Please write a composition on the topic "What I know-". The supplementary content can be folk customs or unique folk handicrafts.

Every time I listen to Cambridge's recitation, I am always moved by his unique voice and sincere feelings and will be intoxicated for a long time. Nowadays, there are many so-called "reciting everyone", but not many people can really interpret poetry with affection, beauty and taste, but Cambridge can do it. The beauty of Cambridge's recitation is worth savoring and enjoying.

The beauty of sound is one of the charms of recitation, and a wonderful recitation cannot be separated from the golden sound and jade sound. The Voice of Cambridge is sincere, gloomy and meaningful in Wen Ya, with simple sound quality, mellow tone, a bronze chime and the fragrance of an empty valley and a secluded orchid. The range between alto and bass, combined with unique vocal skills, rich and delicate emotional infiltration and changeable language expression, made him feel comfortable when reciting.

Voice is born, and people with good voice conditions abound, but not everyone can use it properly and give it aesthetic value. The voice of the host and announcer is good, but they are not all masters of recitation, and the difference between broadcast recitation and recitation is also great. Recitation focuses on the expressive force and appeal of language, and broadcasting and reading are basically scripted. Cambridge is a man with both advantages and good performance.

In practice, the beauty of sound is contained in the recitation language, which is hierarchical, colorful and rhythmic, that is, a vocal language with cadence, rich voice and emotion, which requires high artistic accomplishment and skilled language control ability. In the recitation of classical poems, Cambridge brought the beauty of his voice to the extreme, whether it was impassioned Red River and heroic Waves on the Sand, or shallow singing, weeping, burying flowers, worrying Pipa, fresh and lively Spring Dawn and leisure and tranquility.

No matter whether it is new poetry or ancient poetry, it generally has a sense of rhythm, especially classical poetry, which pays more attention to flat and even antithesis and has harmonious phonology, so that it is catchy and easy to read and sing. Therefore, when reciting poetry, we must follow the unique internal rhythm of the work and express it in a gentle way. However, it is difficult for ordinary people to have a good sense of proportion and behave appropriately. Appreciating Cambridge's poetry recitation is natural and smooth, like flowing water, unpretentious, pleasing to the eye, like drinking a clear spring, like soaking in the spring breeze. Why? Because Cambridge is proficient in temperament and has a profound literary foundation. Cambridge has made great achievements in ancient poetry. He can not only recite, but also write. He knew the author's mind well and won the correct writing. In fact, Cambridge recitation is not without skills. The key is that the use of skills does not show traces, which makes people feel unskilled. This is a state.

When poetry is recited, it is not infectious to pursue a lyrical and emotionless recitation, but if the emotion is improperly used, it will affect the effect of recitation. Some people think that when reading, they can be emotional, so they abuse their feelings, and as a result, they overuse their feelings, which is counterproductive. It is important to express your feelings naturally, and you can't do it deliberately. When we appreciate Cambridge's recitations, we are all expressing our feelings, but none of them are deliberately sensational. Even the sad works such as Poem of Burying Flowers, Jiangchengzi and Yulin Order do not express their grief, but express their heartbreak and unbearable through the rendering of music. Calligraphy pays attention to "blank space", and poetry recitation also has the skill of "blank space", which sounds like gossamer, but the emotion continues; After a pause, the artistic effects of "silence is better than sound" and "listening to thunder in silence" are produced. Touching people are indifferent to feelings. Only by learning to use emotion can we recite the poem well. Cambridge recites verve and uses emotional beauty.

Poetry recitation is inseparable from music accompaniment, which can render the atmosphere and set off feelings. But some people can't use music well, and as a result, recitation and music can't be integrated and have no effect. In fact, the choice of recitation music is quite particular, and it must be consistent with the genre, theme, subject matter, timbre and age of the work, and cannot be misused. For example, reciting modern poetry with guqin or music is obviously uncoordinated; Reciting ancient poems with piano or electronic piano music is neither fish nor fowl. I heard a famous announcer recite Cao Cao's "Short Song" accompanied by cello music, and the effect was greatly reduced. Others use piano music as long as they recite modern poems, and guzheng music as long as they recite classical poems. How can they recite poems well without treating specific works? I especially admire Cambridge's poetry recitation. One of the reasons is that the theme of his recitation works is perfectly combined with music. Every time he recites a work, he has to repeatedly select and compare it in his own music library, and then re-edit it through recording software according to the style, content and length of the poem. Some of them need a few pieces of music and even add sound effects. The procedure is very complicated, and it is by no means a simple process. Sometimes, for a piece of music, I will not hesitate to pay or ask someone to write it. When we were intoxicated with Cambridge's recitation, we really didn't know how much trouble and hardship he had paid for it.

A series of emotional recitations, a series of wonderful music and beautiful pictures, this is the sound painting MV of Cambridge that we saw on the Internet. Almost all works in Cambridge are the fusion of sound, poetry and painting, creating a fresh and ethereal poetic space. It can be said that there are paintings in poems, poems in paintings, and beautiful artistic conception, which is refreshing.

At present, the MV of China's ancient poems is almost blank. With the development of society and the popularization of computers and the Internet, great changes have taken place in the world's aesthetic tendency and appreciation interest. Simply reading poems with music can no longer meet the needs of people's appreciation. As a special form of literary expression, ancient poetry MV is becoming a fashion day by day.

Recently, Cambridge and his assistants have made unremitting efforts to realize everyone's good wishes. As long as you search for "Cambridge recitation works" on major websites, you can enjoy the Cambridge version of audio and video MV. In this pure and quiet literary paradise far away from the hustle and bustle of the market, Cambridge is used to cleanliness and loneliness, and does not want to become a hot online celebrity. He just wants to do his bit to inherit and carry forward the excellent traditional culture of the motherland and inspire and awaken people's interest and hobbies in ancient poetry. Although he still faces many difficulties such as funds and materials, he said that the road he decided would go on because he was also fulfilling his dream!