It should be said that Qi Xin, a researcher, finally let Li Shangyin walk out of the dust of history and glow with his most unique poetic light. Since the new period, the research on Li Shangyin has not only achieved many achievements, but also is very comprehensive and neat compared with other poets in the Tang Dynasty. Tao pointed out that as far as the study of Tang poetry art is concerned, since the new period, "Li Shangyin's research has gained the most" (Current Situation and Thinking of Tang Poetry Art Research, Yearbook of Tang Literature Research 1999), and there is nothing wrong with transferring this language to evaluate the whole study of Li Shangyin.
Wu Diaogong's On the Hazy Beauty of Li Shangyin's Poems holds that Li Shangyin's poems are "interesting in irregular changes", "interesting in disordered words without artistic conception" and "interesting in proximity but not floating, far and inexhaustible", thus forming the aesthetic characteristics of hazy beauty. Chapter VII "Artistic Features of Li Shangyin's Poetry" Liu and Yu Shucheng believe that Li Shangyin's poetry "has the characteristics of profound sustenance, meticulous conception, implicit artistic conception, beautiful charm, beautiful language, sonorous rhythm and ingenious allusion, which shows his unique artistic style of profound elegance and rich symbolic implication."
Another example is Li Shangyin's Poems collected by Liu Xueyan and Yu Shucheng. This book is a collation, annotation, evaluation and annotation of Li Shangyin's poems, and a comprehensive summary of the previous research results, which is of great significance.