On March 3rd, Spring Festival, the weather was fresh, and many beautiful people gathered in Qujiang, Chang 'an.
Dignified attitude, lofty and quiet personality, plump skin, thin and moderate figure.
Embroidered gold and silver silk unicorn in late spring.
Hanging in the distance of their temple, Cui Wei? Leaves hang down the temples and lips.
The jewelry skirt behind them is safer.
Several of them are relatives of the imperial concubine and two wives of Guo and Qin.
The jade steamer is served with fragrant pots and purple humps, and the crystal plate is served with delicious white fish.
They held their horns and chopsticks for a long time, and the chef held a sharp knife.
The eunuch flew away, afraid to raise the dust, and the cook came to the sea, enjoying delicacies.
My music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, music, and so on.
How arrogant a horse owner is. He dismounted from the embroidered carpet and went into the tent.
Snow-like duckweed is easy to fall and cover, and bluebirds fly to the ground in red silk handkerchief.
Yang Jiaqi's flame is extremely powerful and unparalleled. Please don't go near it, lest the Prime Minister be furious!
This is a new Yuefu poem reflecting real life in the form of Yuefu folk songs, which was written in the spring of 753, the twelfth year of Tianbao. At that time, King Li Longji loved Yang Guifei, who became increasingly fatuous and extravagant, and his current politics was extremely corrupt. Yang's brothers and sisters got rich because of nepotism. Yang became the right prime minister after Li, and Yang Jia and his three sisters were also awarded the title of the wife of the country. Relying on their strength, they dominate and lead a decadent life. The ambiguous relationship between Yang and Mrs. Guo's brother and sister is even more ugly. This poem elegantly and profoundly reveals and satirizes this point.
The whole poem can be divided into three paragraphs. The first twelve sentences are the first paragraph. This paper focuses on the lively scenes and costumes of many beautiful women in Qujiang spring outing. The opening part not only explains the time ("March 3rd") and place ("Chang 'an Waterfront") of the spring outing, but also points out the phenology ("new weather") and characters ("Dorian people"). And "beauty" came out as soon as it opened the door, sticking to the theme, starting below and quoting the whole article. According to the custom at that time, the spring outing on the third day of March can ward off evil spirits and entertain the body and mind. Therefore, from the word "duo", we can imagine the prosperity of feasting and enjoying in the prosperous Tang Dynasty, and a bustling picture of tourists is in front of us. Then, the "beauty" is described in detail: its meaning is as rich and distant as a spring mountain, and not only that, its texture is delicate and its flesh and blood are symmetrical. In just two sentences, the "beauty" of a woman on a spring outing is vividly portrayed, which is very appropriate. Then continue to write clothes. The fine texture continues the front edge, elegant and elegant, shining with dazzling brilliance in the bright sunshine in late spring. The embroidery on Luo Yi is a peacock made of gold thread and a unicorn made of silver thread. There are many kinds and great momentum. The above description is clear and organized. At this point, the "beauties" caught the reader's eye with their plump beauty and embroidered clothes. However, the poet's speech is still unfinished, and it is set as a question and answer for further description. Look at the head first: there are flowers made of jade in the bun, shivering? Leaves hang down on the sideburns. Look at the back: the skirt is decorated with pearls, which is very suitable and can stabilize the pressure at the waist. "Exactly" is the crowning touch of this passage. The first eight poems are very similar to meticulous brushwork, which can be said to be drawn layer by layer, vividly depicting a picture of a beautiful woman in spring. At this point, the identity and name of the beauty were pointed out. Among the royal relatives who lived in Jiaofang, there were Guo and Qin's wives. No wonder it is so luxurious. These two sentences have the function of connecting the preceding with the following, which is not only the summary above, but also the transition below. This writing makes the poem open and close in an orderly way, resulting in waves of ups and downs.
The last eight sentences of Purple Camel describe the transformation from "beauty" clothing to feasting, exposing Yang's extravagant and dissolute life. The display of delicious food and utensils and tableware changes alternately, and the ostentation and extravagance is magnificent and amazing. "Purple Camel Peak" and "Flat Scale" are just a few examples, which generally describe dishes and mean "the taste of land and water is poor". "Cuiguo" and "Shuijing cuisine" are just a few tableware and utensils, which shows that they are precious and exquisite. These two sentences are wonderful and varied. The bland food, rich fragrance, colorful colors and beautiful shapes in the banquet hall really have everything, and people are intoxicated if they don't eat it. Surprisingly, Sister Yang, a parasite who has long been tired of eating delicacies, turned out to be rhinoceros horn chopsticks in her hand, but her stomach was full and she could not last long. What a proud and disgusting face it is. As a result, those culinary masters have carefully crafted, and the hard work of "spinning" and "cutting" has been "hollowed out" and is considered to be a fool's errand. A word "long" and a word "empty" are in sharp contrast, which embodies the poet's infinite feelings. What's more, the "Yellow Gate" eunuchs have to fly around and wait carefully, and the court chefs have to send all kinds of delicious food in an endless stream. "Zhumen wine stinks, and the road has frozen bones." Needless to say, how many people's wealth and cream were condensed at this grand banquet! The phrase "Drum" is a transliteration of vocal music, which complements the prominence and particularity of Zhu Yang's position and creates an environment and atmosphere for later literati.
The last six sentences are the third paragraph, and the brushwork has changed, focusing on exposing Yang's arrogance and her relationship with Guo's wife. The first two sentences describe his posture of sitting on the pommel horse, which shows his arrogance and rudeness. The last two sentences implicitly use two allusions, "Yang Baihua" and "Jade Bird", cleverly pointing out the ambiguous relationship between Yang and Mrs. Guo. At the end of the two sentences, the poet turned grief and indignation into irony, and vividly portrayed Yang's hateful face when he was in power with a pungent style. There is no detailed description of Yang, the whole paragraph is a splash-ink rendering, and its momentum, movements and intentions are all exposed.
The Second Way is a famous work of Du Fu before the An Shi Rebellion, which shows his concern about politics and anxiety about the national situation. When Pu Yin Long read Du Xinjie, he said, "There is no irony, but the language in the description is ironic. Not a sigh, a little teasing, a sigh. " This can explain the creative tendency and artistic characteristics of this poem. The whole poem tries to spread out in one breath. Implicit and euphemistic, it is harmonious, and always puts subjective feelings in objective narration. The beauty of clothing, feast, momentum and strength rendered by beautiful and gorgeous words seems to be appreciated, but in fact it is ironic and ostentatious. Anger lurks in the calm, and condemnation is contained in the narrative. The layout of the poem is orderly, open and close freely, ups and downs, complex and unique. There are general narratives, individual narratives, summaries and inverted sentences. Pictures with different strokes, one by one. It's ridiculous and awesome to describe Zhu Yang as "beautiful, rich and lustful, and then show the appearance of Luo Cha". (Du Shijingquan)
It's ironic, but this poem is full of richness. If you deeply admire those who can't speak, that's great! Wonderful! (Zhong Ping)
So rich, a clear breath walks in it, indicating that it is tired to see the richness. (Zhong Ping) (Zhong Xingtan's Return of Selected Poems of Yuan Chun (Volume 20)
The second is to show the benevolence, and use it in reverse. The Lord is confused by the monarch and is extravagant. They are all good bones, plus thousands of pearls and jewels, he can't beat them. This embroidered tiger is also. The ancients praised the beauty of their clothes, chariots and horses, which is the most ironic, such as the second is the Tao. ("Zhang Qianyi Zhai Shi" Volume 4)
The beauty of posture and clothing is extremely beautiful, the food and music are abundant, the pepper room is slightly sharp, the prime minister bluntly said, the gentleman's poetry is casual, and the wind is more obvious. (Shen Deqian's Three Hundred Tang Poems, Volume 6)
This stung Yang Youyan of Qujiang. No irony, no description, no irony. No sigh, a little teasing, and a sigh. (Pu Qilong's Reading Du Xinjie)