1. The original meaning of "relegated immortal" was to relegate an immortal to the mortal world. In the past, He Zhizhang once called Li Bai "relegated immortal".
Since he was originally an immortal, you can imagine his graceful and talented beauty. However, the immortal was eventually demoted to the human world, and he had to suffer the reincarnation of life and death like ordinary people. The peculiarity of this poem is that it does not describe the transcendence and carefreeness of the immortal, but it reveals a slightly sour meaning from the perspective of a demoted immortal.
Only a demoted god can say to the extraordinary realm that he will never return to, "Although the Yao Palace is good, it will be lonely for a long time after all." No fun”. The first two lines of the poem use fragments from Zhuangzi's "Xiaoyaoyou", while the last two lines have the meaning of looking back at the world, simply letting things flow, and feeling drunk today. Since we have been demoted and destined to return to the mortal world, it is better to "return with a smile", which may make up for the regrets in life, gain a close friend, "**** me" and be happy in the world and enjoy the scenery of the world.
The title of this poem "Exiled the Immortal" means this. The first two sentences fall from the "immortal" realm to the human realm. Thanks to the unrestrained atmosphere of the last two sentences, the realm of the whole poem is improved.
2. This poem is the theme poem of Yuntianhe. The poem style is refreshing and unrestrained, and it is full of awe-inspiring aura.
Yun Tianhe can indeed be described as "awesome spirit", or "righteousness". Wen Tianxiang's "Song of Righteousness" says that "the heaven and the earth have righteousness, which is mixed and endowed with manifolds." The righteousness can connect the heaven and the earth. It is not only accessible, but also deep. The temperament of Yuntianhe comes from this.
The first two sentences of this poem are passionate and full of the spirit of youth. The so-called talent is as sharp as a "sword" and the temperament is as honest as "jade". The emphasis on jade in the stone is to remind the ignorant people. The beauty of this material also reminds the protagonist that it takes some hard work and hard work to reveal the "jade material".
This is how we should live in this world. Only after a period of painful tempering can one's talents be brought into full play, otherwise, it will be nothing more than a dirty stone.
The third sentence is the most exciting sentence in the whole poem. A "first cry" caused the sky to tremble, which once again described the protagonist's extraordinary talent and courage. However, returning to the last sentence, after the long sky trembled, everything became calm again. The protagonist is no longer showing off his talents as if he had just entered the world, but is condensing his own brilliance like a warm and beautiful jade. At this time, the protagonist has reached a higher realm and no longer pursues temporary victory or defeat. Instead, he follows Yun Guang Yuanlan, drifts with the flow, and is at ease in the world. This also paved the way for Yun Tianhe's smile and relief at the end.
3. This poem is the theme poem of Han Lingsha.
The first two sentences are very clever, and the image of a lively and intelligent girl stands out. "Golden hairpin" is not cherished, but "golden hairpin" is "knocked". It can be seen that Han Lingsha is not bound by external objects, and has a lively and naughty character. Her laughter is like "big beads and small beads falling on a jade plate", which is crisp and sweet, and seems to echo to the viewer. By the ears, bright eyes are good at gazing, which describes Lingsha's eyes as bright and flexible, and her eyes are caring and affectionate.
The third sentence is an adaptation of two lines from Wang Wei's poem: "The spring breeze comes, and butterflies suddenly fill the grass." This sentence describes the prosperity of spring, implying that life has reached its most beautiful state. Bright time. However, at this peak moment, the mood of the poem suddenly changed. The third sentence used Ouyang Xiu's "The beautiful face in the mirror is thin and beautiful" and Wang Guowei's "The beautiful face in the mirror is beautiful and the trees are beautiful". , or the beauty has passed away, in short, the beauty in the mirror is no longer the same as before. A "Yanjiao" has the meaning of regret and emotion, and it also expresses regret for Han Lingsha's fate.
4. This poem is the theme poem of Murong Ziying.
The first two sentences are written by Murong Fengcai. "The eyes condense in the autumn water", the eyes are as cool and clear as the cold waves of autumn water, which also implies that this person's heart is like a bright mirror, spotless. The second sentence is similar to the sentence "ice is crushed into earth and jade is used as a basin" in "Dream of Red Mansions", but the poem is used as the bone, and the metaphor of beautiful jade as gods is no worse than the metaphor in the poem "Red Mansions". The ancients regarded poetry as authentic, but the words were not popular. The poetry was grand and elegant, and more importantly, it was righteous but not evil. This shows the quality of Murong. Using jade as a metaphor for a gentleman is a very traditional metaphor. A humble gentleman is as gentle as jade, but his character is unwavering. Murong is the only one among the immortal swordsmen who can be called a gentleman.
The white-clothed guest in the clouds claims that he is impeccable and has extraordinary qualities and temperament. However, it is such a gentleman who is like a god or an immortal, but he has to throw his life and death for an earthly passer-by. In the mortal world of the past, there will eventually be concerns. Baiyi Yun Duanke is no longer a god that everyone admires, but an ordinary person with deep and hidden feelings.
5. This poem is Liu Mengli’s theme poem.
This poem appeared when Tianhe and Mengli parted. The first two sentences express Mengli's deep affection for Tianhe.
Separation in this life is one of the eight sufferings in life. Farewell is not a farewell, so regret after "farewell" always comes to mind. After the cold moon and clear night, even if I have a "sweet dream" to be with you again, it is an empty dream, and I will eventually "go back" to loneliness and nothingness. The reality of dependence. However, even if she knows now that she will regret it after saying goodbye, Mengli still has to choose to say goodbye to you now. As a last resort, these three words are the final comment on Liu Mengli’s life.
The third sentence comes from Li Shangyin's poem. The last sentence of Li Shangyin is "Looking at the head of the river and listening to the sound of water", while Liu Mengli said "The colorful clouds are flying before the past". The metaphor of "colorful clouds" in this sentence comes from The famous saying "The bright moon was there at that time, and it once illuminated the colorful clouds when it returned."
Liu Mengli uses "previous dust" here. When she predicts that she will never see you again in this life, the colorful clouds will no longer exist, and the past dust will never be forgotten. However, what I lament is that this body is still there, the love is still deep, and it is so sad for Liu Mengli to miss, regret, recall, and be hurt by one person.
6. This poem is Xuan Xiao’s theme poem.
Xuan Xiao is a very tragic and complicated character in Fairy Sword 4. Although his character is decisive, there is still a hint of hesitation and hesitation. He seems to be ruthless, but he often does unstoppable things. Xuan Xiao is a desperate person. After Yun Tian Qing Suyu abandoned him and was frozen by his fellow disciples, he fell into deep despair. To him, there are only two kinds of people in the world: those who betray him and those who do not.
This poem deeply reflects the hesitation and hesitation in Xuan Xiao's heart. The peaks and valleys are turning, describing the hardships of cultivating immortals and practicing swordsmanship. Chasing the sun and the moon can also be regarded as "chasing the sun and the moon". Like Kuafu, he chases after the unimaginable target. He has no time to rest, no rest, and is waiting for the day to come. sleep soundly. However, the next sentence was a question: "Who is shut up and unable to return?" Who put me in such a situation? Who forces me to stay away from the beauty of the world, and forces me to seclusion, preventing me from returning? Xuan Xiao is not born obsessed with cultivating immortals. What is his attitude towards cultivating immortals? Maybe it’s because I’ve worked hard for half a life and can’t look back, but it’s definitely not what I yearn for with a persistent and passionate heart.
The third sentence is an idea, a "desire". What does Xuan Xiao want to do? Everyone knows that cutting off the flowing water with a sword means that the water will flow even more when using a sword to cut off the water. What does he want to cut off? It is the vague attachment to the people in this world, and the tenderness and reluctance that still exist in my heart. He has always wanted to "break off" his longing, and those feelings lurking deep in his heart tortured him, making him want to cut off the thousand-foot long love with a sword. From the anxiety and forbearance here, we can also see the true desire and intention deep in Xuan Xiao's heart.
The last sentence best expresses Xuan Xiao’s true views on the matter of cultivating immortals. Spend all your youth, melt all the years, time, old friends, and thoughts of your youth into a furnace, and what you get is not what you think in your heart, but the ashes of calamity, the ashes after the calamity fire. The use of the word "tribulation" shows that Xuan Xiao also recognized that the entire process of cultivating immortality in which he participated was an out-and-out catastrophe. All those involved burned their youth, years and even lives.
This poem has a strong sense of sadness. In addition to sadness, it also means self-injury, self-sigh, narcissism and self-laughing. When Xuan Xiao read this poem, it undoubtedly foreshadowed his final outcome.
7. This poem is Qin Ji’s theme poem, and it is a rare five-character poem in Sword and Sword 4.
When the grass has lost its spring glory, what spreads across the field of vision is not the green grass, but the vines of wild grass. Wild grass grows in the fields and in the hearts of people. The weeds have blocked the original brilliant spring scenery, so that the poet can't see the spring scenery, only the long grass. It can be seen that even if Qin Ji wanders around the world, all the beautiful scenery in the world will never enter the eyes of this sad person again.
The meaning of the second sentence is the same as the first sentence. The flowers are colorful, but who would have thought that the place where they sway is an abandoned sunken city? There may be the place where Qin Ji and Xian Gong once loved each other. However, "the book gambling faded the fragrance of tea, and it was just ordinary at that time." Everything is no longer what it used to be, and it cannot be brought back, but the shadows of the flowers are still the same, and the flowers under the flowers are still there. But people have already entered the underworld.
The third sentence is the expression of Qin Ji’s heart. The affection on the string has not been exhausted, the songs that should be sung, the tunes that should be played, and the feelings that should be expressed have not yet been exhausted, but the person has passed away. , everything came to an abrupt end. If Zhong Ziqi passes away, what's the use of Boya's harp left in the world? As the so-called close friend leaves, who will listen when the string is broken? Therefore, the music that is played again is nothing more than a lonely and sad sound.
Perhaps the tragedy of Qin Ji and Qin Yi is the tragedy of all close friends in the world who cannot accept the world.
8. This poem should be a poem that lays the foundation for the world view of the entire game, which can be seen from the location where it appears.
So, what kind of world view does it want to express? The whole poem involves three major allusions: Emperor Qin's quest for immortality, Emperor Wu of Han Dynasty setting up a golden plate, and Yishui's farewell. They are all well known to everyone, so they will not be repeated again. The wonderful thing is the choice of three words, namely "blocked", "all night long" and "in vain". The Qin Emperor's boat seeking immortality was blocked by waves, implying that the mission was unsuccessful; the Han palace held gold plates day and night, implying that nothing was achieved; the meaning of "in vain" in the third sentence is unclear. This word should mean "in vain", but It makes no sense to use it here, so it can be changed to "Wangran", which means "frustrated", implying the disappointment of failing to seek immortality, turning the jade skin into bones, and looking forward to self-pity. The last sentence uses Yishui Dian, which means that since seeking immortality is ultimately hopeless, it is better to be like Jing Ke and be happy with your grudges, die under the sword and find your place, so that you can show your true colors as a hero. At this point in the whole poem, a feeling of sadness and anger hits my face.
This poem came from Yun Tianqing's Suyu tomb and was probably written before Yun Tianqing's death. It can be seen that Yun Tianqing's mood before his death was not free and open-minded. Did he regret his life choices? Or do you feel a little relieved that you finally put on your strong will and broke with the entire sect? If you make mistakes in this life, you will make mistakes, but this is enough for a great hero! When life is about to come to an end, it is like a sharp sword bursting out of a bag. I believe that Yun Tianqing will not regret it after all.
9. This poem is the eye-raising poem of Sword and Sword 4. However, the whole poem is not very good, and there are many vulgar words. However, because of the last two lines, this poem can be called a good poem.
I don’t want to analyze the previous verses too much. They are nothing more than drunken singing and abandoning the gods to become mortals. Many of the metaphors come from Li Taibai’s poems. Interested students can look them up for themselves.
After such a crazy life, "I woke up from my dream and saw the light rain, and the mountains and rivers were still gentle as before." When I read this, I really wanted to be amazed. These two poems seem to hit the depths of people's hearts, and a gentleness that seems to be true but not real permeates the air. This gentleness is the gentleness of looking back at the world and affirming the beauty of life after transcending life. Detachment does not mean breaking up, becoming an immortal does not mean abandoning others. When I wake up from the dream, I still feel the old gentleness of the world from the bottom of my heart. The level is so high that it surpasses all the poems mentioned above about cultivating immortals. I personally think that the true attitude of Fairy Sword 4 towards gods should be the spirit exuded by these two poems.
I wonder if the poster is satisfied...