Su Shi's "Niannujiao·Chibi Nostalgia"
The great river goes eastward, and the waves are gone, and there are romantic figures throughout the ages. On the west side of the fort, the way of humanity is, Chibi, Zhou Lang of the Three Kingdoms. Rocks pierced through the sky, stormy waves crashed onto the shore, and thousands of piles of snow were rolled up. The country is picturesque, and there are so many heroes at one time.
I think back to Gong Jin’s time, when Xiao Qiao got married for the first time and looked majestic and handsome. Feather fans and silk scarves, while talking and laughing, the boats and oars disappeared into ashes. My motherland wanders in my mind, I should laugh at my passion, and I will be born early. Life is like a dream, a bottle of wine can return the moon to the river.
Du Mu's "Red Cliff"
The broken halberd sinks in the sand, but the iron is not sold, and it will be washed away to recognize the former dynasty.
The east wind does not agree with Zhou Lang, and Tongquechun locks Erqiao deeply.
"Niannujiao·Chibi Nostalgia" is unrestrained and unrestrained, using the techniques of foil, metaphor, duality and metonymy.
"Red Cliff" sees the big from the small. The techniques of hypothesis, metaphor and imagination are used.
Detailed comparison
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