Looking back on Li Qingzhao's life, she had a comfortable life and a happy family in her early years, so most of her early works were about leisure, love, beautiful scenery and parting thoughts of missing her husband. The style is fresh, charming and beautiful, delicate and euphemistic, the words are concise, beautiful and pleasant, fresh and lively, full of life interest. It depicts her lively girlish feelings and warm first love life, with joy as the keynote.
For example, the word "like a dream" written in my early years: I always remember the sunset in Xiting, and I don't know the way back when I am drunk. Always had a good time, but lost to the swimming pool deep in Zhu Feng. Fight for the ferry, fight for the ferry, and open a beach of gulls.
The author sketched out a very pleasant outing. The girls "strayed into the depths of the lotus" because they were "intoxicated", but this mistake "mistakenly" gave a wonderful artistic realm: "Fight for the ferry, fight for the ferry, and start a beach of gulls." The silent lotus pond suddenly boiled up because of this group of stragglers. From the girls' exclamations, paddling and the sound of water birds flapping their wings, we sincerely feel the unspeakable joy of the poet from the heart. In this small word, the author uses simple, natural and unpretentious language to write fresh and lively, which is very interesting in life. Fingertips don't seem to be carved and pecked, but just a few strokes draw a picture of Gui Zhoutu in the sunset of Lotus Lake. It is exquisite and elegant, with vivid characters and strong artistic charm, which makes people think. Created an intriguing and beautiful artistic conception, at the same time, we can see a free, naive, frank and free and easy girl.
Another example is "Like a Dream": "There was a sudden shower and wind last night, and I didn't consume alcohol when I slept soundly. Ask the shutter man, Haitang is still there. You know what? You know what? It should be green, fat and thin. "
This is a poem that tells the story of nature's experience of a storm on a spring night. The poet foresaw that the flowers and trees in the garden must be lush, with green leaves dancing and flowers dying. In the morning, she eagerly asked the shutter man about the outdoor changes, but the careless shutter man replied, "Haitang remains the same." In this regard, the poet can't help but use two "know whether" and one "should" to correct his careless observation and wrong answer. The phrase "green, fat, red and thin" vividly reflects the author's regret that spring will pass away, reflects the artistic conception of leisurely and elegant life, and embodies the author's love for nature and spring. His imagination is unique and meticulous, and his words are fresh and flexible, especially the word "green, fat, red and thin", which has a beautiful image.
During the Huizong period of the Yuan Dynasty (111), Li Qingzhao, aged 18, married Zhao Mingcheng, aged 2 1, and began the most beautiful and unforgettable period in her life. Love is the most beautiful chapter in life. Husband Zhao Mingcheng is a charming teenager, and they are literary confidants. Zhao Mingcheng's father is also an official, and the two families are suitable. What is even more rare is that apart from the elegance of poetry, chess, calligraphy and painting of ordinary literati, they also have a more congenial professional combination point-epigraphy research. In the feudal era when free love was not allowed, it was a godsend that they could have such a love ending. Sweet love makes Li Qingzhao, a newly married woman, full of literary thoughts, and excellent works come one after another. In her lyrics, she boldly reveals her feelings and expresses the sincere and lingering tenderness unique to a newly married woman.
Please look at this song "Minus Magnolia":
When you sell flowers, you can buy a spring flower. Tears are lightly dyed evenly, and rosy clouds are exposed. Afraid lang guessed that a slave's face was not as good as a flower's. The clouds are slanting, and I want to teach Lang Biguan.
Write about her love for spring and beauty, and use "Spring is about to bloom" to write about the budding flower, as if the whole spring is on this flower, which will soon open to the world and its image is extremely vivid! This is a flower with real life. It will open with warm spring breeze and warm sunshine, and it will wither with the change of seasons. Like a red sunset, petals are dotted with dewdrops. The author imagines it as a tear mark on the face of a person injured in spring. So petals and faces, tears and dew, can't tell each other apart. What a subtle psychology, what a subtle association! Compared with flowers, I am afraid that Lang will say that she is not beautiful. Finally, I put the flowers in my hairpin obliquely for Lang to compare. Which is more beautiful? "Afraid that Lang can't guess" and "afraid" have a little sour meaning, but they are sour and sweet, so they are deliberately modified to teach comparison. Is a person more beautiful than a flower? This is simply a series of beautiful drama scenes. The author shows a young woman's charming face with lively, clear and gaudy words, reflecting her leisurely and happy life in the early days of marriage, which is not only a coquetry to her husband, but also reveals her confidence in her beauty.
Another example is "Drunken Flowers", "The fog is thick and the clouds are sad forever, and the brain sells golden beasts. Double Ninth Festival, lying in bed, in the middle of the night, the cold on my body has just been soaked. Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves. Mo Tao does not forget me, the curtain rolls west wind, and people are thinner than yellow flowers. " Li Qingzhao and Zhao Mingcheng have deep feelings, and they often write poems. One year on the Double Ninth Festival, Li Qingzhao wrote this famous sentence "Drunken Flowers" and gave it to her husband who was an official outside, to show that the poet stayed alone in the empty boudoir on the Double Ninth Festival and missed her husband's loneliness and sadness. It is said that in order to win his wife, Zhao Mingcheng of the Qing Dynasty worked hard for three days and nights, forcing out fifty words, and asked his friend Lu Defu to comment. Telford pointed out that three of them are the best: "Don't get carried away, the curtain rolls west wind, and people are thinner than yellow flowers." This fact fully shows that literature is the most authentic art and cannot be forced at all. Ming Cheng's creative skills may not be under the clear photos, but the purpose of his lyrics is to compete with his wife. Out of a game mentality, of course, it can't be compared with the works revealed by Qingzhao. The last movie was written from day to night, full of sadness and loneliness. It's gloomy outside the window, and cigarettes are lingering indoors. The words "forever" and "quality" show a person's mood of living like a year in a sweet house. The second day is the Double Ninth Festival in 1999. I miss my relatives more and more during the festival, and I can't sleep at night with a pillow. "Cool Chu Xiao" also describes the bleak autumn festival and cold mood. The next movie flashed back to the bitterness of drinking alone at dusk. The imagination and metaphor of the last three sentences are wonderful, and the last sentence "people are thinner than yellow flowers" has become a swan song throughout the ages. Li Qingzhao is unique in the field of ci with her natural and delicate writing style, graceful and graceful writing style, fresh and delicate wording and sentence making. Understatedly, touch and dye women's tenderness to the extreme, dip in ink, and depict women's delicacy and weakness in detail.
Zhao Mingcheng is a smart and studious young man who likes to collect inscriptions for examination since childhood. It is natural for Li Qingzhao, who loves literature and art, to marry such a husband who is obsessed with the collection and appreciation of literature and art. The couple hit it off and lived happily. But after all, she said goodbye to the unrestrained girlhood. In this deep, prominent and heavily guarded Zhao family, only her husband Zhao Mingcheng is a bosom friend. However, her husband often went out to study and be an official, which brought great sadness and anguish to the affectionate Li Qingzhao. As an intelligent and talented cultural woman, she can't help but pour out her thoughts and feelings in words. Therefore, most of Li Qingzhao's early ci poems are about her feelings about love, especially the feelings of parting, which belong to the traditional theme of ci poems. However, in the past, most male writers wrote such words in a female tone, which inevitably smacked of affectation. Li Qingzhao uses her unique female perspective and female brushwork to understand life and express her inner feelings, so her words are especially sincere, delicate and euphemistic, and show the gentle beauty of women vividly in her words. Starting from women's psychology, she selects things that are easy to be associated with when women are depressed and sad, and organizes them with women's delicate brushstrokes to make them unique.
In the creation of ci, Li Qingzhao often expresses her happy or bitter feelings in a simple way. For example, in the next "Dianjiang Lip", she leans against the railing and looks far away: "Leaning against the railing, but she has no feelings. Where are people? Even in the sky, I hope to break my way home. " It is a simple way to express feelings. Without piling up words and carving sentences, it naturally reveals the loneliness of young women leaning against the bar and looking back, which is meaningful and memorable. Another example is her "Huanxisha": "The spring is chilly, the jade stove is full of smoke, and the dream comes back to the mountain pillow. In the future, Haiyan will mow grass, and Jiang Mei has passed catkin cotton, which is yellow and rainy. " This word describes the typical girlhood things such as incense, flower buds, fighting grass and autumn grass in simple terms, so as to express the author's love and cherish for spring.
Besides, like Nian Nujiao, "Liu Yanmei cheek" is also used to describe late winter and early spring. Under the moist of warm spring rain and the blowing of sunshine and spring breeze, the frozen weather is getting warmer slowly. At this time, the yellow and green willow leaves are like the eyes of the spring god; Plum blossoms with white petals and yellow pistils are like the cheeks of the spring god who just woke up. The keen poetess felt the heartbeat of the spring god. Not only will empathy be brought to the extreme, but also the life phenomenon of the whole earth will be vividly displayed.
"Plum Dried Sweet Lotus Root" was written shortly after Li Qingzhao's first marriage and Zhao Mingcheng left home.
Red lotus root is fragrant, and jade is lingering in autumn. Who sent the brocade book, the word geese returned, and the moon was full of the West Building. Flowers from Shui Piao to water, one kind of lovesickness, two places of leisure. There is no way to eliminate this situation, only frown and mind.
"Red lotus fragrant autumn jade" laid a sad and deep tone for the whole poem from the beginning. The autumn wind is bleak and the lotus is defeated, which adds a bit of sadness to the rich sadness. In order to get rid of loneliness, the poet "took off Luo Shang lightly and went to the Blue Boat alone", but he exercised his longing for his distant husband alone, so he hoped to receive a letter from his husband in the West Building full of clear moonlight. In the last part, the scenery is the main theme, and I have no intention of writing acacia. However, from autumn scenery's "Broken Silk", the author vaguely reveals his melancholy mood: seeing her husband off, he can't help but feel a sense of loss. Everything he sees, whether it is white clouds, flying geese, bright moon or out of the water, is always associated with her husband. I can't get rid of this feeling, and I can't get rid of it. Don't write about sadness but worry about yourself, don't talk about love but feel infinite, euphemistically tortuous, sad and moving. The next film focuses on the suffering of lovesickness. The poet put his lovesickness into the water and fantasized that her husband was missing himself. The feeling of lovesickness and missing is one of the most common feelings of human beings. Once it germinates, it is difficult to disappear. Both husband and wife are worried about acacia, so there is "one kind of acacia, two leisure worries", which means the deep love between husband and wife. It can disappear from the "brow" of external modality, but it cannot but enter the "heart". From the outside to the inside, it depicts the melancholy expression of homesick women and shows the poet's deep yearning. Li Qingzhao made a unique and profound observation and grasp of this feeling, from which we can see that Li Qingzhao not only has the gentle, kind and delicate characteristics of ordinary women, but also has the sentimental side as a literate woman.
Another example is Chun Qing of Nian Nujiao:
Depressed courtyard, oblique wind and drizzle, heavy doors must be closed. Fondling willow flowers to eat cold food, all kinds of nasty weather. Writing a poem is a leisurely taste. When you spend too much money, it's hard to get rid of a thousand worries. It was chilly in the spring for a few days upstairs, and curtains were hung on all sides. The jade fence was dry and careless. Dream Leng Xiang's new dream. Go to sleep and don't be sad. The morning dew is clear, and the new tung is introduced at the beginning, which is more or less spring! The sky is crisp and the smoke is rolling. Is it sunny today?
In the spring when her husband Zhao Mingcheng became an official, it was stormy, and the poet left his boudoir alone, leaving thousands of feelings. She wants to drink and write poetry, but she is afraid of bringing leisure; I want to think a thousand times, but I am afraid that no one will pass it on; I want to lean on the fence and look far away, but I feel weak; I want to lie alone, but I feel betrayed by Leng Xiang.
Wang Guowei said: "All kinds of words are kind." In the eyes of the poetess, all the scenery descriptions contain the author's feelings, and Lotus Root, Hairpin, Blue Boat, Depression, Spoiling Willow Flowers and Jade Balcony all melt into the author's lovesickness and parting pain. Use words to paste fine, honest and sincere; The expression is warm and generous, without any wriggle. Here, we can see a young woman sincerely dissecting her inner love, which is pure and unpretentious. We can know how deep her love is, how eager her thoughts are, how bitter her worries are, and how infatuated her feelings are. You can really say, "I don't know how to start a relationship, but it's deep."
Ci is a fascinating literary genre. The so-called "poetic rhyme" only shows the division of poems and the characteristics of words. Poetry is solemn and elegant, and the words are graceful and charming, which is suitable for expressing euphemistic and delicate feelings and delicate beauty. Li Qingzhao expresses her feelings with women's talents. As a pure poet, she can express her subjective lyric style with proper interests. The so-called "bright colors and fragrant flowers" and "true colors" are the highest praise for Qingzhao Ci.
Li Qingzhao is also good at expressing her feelings with exaggerated rhetoric. For example, in "Die in Hua Lian", she said, "The sunshine is 40% off, and you can sing all over Qian Qian." "Four-fold Yangguan" refers to the last sentence of Yangguan Qu, "There is no reason for a man to leave Yangguan in the west", and "All over Qian Qian" is about infinite separation. Another example is acacia in "Red Lips", which says, "Lonely boudoir, tender heart full of sorrow." Just one inch, exquisite, but full of sadness. It's really unbearable!
In short, before the age of 45, Li Qingzhao was immersed in the happiness of love and career, so what she wrote was an innocent and sentimental intellectual woman.
Secondly, the content and style characteristics of Li Qingzhao's later poems.
1. Sad and sad style, mostly for parting, acacia, homesickness, with sadness as the main tone.
In the first year of Jingkang (1 126), Jin Bing invaded the south, and made a comeback the following year. He exiled Evonne and his son and fled to Shangqiu to form the Southern Song regime. He is partial to Jiang Zuo, does not want to recover lost ground, and leads a life of lead a drunken life, which is disappointing. In this regard, Li Qingzhao criticized a lot. The great changes of the times have broken Li Qingzhao's leisurely and quiet life. At the beginning of Southern Song Dynasty, Zhao Mingcheng was appointed as the magistrate of Jiangning. After seeing Ming Cheng off, it was difficult for Li Qingzhao to face the reality that her loved ones were far away and left her favorite relatives, which made Li Qingzhao sleepless all night, and the smell of sadness began to invade her mood. With the extension of Mingcheng's away from home, Li Qingzhao's lovesickness is increasing day by day. Because of her bad mood and lack of sleep, her body gradually lost weight. Li Qingzhao is a sentimental person. At this moment, flowers bloom and fall, seasons change, autumn wind and spring rain will all cause her thoughts and feelings to fluctuate. The poet frankly described the suffering of lovesickness and her sincere feelings for her husband. For example, the masterpiece "Yi Feng Tai Pipes" expresses the feeling of lovesickness: sweet, cold and golden, turn to beauty, get up and comb your hair. Ren Bao is full of dust, curtain hook. I'm afraid to leave my arms. I don't want to say anything. New arrivals are thin, not dry wine, not sad autumn. Hugh. If you go back, you can't stay after going to Yangguan for thousands of times. Read Wu Lingren, smoke locks Qin Lou. Only the running water in front of the building should remember me and stare at me all day. Looking at the place, I have added new worries since then.
When the word came out, it received rave reviews and was called "overwhelming". "I am thin when I first arrived, not dry wine, not sad autumn." No twice, don't expose the correct answer, let the reader try to figure it out for himself. Careful readers will follow the above sentence "Farewell to your arms" and know that what she said is nothing more than the suffering of lovesickness. The sentence is novel and unique, with endless aftertaste. Commenting on Shen Jifei's Poems of Baicaotang, he said: "Tell stories smoothly. It is especially wonderful to lose weight. " "Poetry in the Cottage is in Jun" also said: "Writing a kind of separation, new and new worries is really like the head of the Qin female building, playing harmony." The next film "Only the running water in front of the building, I want to remember that I am sad all the time", pumping the water dry to prove my lovesickness, and writing the meaning of the words implicitly seems to be full of lines.
When this country was in danger, Li Qingzhao painstakingly managed her artistic achievements for half her life, and was burned and robbed in the fall of Qingzhou and several wars in the south of the Yangtze River. After three years of advice (1 129), her husband Zhao Mingcheng died suddenly in Jiankang. When the family was ruined and the country was ruined, she moved to Piaoping, and now she is lonely. The blow is self-evident Since then, Li Qingzhao has been a good girl, wandering around and going through hardships before she arrived in Hangzhou. Who would have thought that she was slandered by the wicked again, tasted the hardships of the world, and suffered great pain in her heart.
The national peril and personal misfortune gave Li Qingzhao a heavy shock. Her life is full of heavy sadness, including sadness at that time, mourning for homesickness and expressing the sadness of national subjugation. Her vicissitudes also changed her style of ci. In the past, she wrote, "When someone came, socks and golden hair slipped away." And walk away with shame, leaning against the door and looking back, but smelling Qingmei "("Dianjiang Lip ") is gone," I don't know where to go when I'm drunk. The ease of returning to the ship at night (such as dreaming) disappeared. His lyrics are more profound and touching, and his perspective has also expanded. Her ardent yearning for her hometown and her irresistible yearning for her loved ones made her feel hurt by the scenery. But she is sad for her middle age and lonely, so she only pursues the warmth of the past in her dreams. Sitting alone in the curtains during the day, there is a sincere smiling face in the fog of Rui nao Xiang; At night, Mei Xiang bursts, you and I sing peace poems, and they both drink wine. "Where is my hometown? Unless you are drunk, forget it. " (Bodhisattva Man); "Everything is not for people, and tears flow first." (Wu Lingchun); "Cold and clear, sad and sad" (Slow Voice). These works not only reflect his personal misfortune, but also have a deep pain in his home country. They link personal misfortune with national disaster and family feud, and euphemistically express sadness, loneliness and melancholy. In the word "Li Xue in the Happy Year in Qingping", the words "This year's ends of the earth, flowers are born on the temples" are used to lament the depressed mood of fleeing alone and living in other places. "Bodhisattva Man, Soft Wind, It's Early Spring" expresses the author's yearning for his hometown and grief over the decline of his hometown in deep and implicit language, and his feelings are sincere and devastating. The style of ci has become sad and deep, desolate and sad, with a distinct flavor of the times, quite touching. For example, "The Lonely Goose" is about the feeling of loneliness and melancholy: "A branch is broken and no one sends it." It is very sympathetic to write the painful loneliness in extremely simple and vulgar language. Moreover, the song "Lonely Goose" was specially chosen to symbolize that he was a swan flying alone in the autumn sky. The words are full of loneliness, sadness and sadness.
Another example is "adding words to pick mulberry seeds":
Who planted banana trees in front of the window? The atrium is overcast. Yin fills the heart, Ye Er relaxed and affectionate. Sad pillow night rain, a little light rain. A little rain, worried about the loss that northerners can't understand.
What kind of people are northerners? They are vagrants and extinct people, and Li Qingzhao is one of them. In the history of China, most foreign invasions were from the north to the south, so the flight of "northerners" is not only a literary phenomenon, but also a historical phenomenon. "I am worried about hurting northerners and I am not used to listening." What did we hear? I heard Zu Ti's cry of hitting the water in the middle stream, Lu You's sigh that "the adherents shed tears and looked south at Julian Waghann for another year", Xin Qiji's helplessness of "looking back, there was a crow club drum under the beaver temple", and I seemed to hear the sad song that "my home is on the Songhua River".
For example, the wind has stopped the dust and the fragrant flowers have run out, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first. It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
This word was written in Jinhua, Shaoxing, Song Gaozong (1 135). She took refuge in Jinhua when the Nomads invaded, when she was 5 1 year old. "The wind has stopped the dust and the fragrant flowers have run out" to write about the scenery, which is beautiful. The wind swept away all the flowers, and there was a fragrance in the dust, which was a sad and declining scene. Wang Guowei's "all scenery is love", and his mood at the moment can be seen. The protagonist of "Comb my hair at night" appeared in front of everyone. The sun has hung high in the sky, and the middle-aged woman with lazy and boring hair is sad. Why? "Things are people who don't rest on everything", and express their feelings directly. This is the truth of "tears flow first". In the face of all kinds of misfortunes, the protagonist is helpless and hopeless, lamenting that "everything is fine." Then the tears flow first, euphemistically and implicitly. "I heard that Shuangxi Spring is still good, and I plan to make a canoe." I changed my head and turned around, but my pen didn't break. Why not use the beauty of spring to dispel such deep sadness? "I'm afraid the ship can't carry a lot of worries." I'm afraid it's hard to send my feelings by boating because of the beautiful spring scenery in Shuangxi. A materialized word "worry" turns the spirit into matter, gives weight and makes people feel stronger. The word scene is affectionate, and the scene is based on emotion. Through the description of the scene, express the sad mood, a sad scene, a sad sentence; Why are you sad? Why are you worried about taking over? In the next film, I changed my head, and the "scenery" was not broken. I wanted to drive away my troubles with the scenery. The last two sentences are full of "sadness" and cannot be dispelled. The waves are ups and downs, and I hesitate to express my sad mood, deep sorrow, graceful implication and ups and downs through magical artistic conception.
The emotion expressed in the whole poem is strong and sincere, which expresses "sadness", but the poet connects the invisible sadness with the visible and tangible boat, which makes the sadness become a concrete and vivid artistic image, and this sadness has sensibility. Because the poet psychologically feels that it is sad and depressed, he also feels that sadness has weight, as if it is 1000 kilograms, which is too heavy for a ship to carry. The word "worry" is the eye of the word. With eyes, the "spirit" of words comes out. This "worry" written in the whole poem is not a personal worry, but a worry of thousands of people in Qian Qian and Qian Qian, a worry of the country and a worry of the times. This word truly expresses the poet's sense of life experience and reflects the pain brought to the poet by the collapse of the country and the destruction of the family.
The word "Forever Happiness, Sunset Melts Gold" focuses on Bianjing Lantern Festival. The difficult years of "Zhongzhou heyday" and "now" set each other off, describing the prosperity of the past and reflecting the loneliness of today. One of them, "It's better to listen to people laugh under the curtain", seems to be popular and plain, but it embodies the sadness in the poet's heart, the hatred of the country's demise and the pain of displacement, which is vividly expressed in comparison and contrast. The strong thoughts of motherland and homeland deeply infected people, and even triggered the heartfelt cries of patriotic poets such as Xin Qiji and Liu Chenweng.
Looking at Li Qingzhao's ci works in this period, The Sound Slow is his late masterpiece, which vividly shows the tragic and lonely twilight scene of the poet for the rest of his life:
Looking around, lonely and sad. It's the hardest to stop breathing when it's warm and cold. Three glasses of light wine, how can you beat him? It's too late in the wind. Guo Yan is very sad, but this is an old acquaintance. Yellow flowers were piled all over the floor, withered and damaged. Who can pick them now? Looking out the window, how can you be black alone! Indus is drizzling, and at dusk, it is falling. This time, what a sad sentence!
Ci expresses the poet's lonely and sad mood from early morning to dusk in an autumn day, which is actually a true portrayal of the author's later life. The word twists and turns typically summarizes the poet's wandering life, tragic situation and sad inner world after crossing the south. The sense of "worry" expressed in the ci is obviously the national sorrow and family hatred interwoven by personal misfortune and the collapse of the country. This kind of "national mourning and family feud" is essentially different from the kind of "leaving sorrow and not hating" before the poet crossed the south. It contains a certain color of the times and social content, so it has a certain typical significance. The poet skillfully uses musical language to enhance the appeal of art. At the beginning, he used fourteen overlapping words one after another: "Looking and searching, indifferent and sad". Zhang's Collection of Your Ears was rated as "the legendary swordsman", praising her skill, seeking is the narrative of action, loneliness is the description of atmosphere, and sadness is the depiction of emotion. This word, like a hurried orchestral performance, gradually entered a state of sadness, which was completely different from the soft and elegant mood of her early middle-aged words. Emotionally, speaking is painful, words overlap and the pace is fast. When writing "late for the wind", I will feel nervous and nervous. Then "yellow flowers piled all over the ground" is a symbol of sadness. When a person writes at the window, it says "How can you be black alone", which vividly depicts a kind of pain that is strongly endured. Finally, the description of the sound of rain, with four overlapping words "dribs and drabs", is lingering and tactfully in affection, singing and sighing. The tone is like the beauty of pouring large and small pearls into a plate of jade, which is very beautiful in music. In addition, the length of the whole sentence is different and varied, and the four tones are cadenced, which brings the musicality to the extreme and becomes the eternal swan song. It was in this grief that Li Qingzhao spent the rest of her life after crossing the south.
2. Li Qingzhao's later poems have a handsome, cheerful and heroic side.
Since Li Qingzhao is a poetess, although her ci can't get rid of the boudoir, it can't be regarded as an ordinary "boudoir word". Shen's "A Word on the Mushroom Pavilion" said that "Yi An is charming and has the spirit of a husband, but she is Su and Xin in the boudoir, not Qin and Liu". This evaluation points out the special temperament contained in Li Qingzhao's boudoir rhyme. Her ci has both the gentleness and wisdom of women and the delicate and cheerful qualities that ordinary women lack. She can combine euphemistic feelings with detached mind, making her writing graceful, gentle and firm, passionate and heroic in gentleness and charm, and charming like a husband. In the later period, national sentiment and patriotic sentiment were also themes, which made her more sad and depressed in the early stage and her emotions more profound. She entered an artistic realm with noble personality and excellent words, which reflected the political feelings of an intellectual. The word "fisherman's pride" fully shows the magnificent and broad side of her spiritual realm:
When the sky meets the clouds, the Milky Way wants to turn to Qian Fan dance. As if the dream soul belongs to the emperor, Wen Tian asked me where to go. I report the long night and study poetry. There are amazing sentences. 90,000 Li Fengpeng is a positive move. The wind stopped and the ship blew away three mountains.
With romantic sleepwalking, with the help of dry dream description and rich imagination, the poet created an imaginary mythical world and imagined a dialogue with the Emperor of Heaven, which fully reflected the author's enthusiasm for life, yearning for freedom and pursuit of light. The most impressive thing about this word is its boldness and rich imagination. The author created an illusory dream, connecting the milky way in the sky with the rivers on the ground, and imagining the twinkling stars as a ship full of sails. It was on this "spaceship" that the author sailed into heaven and was received by the "gods". This is indeed the ingenious pen of "wearing the heavenly heart and going out of the ground". It is "amazing" that such a pen was written by a woman in feudal society like Qingzhao. In the poem, she puts herself in a vast space, regardless of the "long road" and "sunset", and under the impetus of the 90,000-mile wind, Ling Ran made an overseas trip. It shows the poet's dissatisfaction with the darkness of the world, her expectation for the brightness of the sky, and her search for spiritual home, which fully embodies her desire for freedom and her pursuit for light. This kind of wish is impossible to realize in the real life of her life, so she has to pin her hopes on the illusory fairy realm in her dream and seek a way out in this realm.
Although there is no straightforward rhetoric in the poem Wujiang, we can feel Li Yian's unswerving heroism. A wandering poetess is eager to reflect herself into a strange world like a fairy with the help of Li-Peng Wan wind. This strange fairy world is the ideal and spiritual sustenance of the poet. For the oppressed and oppressed women in a feudal society, this idea itself is full of heroism and shows Li Qingzhao's broad-minded mind.
This poem is magnificent and heroic, which has both Li Bai's wild demeanor and Du Fu's depressed frustration, and combines them skillfully, finally making this poem "Fisherman's Passion" a unique poem in Shuyu Collection. It shows that at this time, she has become an intellectual woman who cares about the country and the people after being weather-beaten.
With her superb artistic talent, Li Qingzhao spun silk from the melancholy of the sky, then spun it carefully and turned it into beauty, creating a treasure for people to appreciate forever. Zheng Zhenduo commented in the History of China Literature: "She is original, she is independent of a group of poets ... She is too tall for mediocre writers to catch up with. Countless poets and poets have written countless poems, which remain in my heart forever ... all these poems are worthless before they are exposed. "
With admiration, let's take a look at Li Qingzhao's life once again. The past was prosperous, the past was chaotic and the evening was bleak. Her fame is the creation of history, the tempering of heaven and the casting of purgatory! The worries of the nation, family and feelings, sometimes she was caught in the middle and felt tortured, and sometimes she was left aside and forced to think calmly. Her works are the expression of true temperament, the portrayal of real life, and the crystallization of the integration of subjective lyric and real life.
To sum up, the specific life track and living environment, rich emotions, absurd ideals and unique creation have brought about changes in the ideological content and style of Li Qingzhao's ci, and also established her immortal position in the history of China literature.