Artistic conception is a unique aesthetic category in China's aesthetic theory. As far as its connotation is concerned, artistic conception is the subject's aesthetic emotional will and an objective aesthetic realm beyond the realistic realm, which can inspire readers to create a beautiful realm after the perfect combination of poetic connotation and artistic expression; As far as its extension is concerned, it is the result of readers' aesthetic association and imagination, and it is the artistic world transformed by the appreciator after participating in the aesthetic experience. Therefore, the artistic conception of poetry has the characteristics of comprehensive beauty: there is both the inner beauty of aesthetic thoughts and feelings combined with reason and emotion, and the artistic communication beauty combined with tangible spirit and reality; There are both the original expression beauty of the author's subjective aesthetics and the secondary creation beauty of appreciation beauty. It can be said that artistic conception is a transformation of various poetic beauty, and it is the crystallization created by the author and the reader. The same is true of the artistic conception of Qin Zihao's poem Far Away.
The first two paragraphs of Distance wrote two kinds of "distances" respectively, namely, the immeasurable distance between the earth and the moon, and the distance that the peaks on both sides of the strait stare at all day. They all belong to nature. Although far apart, they either "have countless regular dates" or "sometimes show a knowing smile in space". Although these two poems are symbolic, they can still be said to be symbolic writing, which shows the reality in detail. In the last two sections, the poet went from reality to emptiness. In the third section, the poet wrote about the distance between people he had experienced, that is, the distance between a beautiful dream and a lonely reality that could not be compensated because the lover left or the ideal was not realized. The most wonderful thing is the end of the poem: the poet imagined that if he had "five thousand magical fingers", he could shrink the world into a globe in an orderly way, and the distant space would be infinitely reduced, so that he could find his sweetheart at every corner. This can be said to be the imaginary realm created by the poet through novel imagination. Attracting appreciators to explore the deep structure of the whole poem does not necessarily mean to explore and enrich the whole poem by pointing to the philosophical significance of love.
No matter the expectation of love or the realization of hope, it is a common experience in life, which can inspire readers to sing widely. The artistic expression of "distance" in poetry and the efforts to shorten or even eliminate this distance can also stimulate different feelings in different readers' hearts. Therefore, the artistic conception created by the poet is finally transformed and completed in different and colorful aesthetic activities appreciated and accepted by different readers.