Yu Xiuhua is an awakened woman.
The so-called female consciousness refers to women's experience and awakening of their own values on the premise of natural gender identity.
Its performance is to pay more attention to their own living conditions, examine women's psychological feelings and express women's life experiences.
Women are emotional, so are poems. When a sentimental poetess wrote this poem. Outsiders may be able to look at and analyze this poem from their own perspective, but her husband should pay attention to the poet's own thoughts. It's a pity that her husband is a clown and doesn't understand poetry.
Yu Xiuhua was forced to marry an illiterate farmer because of his own disability. Actually, it's nothing The key is that he doesn't understand her and her poems, and they can't communicate spiritually. Moreover, their marriage relationship is not based on emotion, but an arranged marriage.
Naturally, for Yu Xiuhua, she can't get basic respect and satisfaction in emotional and spiritual aspects, so she can only talk to her poems. Therefore, in many of Yu Xiuhua's poems, you can see that kind of intense or pure mood and expression. This song "Sleeping with You Across Half of China" is one of them.
I don't think anyone who lives with someone they don't love for a long time can be satisfied emotionally or physically. Over time, nature is hard to suppress. In this poem, which is denounced by some people as a "slutty body", naked love is like a wild horse in generate.
In China's ideology and culture, sex has always been concealed and regarded as a shameful thing. Especially for women, it is even more harsh. Sometimes you have to be criticized for wearing something revealing. And when a woman openly says "I want to sleep with you", it seems that she has violated the taboo of women's morality.
But I want to say: any woman is a person first, and then a woman.
What men say, women say.
Besides, "I sleep with you" is not a vulgar word.
Although artistically speaking, the achievement of this poem is not high. But the female consciousness contained in it is so precious. In today's China, the status of women seems to have improved. In fact, there are not many people who really have the awakening of female consciousness.
Of course, I'm not saying I dare to shout "I'll sleep with you", but I need to be feminine.
It is this poem that shows the equality with men in the exercise of sex.
In conventional thinking, I sleep with you, which is often dominated by men.
Women take the initiative to decide to sleep with others, instead of "longing" or "secretly calling" men to pity themselves, and think about women's status in both sexes from the perspective of equality with men. This is essentially the embodiment of pursuing independent personality and women's value.
In the patriarchal feudal society, how courageous and commendable it is for a woman to say "I can spy on Song Yu, why hate Wang Chang", which is the awakening of female consciousness.
However, such a sentence has also been despised by poetry critics of past dynasties, saying that she does not keep women's morality. Huang, a member of the imperial dynasty, criticized: "Teacher Fish can be said to teach you to be promoted and make a fortune, which is tempting and illegal. Sin! Sin! "
For thousands of years, the awakening of female consciousness in China's poems has experienced too many struggles.
From the denunciation of abandoning men in The Book of Songs, to the search for one's own love after abandoning women and giving them to neighbors, to the search for love with independent personality in Shu Ting's To the Oak, and to Yu Xiuhua's active expression of his desire for love, it is a great progress for women to pursue independent personality and female value, and it is also a progress for women's poetry.
In fact, doesn't Yu Xiuhua's desire for love reflect the inner demands of the majority of rural left-behind women in China today?
This poem conveys the anxiety and helplessness of rural hollowing out, and also reflects the sensitive insight into the relationship between men and women.
In Yu Xiuhua's poems, "spring" represents the beauty that she can't reach.
She compared it to snow, which is essentially a longing for love.
Because of her inner inferiority, she compared herself to barnyard grass.
Rice and barnyard grass are just like the difference between normal people and disabled people.
So she longs for spring and resists it.
Because the beauty of spring is not what she can have as a barnyard grass, she knows it very well.
Whether it is vibrant in spring or bright and beautiful; Or bleak and desolate in autumn, or sad and lonely.
As long as you can, you can dig out from my heart, or read any kind of true feelings.
They are all true respect and understanding for me, which makes people moved and happy, so they burst into tears.
You will find that in fact, her poems are not a single appeal and expression of feelings and desires, but an attempt to present a rich, complex and distinctive female subject image.
Of course, her poems are not limited to the world, and there are many fresh and gratifying pastoral simple poems. For example, "In the afternoon, I fell down".
In Yu Xiuhua's works, color is an adjective, a noun and a verb.
At the end of this poem, it is used as a verb and has no stereotype.
She writes some details and trivial things in her life in simple language, which seems handy, but full of poetic tension. For example, the "white silk scarf" leads to a sense of life experience, and the two "mighty" at the end extend the simple poetry to a deep and broad space.
Some of her works are quite naive and natural in Tao and Xie's poems.
Van Gogh once said, "If a person really loves nature, he can find beautiful things everywhere."
Sunlight shines on poplars, ponds and aquatic plants, as well as ferns, rape and wheat. Everything grows in this sunshine, showing vitality and beauty. As Xie Lingyun said, "Spring grass grows in the pond, and garden willows turn into songbirds."
If all the previous poems were vulgar and plain, then this one is closer to elegance.
Flowers are weak in nature, but Yu Xiuhua wrote the blooming of flowers so powerfully.
In her works, it seems that this "flower" is the protagonist of the universe, and this series of magnificent images of "volcano, ocean and galaxy" are only used as a foil. This kind of imagination can be called "strange rose".
Wheat is Yellow is one of Yu Xiuhua's representative works, which best reflects her poetic talent.
Many poets in ancient and modern times used colors to create distinctive artistic effects, such as literature.
But Yu Xiuhua used it so well. The blending of the four colors "yellow, white, brown and blue" gives people a strong sense of picture and visual impact, especially in the ending sentence, which uses color as a verb to a new height, creating an artistic conception of "emptying exotic roses" and even becoming a poem.