"Yellow Crane Tower"
Lu Ying of the Tang Dynasty
In what year did the Yellow Crane go to Yaoming? The tall building has been leaning against the river city for ten years.
Dense clouds roll over the mountain scenery, and the sound of the Three Gorges is heard by the flowing water at night.
The willows are dark in Xizhou, and the grass is fragrant in Nanpu.
When you arrive, you always have to look back, but you will be filled with all the feelings of hometown when you look at it.
Jiangxia sends off its friend Tang Li Bai
The green clouds covered with snow are sent to you at the Yellow Crane Tower. The yellow crane shakes the jade feathers and flies west to the imperial state.
How can the Phoenix be given as a gift to those who wander far away and look at each other’s shadows, with tears flowing down the Han River.
"Yellow Crane Tower" Tangjia Island
The high threshold and dangerous eaves are as strong as flying, and the lonely clouds and wild water are leaning against each other. The green hills remain as old as ever, when will the yellow crane go and not return?
The bank reflects half of the city of Xizhou, and the trees of Nanpu are about to fade away in the smoke. I know that Yu Ke has no reason to see, and the messenger in the air looks at Luo Hui affectionately!
"Li Gong chose to ask for the Yellow Crane Tower poem because he remembered what he had heard in the past when Feng was alive"
Song Dynasty Su Shi
The full moon in front of the Yellow Crane Tower makes the old soldier sleepless.
I heard three people laughing and talking at night, and the sound of feathers and clothes walking on the mountain was empty.
It is neither a ghost nor a human being, but an immortal. The sound of knocking on the stone door is clear and round.
In the cave, the sound of clanging clang hits the door, and the mist enters the stone like flying smoke.
The rooster crows and the moon sets and the wind returns, greeting Jishou Yuan holding the whip.
You are not a human being with fishy bones, and gold is too heavy to beg for.
Holding the package and covering the mat, the light shines into the sky through the Mao house at night.
The view from inside the village has changed, it looks like stone but not stone, lead is not lead.
Sometimes there will be public outcry, and the lawsuit will last for several years.
The failure to do so makes me happy, and the gods make fun of you and make you feel pitiful.
The original gentleman is trying to prove otherwise. This statement can be trusted by Feng Gongzhuan.
Huanxisha
I met Chu Qing in front of the Yellow Crane Tower.
Colorful clouds overlap and embrace Pingting.
There was lively chatting and laughter during the dinner.
The standard is better than Zhang Haohao,
The feelings are as strong as Xue Qiongqiong.
Listening to the playing of the zither under the half curtain of flowers and moon.
A guest’s talk about Jingzhu’s Five Prosperities
Last year, I left Shu for an eastward journey.
Ege went to Jingzhou on a large boat.
The wind turned five hundred miles away,
The roar was already at the Yellow Crane Tower.
Playing with the iron flute and blowing out the plug,
The water surges, the moon falls, the fish and dragons are sad.
In the Ming Dynasty, there were noisy rumors about the passing of ancient immortals.
The jasper belt was tied with a yellow fur coat.
How do you know that an official is self-sufficient,
There is no time to rest for the book-keeping meeting.
The sword of Fengcheng has been stale for a long time,
I exhale myself to fight the bullfight
"Yellow Crane Tower"
Song Dynasty Tour Jingren
Huge waves of the Yangtze River hit the sky, and the city walls faced each other and the scenery took in all the views.
The Han River swallows clouds and dreams in the north, and the Shu River leads to the Dongting River in the west.
The sound of the horn sends thousands of families to the moon, and the shadow of the sail divides the autumn on both sides of the Taiwan Strait.
The master of the Yellow Crane Tower disappeared, but he followed the parrot across Tingzhou.
"Bodhisattva in the Yellow Crane Tower"
Modern Zedong
Nine sects spread across China, running through the north and south.
The mist and rain are vast, and turtles and snakes are locked in the river.
Where did Huang He go? There are still tourist places left.
Drinking wine and pouring wine, your heart beats high!
Sending Zuo Yu off to Jiangxia Wei
The green boat is floating,
The pavilion of the Yellow Crane Tower.
The country is clear and clear,
The character wants to be romantic.
Good wine brings back memories,
New poems about old travels.
If there is a fish, you will not eat it.
Make a book and post it.
Chong'en Yan Fu Chan's additional verses
It's been several springs since I've been separated from Lingshan.
I'm happy to see you again today.
Buddhism carries a heavy load on one shoulder,
The first statue in front of the Yellow Crane Tower.
"Yellow Crane Tower"
Cui Hao of the Tang Dynasty
In the past, people had taken the Yellow Crane to go there, and the Yellow Crane Tower was vacant here.
The yellow crane will never return, and the white clouds will remain empty for thousands of years.
There are Hanyang trees in Qingchuan and Parrot Island with luxuriant grass.
Where is the country gate at dusk? The misty waves on the river make people sad.
"Listening to the Flute Playing in the Yellow Crane Tower with Shi Lang Zhongqin"
Li Bai of the Tang Dynasty
One day I moved to Changsha, but when I looked west to Chang'an, I didn't see my home.
The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng.
Summer night to the moon
The thin clouds are about to disappear,
The remaining rain is still dripping for a long time.
The moon enters the sparse forest,
The courtyard houses are decorated with pearls and jade.
The plum blossoms are bitter and steaming,
The feeling of refreshment begins this evening.
How can there be no 贴苋?
The sky is blue when the river is wandering.
Distinguish the Yellow Crane Tower,
Play the white jade flute while drunk,
Really dance like a fish and dragon,
Stop cracking gold and stone.
Yellow Crane Tower
Holding the fairy green jade branch in my hand,
My trip suddenly reached early autumn.
How late will it be to return to Canglong Quejiao?
I don’t know how drunk I am in the Yellow Crane Tower.
The exchanges between Jiang and Han are indistinct,
The relics of the Jin and Tang Dynasties are scattered.
My favorite thing in life is to listen to the flute.
Where can I play it through cracking rocks and piercing clouds?
"Looking at the Yellow Crane Tower"
Li Bai of the Tang Dynasty
Looking east to the Yellow Crane Mountain, the majestic figure appears in the sky.
There are white clouds on all sides, and the middle peak leans against the red sun.
The rocks and mountains are dome-spanning, and the peaks are densely packed.
It is said that many immortals learned flying skills here.
Facing Penghai, there is an empty stone chamber for thousands of years.
The golden stove produces smoke, and the Yutan is mysterious and quiet.
The ancient vegetation and trees on the ground, and the old mushrooms in the cold courtyard.
□I am envious of climbing the ranks because I want to maintain my leisure.
There are many mountains to see the wonders of, but this mountain range is incomparable.
Send your heart to the green pine, and you will always realize the guest's feelings. The old friend left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March
Original text
The old friend left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March.
The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. (Weitong: Wei)
Translation and annotations
Translation
My old friend Meng Haoran waved to me frequently, and we said goodbye to the Yellow Crane Tower there. In March, I will go on a long trip to Yangzhou in this spring time with catkins like smoke and flowers blooming like brocade.
The shadow of the friend's lone boat gradually moved away and disappeared at the end of the blue sky. Only the Yangtze River could be seen rushing toward the horizon.
Notes
⑴Yellow Crane Tower: A famous scenic spot in China. Its original site is on Huanghuji in Snake Mountain, Wuchang, Wuhan City, Hubei Province today. It belongs to the lower reaches of the Yangtze River. It is said that Fei Fei during the Three Kingdoms period Yi ascended here to immortality and rode on the yellow crane, so it was called Yellow Crane Tower. The original building has been destroyed, and the existing building was renovated in 1985. Meng Haoran: Li Bai's friend. Which: go to, arrive. Guangling: Yangzhou.
⑵Old friend: Old friend, here refers to Meng Haoran. He is older than Li Bai and enjoys a high reputation in the poetry world. Li Bai admired him very much and had a deep affection for each other, so they called him an old friend. Ci: Farewell.
⑶ Fireworks: Describes the spring scenery of catkins like smoke and flowers like brocade, referring to the gorgeous spring scenery. Down: Go down with the current.
⑷The blue sky ends: disappearing into the blue sky. End: end, disappear. Blue sky: a green mountain.
⑸ Only see: only see. Tianji flow: flow to the horizon. Tianji: horizon, the end of the horizon.
Creation background
"Send Meng Haoran to Guangling from Yellow Crane Tower" is a work written by Li Bai during his grand tour to Shu. Li Bai was a poet who loved nature and made friends. He loved traveling to famous mountains and wandered throughout his life. He traveled all over the Central Plains and left behind many works praising the beauty of nature and praising friendship. In 727 AD (the fifteenth year of Emperor Xuanzong's founding of the Tang Dynasty), Li Bai returned from his eastward journey and arrived in Anlu, Hubei Province. He was twenty-seven years old. He lived in Anlu for ten years, but most of the time he met friends with poetry and wine, and traveled abroad. In his own words, he lived in Anlu for ten years. It was while living in Anlu that Li Bai met Meng Haoran, who was twelve years older than him. Meng Haoran admired Li Bai very much, and the two soon became close friends. In March of Yangchun in 730 AD (the eighteenth year of Kaiyuan), Li Bai learned that Meng Haoran was going to Guangling (now Yangzhou, Jiangsu Province), so he asked someone to bring the letter and asked to meet Meng Haoran in Jiangxia (now Wuchang District of Wuhan City). A few days later, Meng Haoran sailed eastward, and Li Bai personally sent him to the riverside. When bidding farewell, I wrote this song "Farewell to Meng Haoran at the Yellow Crane Tower in Guangling".
Appreciation
This farewell poem has its special emotional tone. It is different from the youthful farewell in Wang Bo's "Send Off Du Shaofu to Shuchuan", and it is also different from the affectionate and considerate farewell in Wang Wei's "Weicheng Song". This poem expresses a poetic farewell. The reason why this is so is because this is the farewell of two elegant poets, and because this parting is related to a prosperous era, prosperous season, and prosperous area, and the happy breakup also carries the poet Li Bai's feelings. Yearning, which makes this parting extremely poetic.
Li Bai’s relationship with Meng Haoran happened not long after he left Sichuan. When he was young and happy, the world in his eyes was almost as beautiful as gold. Meng Haoran, who was more than ten years older than Li Bai, was already famous for his poems all over the world. The impression he gave Li Bai was that he was intoxicated among the mountains and rivers, free and happy, so Li Bai said in the poem "Gift to Meng Haoran": I love Master Meng, and he is known all over the world.
The beauty abandons the crown, and the white head lies in the pine clouds. This departure coincided with the prosperous Kaiyuan era, which was peaceful and prosperous. The season was March, when the fireworks were at their strongest and spring was at its strongest. The journey from the Yellow Crane Tower down the Yangtze River was full of flowers. Li Bai was such a romantic person who loved traveling, so this parting was entirely carried out in a very strong atmosphere of capriccio and lyric poetry. There was no sadness or unhappiness in Li Bai's heart. On the contrary, he felt that Meng Haoran was very happy on his trip. He longed for the Yangzhou area and Meng Haoran, so while bidding farewell, his heart flew with him, and there was endless poetry in his chest rippling with the river. Farewell to friends in a beautiful scenery, it is really a special feeling in the heart. The beautiful scenery is pleasing to the eye, but the farewell is sad. The scenery reflects the emotion, which is implicit and profound, just like the overtones, achieving the artistic effect of making people fascinated and wandering in reverie.
The old friend said goodbye to the Yellow Crane Tower in the West. This sentence is not only to highlight the topic, but also because the Yellow Crane Tower is a famous place in the world and may be the place where the two poets often hang out and gather. Therefore, when the Yellow Crane Tower is mentioned, it brings out all kinds of poetic life content related to this place. The Yellow Crane Tower itself is the place where immortals are said to fly into the sky. This creates an association with Li Bai's mind of Meng Haoran's happy trip to Guangling, adding to the pleasant and capricious atmosphere.
Fireworks descend in Yangzhou in March, and adding the word "fireworks" to the title "March" makes the poetic atmosphere in the farewell environment even more intense. Fireworks refer to misty smoke and blooming flowers. The feeling given to readers is by no means a piece of land or a flower, but a vast expanse of spring mist that cannot be seen through. March is the time for fireworks, and the prosperous lower reaches of the Yangtze River during the Kaiyuan era were also the land of fireworks. Fireworks in March not only reproduce the charming scenery of the bustling place in late spring, but also reveal the atmosphere of the times. This sentence has a beautiful artistic conception and beautiful writing. Sun Zhu, a man of the Qing Dynasty, praised it as an eternal and beautiful sentence. Li Bai's desire to go to Yangzhou was beyond words.
The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. The last two sentences of the poem seem to describe the scenery, but the description of the scenery contains a poetic detail. The lonely sail is reflected in the blue sky. Li Bai has been putting his friends on the boat. The boat has sailed away, but he is still watching the sailing sails go away by the river. Li Bai looked at the sail shadow until he saw the sail shadow gradually blurring and disappearing at the end of the blue sky, which shows that he watched for a long time. The shadow of the sail had disappeared, but Li Bai was still gazing eagerly, and then he noticed the spring water of the river flowing mightily to the far place where the water and the sky meet.
Only seeing the Yangtze River flowing across the sky is a scene before our eyes, not just a description of the scenery. Li Bai's deep affection for his friends and Li Bai's yearning are reflected in this poetic and yearning gaze. The poet's heartbeat rises and falls, just like the spring water of a river rolling eastward. In short, this is a very poetic farewell between two elegant and unrestrained poets. For Li Bai, it is also a farewell with a feeling of longing. The poet uses the gorgeous scenery of spring in March to set sail on the Yangtze River. The broad picture expresses the details of watching the distant shadow of the lone sail extremely vividly.
Appreciation 2
Li Bai was a poet who loved nature and loved to travel. He enjoyed traveling to famous mountains and mountains throughout his life. He traveled almost all over China, leaving behind many poems praising the beauty of nature and praising friendship. works. "Yellow Crane Tower Farewell to Meng Haoran at Guangling" is a famous poem that has always been praised. This poem was written by Li Bai during his grand tour to Shu. It describes the poet's infinite attachment when bidding farewell to his friends, and also writes about the magnificence and beauty of the mountains and rivers of his motherland.
The opening line of the poem, "The Old Man's Farewell to the Yellow Crane Tower in the West," closely follows the theme, pointing out the place of farewell and the relationship between himself and the person being sent off. The word "old friend" illustrates the deep friendship between the two poets. The Yellow Crane Tower is a world-famous tourist attraction, a gathering place for poets and poets, and the legendary place where immortals ascended to heaven on a crane. Now the two chic and elegant poets are saying goodbye here, which is even more poetic and romantic. The second sentence of "Fireworks descending on Yangzhou in March" closely follows the first sentence, describing the season of farewell and the place where the person being sent off is going. Yangzhou is a southeastern city that has been prosperous since ancient times, and March is the season when spring is beautiful and flowers bloom. The poet used fireworks to decorate March, not only vividly describing the characteristics of misty smoke and blooming flowers in Yangchun, but also reminding people of the prosperous and peaceful scene of Yangzhou in the prosperous Kaiyuan era, with clusters of flowers and embroidered bead curtains. The place Meng Haoran wanted to go was really a good place, and the time was chosen just right. Li Bai was naturally very envious of his friend's trip. This clear and bright poem about Yangzhou under the fireworks in March expresses the poet's inner joy and yearning. But Li Bai is also an emotional poet. When his friends sail away, the feeling of farewell arises spontaneously. From the "Collection of Li Taibai", we can see that there are many poems between Li Bai and Meng Haoran. In "Gift to Meng Haoran", Li Bai wrote: I love Master Meng, and his love is known all over the world. The beauty abandons the crown, and the white head lies in the pine clouds. It can be seen how much Li Bai admires Meng Haoran and how deep their friendship is.
The third and fourth sentences of the poem are about Li Bai's affectionate farewell when he said goodbye to his poet friend. The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. On the surface, these two poems seem to describe scenery, but in fact they have a distinct image of the poet. Gufan definitely does not mean that there is only one sailboat on the vast Yangtze River, but that the poet's entire attention and emotion are only concentrated on the sailboat on which his friend is riding.
The poet saw him off by the Yellow Crane Tower and watched the boat on which his friend was riding hang up its sails and gradually get farther and farther away. place, but the poet still stood for a long time, watching the river flowing to the sky, as if he wanted to entrust his affection to the river, accompany the boat, and send his friends to their destination. These two lines of poetry express such deep friendship, but the word friendship cannot be found in the lines. The poet cleverly placed his deep feelings of farewell in the dynamic description of natural scenery, completely blending the emotions and scenery together, truly making it unspoken and leaving an endless aftertaste.
In addition, in the rhyme of the poem, the poet also creatively chose three melodious rhymes of Louzhou Liu, which left a lingering sound when reciting. This is very consistent with the scene of the lone sail sailing away and the river flowing into the sky, as well as the poet's longing and affectionate demeanor as he watched. Coupled with the clear and natural language and the powerful and broad artistic conception, this poem really makes people fall in love with it more and more and never get tired of reading it a hundred times. No wonder it has been praised throughout the ages.
When Shen Deqian of the Qing Dynasty commented on the artistic characteristics of Li Taibai's Qijue in his "Tang Poetry Collection", he said: The seven-character quatrains are based on words that are close to the feelings but not expressive. Just looking at the foreground, there are overtones in the spoken words, making people feel far away, and they are too white. Li Taibai's Qijue is indeed unique in the world of poetry.
This farewell poem has its own special flavor. It is different from the youthful farewell in Wang Bo's "Send Off Du Shaofu to Shuchuan", and it is also different from the affectionate and considerate farewell in Wang Wei's "Weicheng Song". This poem can be said to express a poetic farewell. The reason for this is that this is the farewell of two romantic poets. Also because this parting is associated with a prosperous era, prosperous season, and prosperous area, and the happy parting also carries the yearning of the poet Li Bai, which makes this parting extremely poetic.
Li Bai's relationship with Meng Haoran happened not long after he came out of Sichuan. When he was young and happy, the world in his eyes was almost as beautiful as gold. Meng Haoran, who was more than ten years older than Li Bai, was already famous for his poems all over the world. The impression he gave Li Bai was that he was intoxicated among the mountains and rivers, free and happy, so Li Bai said in the poem "Gift to Meng Haoran": I love Master Meng, and he is famous all over the world. The beauty abandons the crown, and the white head lies in the pine clouds. Besides, this farewell coincided with the prosperous Kaiyuan era, which was peaceful and prosperous. The season was March, when the fireworks were at their strongest and spring was at its strongest. From the Yellow Crane Tower to Yangzhou, the road was full of flowers. And what about Yangzhou? It was the most prosperous city in the entire southeast region at that time. Li Bai was such a romantic person who loved traveling, so this parting was entirely carried out in a very strong atmosphere of capriccio and lyric poetry. There was no sadness or unhappiness in Li Bai's heart. On the contrary, he felt that Meng Haoran was very happy during his trip. He longed for Yangzhou and Meng Haoran, so while bidding farewell, his heart flew with him, and there was endless poetry in his chest rippling with the river.
The old friend said something about the Yellow Crane Tower in the West. This sentence is not only to highlight the topic, but also because the Yellow Crane Tower is a famous place in the world, and it may be the place where the two poets often hang out and gather. Therefore, when the Yellow Crane Tower is mentioned, it brings out all kinds of poetic life content related to this place. And what about the Yellow Crane Tower itself? It is also the place where immortals are said to fly into the sky. This creates an association with Li Bai's mind of Meng Haoran's happy trip to Yangzhou, adding to the pleasant and capricious atmosphere.
Fireworks descend in Yangzhou in March, and adding the word "fireworks" to the title "March" makes the poetic atmosphere in the farewell environment even more intense. Fireworks are filled with misty smoke and blooming flowers. It doesn’t feel like a piece of land or a flower, but a vast expanse of spring mist that cannot be seen through. March is certainly the time for fireworks, but the prosperous lower reaches of the Yangtze River in the Kaiyuan era was not a place for fireworks. Fireworks in March not only reproduce the charming scenery of the prosperous place in late spring, but also reveal the atmosphere of the times. This sentence has a beautiful artistic conception and beautiful writing. Sun Zhu, a man of the Qing Dynasty, praised it as an eternal and beautiful sentence.
The shadow of the lone sail in the distance is gone in the blue sky, and only the Yangtze River can be seen flowing in the sky. The last two lines of the poem seem to describe the scenery, but the description of the scenery contains a poetic detail. Li Bai kept putting his friends on the boat, but the boat had already sailed away, and he was still watching the sails go away from the river. Li Bai looked at the sail shadow until he saw the sail shadow gradually blurring and disappearing at the end of the blue sky, which shows that he watched for a long time. The shadow of the sail had disappeared, but Li Bai was still gazing eagerly, and then he noticed the spring water of the river flowing mightily to the far place where the water and the sky meet. Only seeing the Yangtze River flowing in the sky is the scene before our eyes, but who can say that it is a simple description of the scene? Li Bai's deep affection for his friends and Li Bai's yearning are not reflected in this poetic and yearning gaze? The poet's heart is ups and downs, Isn’t it just like the spring water of a vast river flowing eastward?
In short, this very poetic farewell between two elegant and unrestrained poets was filled with longing for Li Bai. The emotional farewell is expressed extremely vividly by the poet using the gorgeous scenery of March, the broad picture of a boat sailing on the Yangtze River, and the details of seeing the distant shadow of a lone sail. About Wang Wei's famous poems
A collection of Wang Wei's famous poems
1. The lonely smoke is straight in the desert, and the sun is setting in the long river. When Xiao Guan is waiting to ride, he will always protect Yan Ran. ——Wang Wei's "Envoy to the Fortress"
2. No one can be seen in the empty mountain, but the sound of people's voices can be heard. The shadow returns into the deep forest and shines again on the moss.
——Wang Wei
3. Being a stranger in a foreign land, I miss my family even more during the festive season. I know from afar that when my brothers climbed to a high place, there was only one less person planting dogwood trees. ——Wang Wei "Remembering Shandong Brothers on September 9th"
4. Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees - Wang Wei
5. The long road to the east of the hometown , The tears on the sleeves of the dragon will never dry up - Wang Wei
6. When you enter Huanghuachuan, you will chase the clear stream every time. There will be thousands of turns along the mountain, and the journey will be endless. There is a lot of noise in the rocks, but the color is quiet deep in the pines. The rivers and water chestnuts are rippling, and the clouds are clear and clear. My mind is already free, and the Qingchuan River is like this. Clear it on the rock, and the fishing will be over. ——Wang Wei's "Green Creek"
7. The flowers have fallen, the children have not swept away, the orioles are singing, and the mountain guests are still sleeping. ——Wang Wei's "Pastoral Joy"
8. Chu Saisan Hunan is connected, and Jingmen is connected to nine sects. The river flows beyond the sky and the earth, and the mountains are beautiful. In the county town of Bucheonpo, waves ripple across the sky. It's a nice windy day in Xiangyang, and I'm left drunk with the mountain man. ——Wang Wei's "Hanjiang River Floods"
9. The spring pond is deep and wide, waiting for the boat to return. The lush green trees are blooming, and the weeping poplar trees are blooming again. ——Wang Wei's "Five Miscellaneous Poems by Huangfu Yue Yunxi·Pingchi"
10. After the new rain in the empty mountains, the weather is late and autumn is coming. To remember a certain afternoon - Wang Wei
11. At that time, I only remembered that it was deep in the mountains, and the Qingxi stream reached Yunlin. When spring comes, there are peach blossoms everywhere, and I don’t know where to find the source of immortality. ——Wang Wei's "Journey to Peach Blossoms"
12. I advise you to drink another glass of wine. There will be no old friends when you leave Yangguan in the west. ——Wang Wei's "Send Yuan Er Envoy to Anxi"
13. The rain is accumulating in the empty forest and the fireworks are late, and the quinoa is steamed and cooked. Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. In the mountains, I quietly watch the hibiscus trees, and under the pine tree, I fold the dew sunflowers. The wild old man is fighting for a seat with others, but the seagull is even more suspicious of what happened. ——Wang Wei's "Jiyu Wangchuanzhuang/Autumn Return to Wangchuanzhuang"
14. Prime Minister Bai still presses his sword when he knows it, and the elders of Zhumen laugh and flick their crowns. ——Wang Wei's "Drinking Wine with Pei Di"
15. Returning to Yan recognizes the old nest, and the old sees the new calendar. ——Wang Wei's "Pastoral Works in Spring"
16. It is raining lightly in Qingyin Pavilion, and the day is blooming in the deep courtyard. Sitting there looking at the color of the green moss, I want to get on someone's clothes. ——Wang Wei's "Book Matters"
17. There is a solitary smoke in the distant village at the foot of the mountain, and a single tree on the plateau on the horizon. Yi Piaoyan returned to the alley, and Mr. Wuliu was opposite the door. ——Wang Wei's "Six Words of Wangchuan"
18. The solitary smoke in the desert is straight, and the sun is setting in the long river - Wang Wei
19. The world is full of beauty, but Xishi is peaceful for a long time. In the morning she was the daughter of Yuexi, and in the evening she was the concubine of Wu Palace. How can a cheap day be different from others? Only when you come to a noble place can you realize how rare it is. Invite people to apply fragrant powder, but don't wear robes. Your pampering improves your coquettishness, and your pity has no right or wrong. At that time, Huansha was with me, so I had no choice but to return in the same car. Thank you to the neighbor next door, and imitate Ankexi. ——Wang Wei's "Ode to Xi Shi"
20. When Gui Po was born, the autumn dew was faint, and the light Luo was already thin and had not been changed. The silver zheng has been played diligently for a long time at night, but I am timid and can't bear to return to the empty room. ——Wang Wei's "Autumn Night Song"
21. I advise you to drink a glass of wine. There is no old friend when you leave Yangguan in the west. Sleep high and eat. ——Wang Wei, "Drinking Wine with Pei Di"
23. "Don't be favored by the present time, or you will forget the kindness of the past. Look at the flowers with tears, and you will not obey the words of the King of Chu." ——Wang Wei "Mrs. Xi"
24. I hope you will pick more jie, this thing is the most lovesick. ——Wang Wei's "Lovesickness"
25. Yu Linlang was born as an official in the Han Dynasty. He first fought with the hussar in Yuyang. Who knew it would be painful to go to the side court? Even if I die, I can still smell the fragrance of the chivalrous bones. ——Wang Wei's "Four Poems on a Young Man's Journey"
26. Xinfeng has a thousand wine fights, and Xianyang has been a knight for many years. When we meet, we will drink for you. We will tie our horses to the tall buildings and weeping willows. ——Wang Wei's "Four Poems on a Young Man's Journey"
27. I want to ask about the side of the bicycle, but I belong to the country and have passed away. Zheng Peng left Hansai, returned to Yan and entered Hutian. The lonely smoke in the desert is straight, and the sun is setting over the long river. When Xiao Guan is waiting to ride, he will always protect Yan Ran. ——Wang Wei's "Envoy to the Fortress"
28. Two of the three miscellaneous poems. The king came from his hometown, so he should know about his hometown. The next day, in front of the beautiful window, the winter plum blossoms have not yet bloomed. ——Wang Wei's "Two of Three Miscellaneous Poems"
29. I know from afar that my brothers are climbing to a high place, so I plant a dogwood tree and one of them is missing. ——Wang Wei
30. Just like avoiding the fall of an eagle, a horse bets on a thousand-foot slope. ——Wang Wei
31. At the end of the banquet, the emperors and ministers of the Han family discussed their military exploits on the cloud platform. . The Emperor Linxuan bestowed the seal of Hou, and the general wore it from the Mingguang Palace. ——Wang Wei's "Four Poems on a Young Man's Journey"
32. White rocks emerge from Jingxi River, and the red leaves are sparse in the cold weather. There is no rain on the mountain road, the sky is green and people's clothes are wet. ——Wang Wei's "In the Mountains"
33. Outside Juyan City, there is a hunt for geniuses, and the white grass is burning all over the sky. Driving horses when the clouds are empty at dusk, it is a good time to shoot vultures on the plains in autumn. The captain of the Qiang guarding the Qiang army took advantage of the obstacles and defeated the generals who crossed the Liao Dynasty at night. The jade target, the horn, the bow and the beads, restrain the horse, and the Han family will give Huo Yao a prostitute. ——Wang Wei's "Hengchui Song Ci·Crossing the Fortress"
34. The cold mountains turn green, and the autumn water flows day by day - Wang Wei's "Wangchuan Leisure Residence Presents Pei Xiucai Di"
35. Young Man At 15:20, Hu Maqi was captured on foot. Shoot the white-fronted tiger in the mountains, and you will be willing to count the yellow-bearded children in Ye! He has fought for three thousand miles, and his sword has served as a division for millions. The soldiers of the Han Dynasty were as fast as thunderbolts, and the cavalry were fearful of the thorns. Wei Qing's undefeated victory was due to God's luck, while Li Guang's lack of success was due to luck. Since it was abandoned, it has decayed, and the world has been wasted and turned into a white head. In the past, the flying arrows had no whole eyes, but today the hanging poplars grow on the left elbow. I often sell Guhou melons on the roadside, and I learn how to plant willows in front of my door.
The vast ancient trees connect to the poor alleys, and the few cold mountains face empty windows. Swearing to send a flying spring out of Shule is not like making wine in the air in Yingchuan. Under the Helan Mountain, there are formations like clouds, and you can hear feathers flying across the sky day and night. The envoy Sanhe recruited young people, and issued an edict to send out generals from the Five Ways. Try to brush the iron clothes like snow, and hold the sword to move the stars. I wish I could have Yan's bow to shoot at the general, and I would be ashamed to have Yue Jia call my king. Don't be afraid of the old guard in the clouds, you can still win meritorious service in one battle! ——Wang Wei
36. One body can make two carvings, and a thousand-weight cavalry seems to be nothing. Sitting on the golden saddle and playing with white feathers, they shot five Shan Yus one after another. ——Wang Wei's "Four Poems on a Young Man's Journey"
37. Qingxi/Crossing the Qingxi water into Huanghuachuan, chasing the clear water every time. There will be thousands of turns along the mountain, and the journey will be endless. There is a lot of noise in the rocks, but the color is quiet deep in the pines. The ripples are full of water chestnuts, and the clear water reflects the reeds. My mind is already free, and the Qingchuan River is so peaceful. Please stay on the rock, fishing will be over. ——Wang Wei's "Qingxi/Crossing the Qingxi Water"
38. After passing Xiangji Temple, I didn't know Xiangji Temple. I entered Yunfeng several miles away. There are no people walking through the ancient trees, and there is no clock in the deep mountains. The sound of the spring swallows the rocks, and the sun is cold and green. In the dusk, the empty pond is melodious, and Zen is used to control the poisonous dragon. ——Wang Wei "Passing Xiangji Temple"
39. His own tranquility - Wang Wei carefully prepared a piece of tranquility for himself. He lives in it quietly. Passers-by, this is a tomb, don't be curious. Leave quickly - Wang Wei's "The Pen Has a Thousand Key Points"
40. Three of the three miscellaneous poems have already seen the plum blossoms, and heard the singing of birds again. My heart is focused on the spring grass, and I am afraid of the steps ahead. ——Wang Wei's "Three Miscellaneous Poems"
41. Return to Songshan Mountain to work on the Qingchuan River. The belt is long and thin, and the carriages and horses go leisurely. The water flows as intended, and the birds return at dusk. The deserted city is near the ancient ferry, and the setting sun fills the autumn mountains. After a long journey, he came back and went into seclusion. ——Wang Wei's "Returning to Songshan"
42. Three Miscellaneous Poems The family lives in Mengjin River, and their door is opposite Mengjinkou. There are often boats from the south of the Yangtze River, sending letters home. ——Wang Wei's "One of Three Miscellaneous Poems"
43. The daughter of Luoyang lives opposite the door, so she can be more than fifteen years old. The beloved man Yule rides a horse, the maid has a gold plate and a carp. The painted pavilions and vermilion towers face each other, with red peach and green willow hanging over the eaves. Luo Wei presented the Seven Incense Cart and the Treasure Fan welcomed him back to Jiuhua Tent. A crazy man's wealth lies in his youth, and his arrogance and extravagance make Ji Lun. Self-pitying jasper teaches dance personally, and does not hesitate to hold coral to others. The dawn in the spring window extinguishes nine tiny fires, and nine tiny pieces of flying flowers fly. After the play, when Zeng Wuli played music, he sat down wearing only incense and makeup. The city is full of prosperity, and I pass by Zhao Li's house day and night. Who pities the Yue girl, whose face is like jade? ——Wang Wei's "Daughter's Journey to Luoyang" Famous verses and poems by Jin Shengtan in the Qing Dynasty
Era: Qing Dynasty
Introduction to Jin Shengtan:
Jin Cai (April 17, 1608) August 7, 1661), after the fall of the Ming Dynasty, he changed his name to Rui, with the courtesy name Shengtan, and his nickname Kunpeng Sanshi. It is said that his real surname is Zhang and his given name is Xi. He died at the age of fifty-three (actually fifty-four years old). A native of Wuxian County, Suzhou in the late Ming Dynasty and early Qing Dynasty, he was a famous writer and literary critic. Jin Shengtan's main achievement lies in literary criticism, and he has commented on "Water Margin", "The Romance of the West Chamber", "Zuo Zhuan" and other books.
Jin Shengtan was born on March 3rd (April 17th), 1608. He lived a prosperous life when he was young, but his parents died young and his family fell into decline. He was a wild and uninhibited person, good at writing and poetry. He was dismissed because of his bizarre composition in the annual examination, and later took the scientific examination. He was renamed Jinren and ranked first in Rui's examination, but he had no intention of becoming an official and enjoyed reading and writing. There are many classical commentaries, which are also genius. It is said that there once was a tomb in Fucheng County, Hebei Province.
In the 17th year of Shunzhi (1660), the emperor praised Jin Shengtan's works, saying, "A master of ancient prose should not look at him with the eyes of contemporary prose." After hearing this, he immediately "wept with emotion, because Kowtow to the north." Subsequently, Wu County, Suzhou Prefecture, transferred a new county magistrate, Ren Weichu, to punish those who owed taxes severely and sold public grain to the people at high prices, which aroused public resentment. The people took advantage of the death of Shunzhi to organize an anti-corruption demonstration. On the third day, more than a hundred scholars went to the Confucius Temple to vent their dissatisfaction. They later submitted a letter to the governor Zhu Guozhi to accuse the county magistrate. Unexpectedly, Zhu and Ren had already colluded, arrested 18 core figures, and sued the imperial court for resisting military pay. They rang bells and drums, gathered people to initiate chaos, shocked the late emperor's spirit, and demanded severe punishment. He was sentenced to "Beheading" (July 13, the 18th year of Shunzhi) (August 7, 1661), the execution ground - Jiangning - Sanshan Street. One of them was Jin Shengtan. Later, Ren Weichu was beheaded for committing another crime, and Zhu Guozhi He was killed by Wu Sangui's soldiers and their flesh was eaten, but no bones were left.
Jin Shengtan's main achievement lies in literary criticism. His comments attach great importance to the elucidation of ideological content, often using topics to discuss political affairs, and his social outlook and outlook on life are clearly visible. He denounced those who "offend superiors and cause rebellion", interpreted the name of "Water Margin" as "the evil is so severe that it will break out from China" and opposed "giving it with loyalty and righteousness"; however, he also sympathized with the suffering of the people and hated the officials and officials who were good to the people. The officers and soldiers who were traveling with the thieves realized that under "one high official" there were "hundred high officials", "Qian Yin Zhi Ge" and their gangs of foxes and dogs, forming a social force that was harmful to the country and the people, and 108 people "had no choice but to drown in the water." "It is "chaos coming from above", thus affirming the resistance of Liangshan heroes. He believed that "when one lives in one's country, one should not secretly discuss the gains and losses of his officials, as he would hate to harm the government." "If a person who is not a saint writes a book, his book will violate the Tao. If someone who is not an emperor writes a book, his book will undermine the Tao and the Tao." This is a horizontal discussion." However, if he admits that the world is unethical, the common people dare to discuss it, and "the common people's comments are all history." He promoted Confucian moral norms such as "loyalty, forgiveness" and "filial piety"; however, he also exposed the destruction of human nature by ethics, praised the rebellious behavior of Cui Yingying and Zhang Sheng, and ridiculed Dong Heng's scholar "The West Chamber" as an obscene book, while promoting "The West Chamber" " is the "Wonderful Essay on Heaven and Earth".
He accepted the nihilistic thoughts of Buddhism and regarded life as a dream, the so-called "dream of heaven and earth" and "the dream of all living beings." However, he faced reality directly and diligently wrote about it, believing that "life and death are rapid, human life is impermanent, and wealth is hard to find. Follow me." Well, if you don’t write books, how can you live?” It can be seen that Jin Shengtan's thoughts are full of contradictions. The brilliance of Jin Shengtan's literary criticism lies in the artistic analysis of the works. His poetry criticism is relatively ordinary. For example, he emphasizes the division of verse into two interpretations, and applies the eight-legged prose method to describe poetry, which is quite criticized by people. His artistic opinions when commenting on the two books "Water Margin" and "The West Chamber" were unique. Following Li Zhi and Ye Zhou, he pushed the criticism of novels and operas to a new level.
Famous verses from Jin Shengtan in the Qing Dynasty
1. The moon is full in the sky, half the moon in the world, and the moon is full and half the moon; tonight is the end of the year, the Ming Dynasty is the beginning of the year, and every year is the end of the year. Next year. ——Jin Shengtan
2. Lotus seeds are bitter in the heart; pears are sour in the abdomen. ——Jin Shengtan
3. Chewing peanuts and dried tofu together has the taste of ham. ——Jin Shengtan, "Jin Shengtan's Last Words Before Execution"
4. "It only takes a long time to bow down, and wash away the ambition in the middle - Jin Shengtan, "Comments on the Beginning of the Romance of the West Chamber""
5 , there is the sun and the moon, then day and night are formed, there is day and night, then cold and heat are judged, there are cold and heat, then the calendar is determined, there is the calendar, then the system is divided, there is the system, then the rise and fall are seen. ——Jin Shengtan
6. "The young and old go up and down the street, walking south to north to buy things; the young and old sit on the recliner and read the Spring and Autumn Period from winter to summer." ——Jin Shengtan" "Jin Shengtan"
< p> 7. Beheading is extremely painful, but it is also strange for the saint to sigh that he accidentally obtained it.——Jin Shengtan