A day without writing poetry, the heart is like an abandoned well. -Tang Jiadao's "Friends' Play".
When writing poetry, it is difficult to copy the scene after it is lost. -Su Song Shi, "Visiting Two Monks in Wheeler in a Lonely Mountain"
Is it true that the article is complacent and the mantle is passed down? -On Poetry by Kim Wang Ruoxu.
I write my mouth by hand. How can I be detained? -Huang Qing's feelings of respecting the sages
There are lingyun pens vertically and horizontally, and it is pitiful to bow down to others. -Jin Yuanhao's On Thirty Poems
You must teach yourself to step out of your chest and avoid following in the footsteps of others. -Dai Song Fugu "On Ten Poems"
The voice of nature is full of interest, but good poetry is inhuman. -ZQQ Wen Tao on Twelve Poems
Spring river, autumn moon and winter ice and snow, I don't hear anything, just listen to the sky. -Song Yang Wanli "Reading Zhang Wenqian's Poems"
Don't write death sentences into poems. This is a strategy handed down by Weng Fang. -Qing Yuan Mei's poem "Imitating Yuan and Relying on the Mountain".
Explanation:
The article is eternal, and the gains and losses are well known: the article is a cause that has been passed down through the ages, and only the author knows the ups and downs.
If you don't write poetry for a day, your heart will be abandoned; if you don't write poetry for a day, your heart will be abandoned, which shows the great temptation of poetry.
When writing poetry, it is difficult to describe the lost scene: metaphor should grasp the sudden and sudden inspiration, and "scene" is the lyrical carrier image of "confusion of meaning and context"
Is the article complacent and handed down by hand? Facing meaning directly means that it comes from feeling, and naturally generated poems are the most precious. Where is the true feeling in the poems that I have learned like a master and a disciple?
I write my mouth by hand. How can I restrain myself? I wrote what I wanted to say, and I couldn't help it.
It's pitiful to bow down to others: it means that the poet should "have his own lingyun pen vertically and horizontally" like Yu Xin, express his true colors boldly and freely, and don't be a poor person who follows others.
You must teach yourself to follow the footsteps of others: that is, don't blindly follow the crowd and do things with your own point of view. Not everything else suits you.
The sound of nature is full of natural interest, but good poetry is not close to human feelings: the sound of nature (which can be compared to the beauty of sound) is played by itself, and this kind of fun is really enjoyed; A good poem must first be close to the feelings (moods) of the characters.
Spring, autumn, month, winter, ice and snow, don't listen to them, just listen to their days: no matter spring, summer, autumn and winter, people's (or their own) pain can't be stated and can't change anything, and everything can only be resigned to fate.
Don't write the death sentence into poetry. This strategy comes from Weng Fang: Don't write sentences that are not fluent in poetry. This is what Lu You said. Weng Fang is Lu You's word.