On the Linguistic Features of Wang Wei's Poem Chai Lu.

This poem depicts the quiet scenery of empty mountains and deep forests near Chai Lu in the evening. The beauty of poetry is that it is dynamic and static, local and global, fresh and natural, unpretentious. Put pen to paper to write about the lonely place of the empty mountain, and then smell it with Dan, attracting people's voices. The more empty the valley, the more empty it is; After human language, the more empty it is. Finally, I wrote some reflections of the sunset, which triggered a feeling of darkness.

Generally speaking, writing landscapes is inseparable from specific scenery, or describing rugged rocks, or depicting towering ancient trees, or rendering waterfalls and suspended springs, with the focus on the strangeness of the scenery. The poem begins with a strange phenomenon: "There seems to be no one on the empty mountain, but I think I hear a voice." The rocks are stacked on top of each other and look empty. But sometimes I suddenly hear loud laughter, but because of the repeated reflections of the echo, it is difficult to judge where the human voice comes from. People have had similar experiences, which is normal. But it is a kind of creation to express this method of observing things with complementary vision and hearing in the form of poetry. Judging from the performance of poetry, it is innovative and unconventional; From the receiver of the work, it is so novel and interesting, just like being there, causing positive emotional activities. The first two poems were written in plain language, and when touched slightly, the realm came out. The word "empty mountain" at the beginning of the poem is relative to no one, and it also shows that the poet's vision is broader and he can take in everything in a glance; If you are in a virgin forest, you can't get the image of an "empty mountain". From these two sentences, we can also get a glimpse of the characteristics of the scenery situation in the mountains. The word "ring" in the antithesis echoes the word "empty mountain": only when there are not too many obstacles can the sound echo back and forth in the valley, and people can say "human voice". So the surrounding scenery must be sparse. The first two sentences are quiet because of sound and move because of sound; The last two sentences are written deeply, with the color of light. The scenery on the mountain will change from time to time because of dusk and wind and rain. This poem chooses the scenery in the evening as the description object. At this time, the sunset shone back into the depths of the forest, and some light fell on the moss. It's getting dark, and all kinds of scenery are many-hued, with sharp contrast between light and shade. Not far away, the gloomy shadow cast on the ground gradually elongated; Deep in the Woods, it's quiet because of the darkness. The best time for this kind of landscape is late summer and early autumn, and it must be sunny evening, so it can't rain all the time. The first perspective of this poem is deep in the forest. People's senses can't directly perceive the depths of the forest. This poem describes deep affection with "infinity" and "mystery" that are invisible or unimaginable. And that affection is deepest in the sunset in late summer and early autumn. The second perspective point is moss. This scene is at the bottom of your eyes. You can observe its shape and distinguish its color. Moss lives in dark and humid places. Its growth is the result of dense trees blocking the sun, but now it is in the sunset. These two perspectives are combined and reflect each other, which makes poetic truth and reality coexist.