What are the characteristics of early vernacular poems?

Poetry writing in the first ten years \ x0d \ x0d \ 1. The \ x0d \ x0d \ "May 4th \" literary revolution of early vernacular poems started from the creative practice of vernacular poems. A considerable part of the "eight things" in Hu Shi's "My humble opinion on literary improvement" is about the poetic revolution, such as opposing allusions, opposing old poems, moaning and so on. In my view of literary improvement, Liu Bannong also actively advocated the poetry revolution, and put forward some concrete suggestions, such as "adding blank poems to rhymed poems". 19 19, Hu Shi published a long article "Talking about New Poetry", and put forward a series of constructive opinions and opinions on new poetry. Under the guidance of the theory of vernacular poetry, the creation of vernacular poetry has gradually formed an atmosphere. The first batch of vernacular poets appeared, such as Hu Shi, Liu Bannong, Zhou Zuoren, Shen and Kang. The flattening tendency of early vernacular poems was first challenged by the poets of the Creation Society, who highlighted and emphasized the two basic elements of emotion and imagination. Guo Moruo's Goddess paid full attention to and exerted the lyrical essence and individuality of poetry, and his bold imagination made the wings of poetry soar, making Goddess the foundation stone of China's modern new poetry. \x0d\ From the content, most of them describe love. This large number of love poems not only shows their similarity, but also shows their unique contribution to China's new poems. They dare to break through the net of feudal ethics and express their love between men and women boldly and frankly. Before that, the free poems praising love were not as bold, true and enthusiastic as lake poets's, but they were not vulgar and obscene. In the introduction of China New Literature Collection, Zhu Ziqing pointed out that "China lacks love poems, and some of them are only' remembering the inside' and' sending the inside', or works with profound meanings; There are very few people who confess, and there are no people who sing love for love. " And "the four young people who really concentrate on making love poems are' lakeside'". At the beginning of the "x0d" literary revolution, in the fierce confrontation between vernacular Chinese and classical Chinese, Hu Shi and others proposed that poetry should be spoken, which freed poetry from the shackles of thousands of years old poetry. However, with the great liberation of this poetic style, new poetry has a tendency to spread culture. The poet asked the new poem to break the format of five words and seven languages in form and break the level of syllables. \ x0d \ x0d \ It is against this background that the Crescent School, represented by Xu Zhimo and Wen Yiduo, began to vigorously advocate new metrical poems. In 1926' s metrical poem, Wen Yiduo put forward the three beauties of poetry, that is, "the power of poetry includes not only the beauty of music and painting, but also the beauty of architecture." Xu Zhimo's "Poetry" magazine also pointed out that poetry, music and art are of the same nature, so we should pay attention to discovering new formats and chapters, because "a perfect body is the only expression of a perfect spirit"