1, Italy is the birthplace of pastoral, and it is precisely because of the prosperity of pastoral that the status of Italian music in Europe has gradually become prominent. So your question should start with the Italian countryside. Italian pastoral music, formerly known as Rotola, is a genre of secular music. Early composers of pastoral music were generally masters of this genre, and later they turned to writing pastoral music. Pastoral style has something to do with Petrarch.
Vielard is a representative figure of early Italian pastoral, Basil is the middle one, and later composers are more famous, such as Marenzio, Carlo GeSuardo (a special one, I like it personally, and the tendency of extreme chromatic use is very obvious, with strange rhythm, but full of contradictions and dramatic charm), Monteverdi and others.
Ps: Pay attention to Vielard and Basil. They are the founders of the future Venetian School and the representative composers of the Fafland School. The later representative composers of this school, such as Lasso's Pastoral, are also influenced by these two.
2. In this period, the popular secular music genres in Britain were Root songs and El songs, but Root songs also included pastoral parts. English pastoral is not typical. Compared with Italy and other countries, its music development is relatively backward.
16, Nicholas? The publication of the English version of Yang's "Italian Pastoral Poetry" marked the gradual popularity of this form in Britain, and then the English pastoral movement appeared. Composer Bird, that is, Bird, and his student Molly are representative composers. The style of their works is still deeply influenced by Italian pastoral style.
Related introduction
In the 16th century, a batch of brand-new secular music, like warm wind, blew all over Europe from Italy. Although the church and the rich still favor serious church music, it is losing its dominant position in the music industry at that time and being replaced by this brand-new music: they seem to contain some characteristics, so that the so-called upper-class art music will soon be saved by the popular music of the general public.
In this secular music wave, Italian "pastoral" is the most important music genre.
Italian Pastoral is a song written with high-level poetry as its lyrics. The melody of the song is free, and the lyrics are mostly single paragraphs, mainly using descriptive vocabulary and symbolism. Some works have dramatic effects.
The early pastoral songs were mostly four-part, the main melody style (referring to the texture composed of a main melody and a harmonious background voice), and a small amount of imitation polyphony style (referring to the same melody appearing in different voices one after another, forming a distinct imitation relationship).
Among them, the Faflanders made great contributions to the formation and development of Italian pastoral. Most musicians of this genre come from the Flemish region of the Netherlands (now northern France, the Netherlands and southern Belgium) and are named after it.
The first collection of pastoral songs published by 1533 contains many works created by Flemish composers, who created the genre of "pastoral" while maintaining the characteristics of the Italian folk lyric song Frottola.
Philip Wildlott (1480- 1532) from the Flemish school is one of the main founders of the Italian pastoral school.