.
2. Idioms about traceability idioms about traceability:
Tracing back to the source,
Upstream of the source,
Tracing back to the source,
Tracing back to the source,
Original traceability,
Tracing back to the source,
Traceability along the river,
trace (back) to the source of sth
Trace to the source, explore the root cause and find the reason.
Tracing to the source is a metaphor for exploring and tracing the roots and sources of things. The same as "exploring the root of poverty".
Tracing back to the source, fundamentally correct and find out the reasons.
Tracing back to the source: fundamental; Tracing back: exploring. Tracing the root, tracing the source, metaphorically tracing the root.
Back to the source: with "return", return, return; Tracing to the source: looking for the source. Metaphor is the pursuit of the root of things.
Tracing to the source: refers to tracing to the source. The same as "tracing the source".
3. The poem about the source is 1. Random thoughts on reading
Year: Song Author: Zhu
Half an acre of square pond opened, and the sky was overcast.
Ask the canal to be so clear, because there is running water at the source.
2. "Say poetry"
Year: Qing Dynasty Author: Song Xiang
300 poets, whether they have poems or not, have become swan songs, which is refreshing.
Today, people don't talk about the source water, just ask who the school is.
3. Forty-eight Poems on the Sea
Year: Qing Dynasty Author: Gong Zizhen
The source of all things must be clear, which is different from the comprehensive nuclear Han Gongqing.
When the times didn't fall, I was crazy about it. I stood on Donghua's side.
4. Li Zhengen's birthday
Year: Song Author: Wei Liaoweng
When the wine wakes up in Qingming, everyone can snap their fingers and wish for the stars of the past.
Who to mention the source? It takes six classics to govern the country.
5. "Even number problem"
Year: Song Author: Zhu
As the water found the source of the stream, I was puzzled by the water in the stream.
I believe that the real source has not been found, or the column of walking stick enjoys the flow when it comes.
4. Tracing the Origin of Seven-character Ancient Poetry Seven-character Ancient Poetry is a genre of ancient Chinese poetry, with seven words or seven sentences as the main style.
It originated from folk songs. In the pre-Qin period, in addition to the seven-character sentences in The Book of Songs and Songs of the South, Xiangcheng Pian written by Xunzi is a kind of miscellaneous verse with seven characters as the main body, which is an imitation of folk songs. In the Western Han Dynasty, there were seven popular rhymes, such as Sima Xiangru's Fan Jiang and You's Jiupian, as well as Louhu Song and Shangjun Song contained in Hanshu.
promote/begin/get up/perhaps/a surname/interest
There were many seven-character miscellaneous songs in the Eastern Han Dynasty. For example, Mai Yao, Wu Zaicheng (Sima Biao's Five Elements of Han History) and Huan Er Ge (Bao Puzi's Shen Ju) at the end of the Eastern Han Dynasty are all vivid, popular and fluent folk works in seven languages. According to legend, Emperor Wu of the Han Dynasty once called his ministers together and made a seven-character couplet of Bailiangtai. But according to later research, this is an untrue statement and unreliable.
Ge Yanxing by Wei is China's first complete seven-character poem of literati. Later Tang Huilin and Bao Zhao all had seven-character poems. Bao Zhao's 18 "Zhun Qi Difficult to Walk" not only greatly expanded the content of the poem, but also changed the rhyme of the original seven-character poem into the rhyme of every other sentence and can be changed, which opened up a new way for the development of the seven-character style.
From the Liang Dynasty to the Sui Dynasty, seven-character poems gradually increased, and it was not until the Tang Dynasty that seven-character poems really developed. The appearance of seven-character poems provides a new and bigger form for poetry and enriches the artistic expression of China's classical poems.
5. The poem of long and short sentences can be traced back to Du Fu's poem: "Recently, long sentences have crossed the sea, you and Shandong Li Baihao." Ji Dong notes: "A long sentence is a seven-character song." But Du Mu has a poem: "Dong Bing has a long sentence and ten rhymes." This is an arrangement of seven words and twenty sentences. There is also a poem called Long Sentences and Four Rhymes, which is a metrical poem with seven words and eight sentences. There is also a poem called "Long Sentence", which is also the seven laws. Bai Juyi's Pipa Xing is a seven-character poem, which he himself called "Long Sentence Song" in the preface. It can be seen that "Long Sentence" is a seven-character metrical poem, which is the same in both poetic style and metrical style. However, Du Mu has two poems: one is "Liu Long Sentence" and the other is "Liu Jue Sentence". What he said is a seven-meter poem. In this way, he equated "long sentences" with "quatrains", as if "long sentences" only meant seven words.
6. The source of the poem is deeply impressed by the famous sentence "The bright moon on the sea was born in the tide", but its source is "Moonlight on the Spring River", Zhang's moonlight on the Spring River was born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river. The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
(4) Frost flows in the air and cannot be seen on the white sand. There is no dust in the sky, and there is a solitary moon wheel in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss. Who will go boating tonight? Where do you miss Mingyue Building? Poor upstairs, back to the moon, people should be left to fill the mirror table.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil. At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west. The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people return home every month, and the moon is full of river trees. Author 660-720? Yangzhou (now Jiangsu) was a soldier Cao in Chongzhou.
He He, Bao Rong and Zhang Xu are also called "four sons of Wuzhong". Shenlong (705-707), together with He and Bao Rong, is quite famous as a wuyue scholar in Kyoto.
Most of his poems have been lost, and there are only two poems left in the whole Tang Dynasty. One is "Answering the Dream of the Boudoir", which talks about the feelings of the boudoir, and the poetic style is close to Qi Liang, with little characteristics; The other is "Moonlit Night on the Spring River", which is "isolated" and "unexpected" (Wang Kaiyun's "Wang Zhi on the Origin of Tang Poetry").
Note (1) Moonlit Night on the Spring River: The old name of Yuefu's "Shengge of Shangqingwuqu" was founded in Chen Houzhu, and there are two existing poems, the earliest of which is a short poem with five words and two rhymes written by Emperor Yang Di. 2 excitation: sparkling appearance.
(3) Fangdian: a garden full of flowers. (4) graupel (sound ray): snow beads.
⑤ Listen (listen): The river beach. Jieshi: the name of the mountain, in Changli, Hebei Province today.
Xiaoxiang: Two water names, both in Hunan today. Comment on this poem, write about spring, river, flowers, moon, night and all kinds of related scenery, while moonlight is used to unify the scenery, which contains philosophy and affection, forming a hazy, profound and wonderful artistic realm, which makes people explore endlessly and think deeply.
The whole poem can be divided into two paragraphs. "Water from the Yangtze River" is the first paragraph, and the beautiful scenery of spring, river, moon and night leads to philosophical thinking about the universe and life.
The first two sentences show the broad vision of "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide". A word "life" personifies the bright moon; A word "* * *" emphasizes the natural connection between Chunjiang River and the bright moon.
The river flows thousands of miles, and the moonlight travels thousands of miles with the waves; The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. In short, the moonlight and Jiangbo set each other off, with spring flowers and bright moon. How affectionate! The poet stood by the river and looked up at the bright moon. He couldn't help asking, "Who has seen the moon on the river?" ? When did Jiang Yue take the photo at the beginning of the year? "the problem.
The poet naturally cannot answer this question about the formation of the universe and the origin of mankind. So I turned to meditation, "Life goes on from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue is waiting for, but the Yangtze River sends water. "
The universe is eternal, and the moon is always there; And life, personally, how short life is! But as far as human beings as a whole are concerned, they are handed down from generation to generation and live endlessly, so they can coexist with the bright moon. So, although I don't know when I took pictures of people at the beginning of Jiangyue, I have taken photos from generation to generation since the first photo.
Compared with the eternity of the bright moon, the poet is not without emotion about the hasty replacement of life. However, when he thought that the endless life of human beings was also illuminated by the bright moon, he felt gratified. From this, I make a further exploration: is a "lonely moon" shining on the Yangtze River forever, and is it that her lover knows it clearly and hasn't waited yet? So Jiang Yue's association with "treating people with things" turned to the next paragraph.
"Lonely Moon" still "treats people and things", not to mention swimming and missing women? The poet then galloped in the imagination, expressing his love for love, and looking at the woman on behalf of the wanderer. The poet fantasized that "whose ship is sailing tonight" was passing by the "Qingfengpu" by the river, witnessed the "white clouds drifting away" and gave birth to a wandering journey "sorrow", so he missed "where is the bright moon building".
Judging from the word "Ying", which says "You should take your eyes off people's makeup mirrors", the following words "Wandering back to the moon on a poor building" are all the words of the poet's imaginary wife about how to miss herself: her wife looks forward to the moon and is pregnant with people, so she is afraid of seeing the moonlight. But she can roll up the "jade curtain", but she can't roll away the moonlight; You can erase the anvil, but you can't erase the moonlight.
"At this time, we don't know each other", and Gankun's moonlight can see my husband, which leads to the delusion that "I hope to shine on you every month". I can't follow the moonlight to see my husband, so I want to send books and letters to Hongyan and carp according to ancient legends. However, Hongyan cannot fly out of the light and shadow of the bright moon. Carp yue longmen can only cause ripples on the water.
Next, the poet's imaginary "boat" misses home and wife, and the dream is shaped by imagination. He saw the fallen flowers in his dream and realized that spring was over and he hadn't gone home yet.
Helplessly watching "the spring river flows away, Hechi melts the moon and falls back to the west", time goes by, and my youth and longing are also passing by. However, Jieshi, Xiaoxiang and Shuiyuan Mountain are far away. How can I go home by the moon? Ending the whole article with "full of feelings in the shadow of the moon", the feelings are swaying and touching. Since Baiyun, the lovesickness of vagrants and women has been written with spring, river, flowers, moon and night as the contrast. There is imagination in imagination, and there is dream in the real world. The mind and matter are interlinked, time and space overlap, and the reality and reality complement each other, thus achieving a low, lingering and endless meaning.
There are thirty-six sentences in the whole poem, and every four sentences change rhyme, level and level, cadence and cadence, adapt to the changes of content, explore its meaning and have a melodious charm. This poem has been highly praised by poetic theorists since the Ming and Qing Dynasties.
Hu Yinglin's Poem Internal Compilation (Volume 3) says: Zhang's Moonlit Night on the Spring River was published in Pulsatilla smoothly and tactfully. "Zhong Xing's" Three Hundred Tang Poems "stone:" It's really chemical to refine the five words of spring, river, flower, moon and night into strange light! Lu Shiyong's Mirror of Tang Poetry: Subtle feelings are mysterious, and most of them are suspense of surprise.
Qu's "Three Hundred Poems of Tang Dynasty" said: "Love and literature are a natural couple, and each has its own strong points, which are fantastic and unpredictable. "Wen Yiduo's Redemption of Palace Poetry is even more praised as a poem with a peak." .