Which poem was written by Li Bai for Yang Guifei?

Three poems in Qingping Tune: Li Bai-yun wants clothes, flowers and capacity, and the spring breeze blows the threshold to show off the richness. If I had not seen her on the jade hill, I would have met in the moonlight of the jade pool. A red dew is fragrant, and sex and rain are heartbroken. Excuse me, who looks like Han Palace? Poor swallow leans on her new makeup. Famous flowers fall in love with each other and look like kings with smiles. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is leaning on the north. These three poems were written by Li Bai when he was dedicating himself to Hanlin in Chang 'an. One day, Xuanzong and Yang Fei were watching peony flowers in the palace, and Li Bai was ordered to write a new movement, which Li Bai wrote by imperial edict. In the three poems, Mu Shaoyao (Peony) and Yang Fei are written together, and flowers are people, and people are flowers, which make people's faces smooth and harmonious, benefiting Xuanzong of the Tang Dynasty. From the perspective of text structure, the first one is written from space, introducing readers to Langyuan, themoon; The second song is written from the time, introducing readers to the balcony of King Xiang of Chu and the court of Emperor Han Cheng. The third song returns to the current reality, pointing out the north of the Aquilaria Pavilion in the Tang Palace. Poems and pens are not only easy to write, but also linked with each other. The spring breeze in the "first" and the spring breeze in the "third" echo each other from afar. The first song, together with seven words: "Clouds want clothes, flowers and capacity," writes Yang Fei's clothes as if they were really like clothes and feathers, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that you think of clothes when you see clouds, and looks when you see flowers. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven characters give people a sense of flowers. Next, "the spring breeze blows the threshold to show off the fragrance of flowers", and the beauty of peony flowers is more colorful in the crystal dew, which makes the above sentence more full, and at the same time, the wind dew is a metaphor for the grace of the king, which makes the flower face more spiritual. Below, the poet's imagination suddenly rose to the group of Yushan and Yaotai where the Queen Mother of the West lived in heaven. "If it weren't for" and "meeting", the poet pretended to choose, and he was sure that such a beautiful face could only be seen in the fairyland! Jade Mountain, Yaotai and Moonlight, with plain words, set off a beautiful face, which naturally reminds people of a white jade-like person and a warm white peony flower. At the same time, the poet did not show any traces, and compared Yang Fei to a heavenly girl, which was really exquisite. The second song, starting with the sentence "a red dew condenses fragrance", not only writes color, but also writes fragrance; Not only write natural beauty, but also write the beauty of dew, which is further advanced than the previous "Revlon". With the story of King Xiang of Chu, "Sex and Rain in Wushan Waste Heartbreaking" humanizes the flowers in the previous sentence, pointing out that the King of Chu was heartbroken for the goddess, but in fact, the goddess in his dream can't get the current beauty! After that, Zhao Feiyan, the queen of Emperor Han Cheng, is a peerless beauty, but Zhao Feiyan still has to rely on new makeup, and Yang Fei, who looks like a beauty in front of her eyes, needs no makeup, which is natural and stunning. This song is also a way to respect the topic by depressing the goddess and the flying swallow and raising Yang Fei. According to legend, Zhao Feiyan is lithe, and she can dance and dance in a crystal dish held by imperial secretary, while Yang Fei is relatively fat, with the inherent saying of "ring fat and swallow thin" (Yang Guifei's name is Yuhuan). According to this, later generations fabricated facts, saying that Yang Fei was very happy with these three poems, and often recited them. Gao Lishi thought it was a great insult because Li Bai had ordered him to take off his boots, and he called Yang Fei a disgrace, saying that Li Bai had scorned Yang Fei's fatness with the thinness of swallows, and her fornication with swallows, and her palace was disorderly. If there is such a meaning in Li Bai's poems, first of all, he can't hide from Xuanzong, who is knowledgeable and literate, and Yang Fei is not a person without cultural accomplishment. According to the original poem, it is obvious that it is impossible to suppress the ancient and respect the present, and to impose misinterpretation. The third song returns to reality from the fairyland ancients. In the first two sentences, "Famous flowers pour out the country and enjoy each other, which makes the king look with a smile". The beauty of "pour out the country" refers to Yang Fei, of course. The poem is only pointed out here, and the peony and "pour out the country" are combined with "pour out the country", and the words "look with a smile" are unified again, so that peony, Yang Fei and Xuanzong are integrated. Because of the "laugh" in the second sentence, the "explain the infinite hatred of spring breeze" in the third sentence is aroused. The word "spring breeze" is the pronoun of the king. This sentence makes the moving beauty of peony full of interest, and the king laughs, of course, there is no hate, and the hate is relieved. At the end of the period, the place where Yang Fei of Xuanzong enjoyed flowers was "North of Chenxiang Pavilion". Flowers outside the diaphragm, people lean on it, how elegant and romantic. These three poems are rich in language and rich in words, and the most prominent thing is to write flowers and people together, such as "clouds want clothes and flowers to make them look good", which seems to be writing flowers and faces. "A branch of red dew condenses fragrance" is also a mixture of people and things, which means one thing and the other. Reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes, the face is blurred, and you don't need to be portrayed. Naturally, people feel that this is a peony, which is beautiful and jade, not anything else. No wonder these three poems were deeply appreciated by Xuanzong of Tang Dynasty at that time. Hey! Tired, my hands are weak!