Who first put forward the word "artistic conception"?

In poetry, the word "artistic conception" first appeared in Wang Changling's Poems in the Tang Dynasty, which said: "Poetry has three realms". Put forward the theory of artistic conception, material environment and situation. At the end of Tang Dynasty, Si Kongtu put forward "thinking and environment together"; In Song Dynasty, Su Shi was a "realm and understanding"; Wang Shizhen is a "meeting of God and environment". In the Ming Dynasty, Zhu Chengjue further explicitly used this concept in "Stories about Poems in Cunyutang", saying: "The beauty of poetry lies in the perfect artistic conception, and besides the sound, it is the true taste.

In painting, the word "realm" was first seen in an article "Picturesque" in Guo Xi's Lin Quan Gao Zhi in the Song Dynasty. "When the realm is ripe, the heart and hands have already responded, and the beginning is moderate, and the left and right are the same."

Wang Guowei summed up the achievements of predecessors and established a systematic theory of artistic conception by combining the concepts of western aesthetics. He said in "The Tales of the World": "What is literary is enough to be self-satisfied, and what is touching outside is just both meaning and context. Those who go to the top are confused with their intentions and circumstances. Secondly, win with the environment or win with the intention. Lack of one is not enough to speak literature. " He regards artistic conception as the only criterion to measure the art of poetry.

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