What beauty does Dai Wangshu's rain lane show in poetry?

the hazy beauty and rhythmic beauty of poetry. The aesthetic standard of Dai Wangshu's creation and acceptance makes poetry between expressing and hiding itself, that is, the misty beauty of poetry. In his famous work Rain Lane, the poet constructed a lyrical artistic conception, and the misty beauty was vividly displayed. "It's like a dream/a lilac field/this girl floats by me/he is silently far away, far away/to the fallen fence wall/into this rainy lane." The poet incarnates himself as a lyrical hero wandering in a rainy alley. He is in an alley shrouded in drizzle, with a hazy original hope in his heart: "I hope to meet a girl who is like a lilac." However, she was silent, and finally drifted past the poet like a dream and walked into the lonely rain lane, leaving the poet with the hope of floating away. At the same time, Rain Lane is also a model of lyricism with the image of ancient poetry. It has a strong symbolic color, and the lonely "I", the dreamlike "girl" and the lonely "rain lane" all have a strong symbolic meaning; "Rain Lane" is muddy and dark, with no sunshine and warmth, narrow and dilapidated, which is a portrayal of the dark reality of dreary suffocation. The girl who is as charming and bitter as lilac is the false hope, ideal and all good things. The imagination of a poem creates a symbol, which in turn expands the imagination. It obscures the artistic conception, and everything is said without saying anything, which is deeply symbolic of the subtle essence of a poem. In Bian Zhilin's words, it is a modern dilution and extension of the poem "Lilacs are empty and sad in the rain" in the Song Dynasty's poem "Spread the Huanxisha". Symbolizing the poet's sorrow with lilac knots is a masterpiece of traditional poetry, but it has become an opportunity for modern people to express their depressed feelings in Rain Lane. Of course, it also has a creation that transcends tradition. Ancient poetry uses lilacs to express sadness, and it connects lilacs with the image of girls, giving art a more modern and richer connotation. Its artistic conception and emotional appeal are also extremely classical, impregnated with the obvious sentimental atmosphere of aristocratic literati. The image atmosphere reflected in the poem is a lonely rain lane, a continuous drizzle, and a decaying fence, all of which have the same character of * * *; People who appear in the environment are also sad, sad and confused, silently indifferent, sad and confused, and the physical environment and state of mind penetrate each other, which makes it difficult to distinguish between the subject and the object. It is like a watercolor painting with wet ink, and there is a touch of sadness and melancholy lurking behind the sparse and cold image. The form of symbolism and the content of classicism are grafted and merged, forming a graceful and obscure artistic style. Musical beauty mainly refers to the harmony and unity of syllables and rhymes, which makes people's reading catchy and full of musical sense. In the second series "Rain Lane", most of the six poems are neat and pay great attention to musicality. For example, in Rain Lane, in the constant blending of dream and reality, ang rhyme appears repeatedly, and a network of phonology is woven continuously, covering people in it, as if listening to a low-pitched singing.