Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. I drift thousands of miles, where there is no moon by the river!
In the first four sentences, the interlaced landscape of two spring rivers, two bright moons, two tides and two seas immediately brought people into a magical and wonderful realm. And the last sentence, and laid the groundwork for the whole description of Jiang Yue.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
Readers can see that in the second group, the poet wrote about the obscurity of the first month, and in the third group, he wrote about the brightness of the high moon and thought about ancient love. "Who first saw the moon by the river? When was the photo taken at the beginning of Jiangyue? " The poet thought deeply about this round of Jiang Yue, and was deeply moved and confused. Perhaps later, the great poet Li Bai "When is there a moon in the sky?" I want to stop and ask ",and Su Shi" When will there be a bright moon? The poem "Ask Heaven for Wine" is a copy of this sentence. In the fourth group, the phrase "endless life, similar years" is exactly the same as Liu Xiyi's famous phrase "flowers are similar year after year, people are different year after year". Zhang sighed that Jiang Yue is long, his life is short, and he felt that the scenery is still the same, and life is easy to get old. How similar they are! Here, the overlapping of the moon, people and rivers has a beautiful syllable and rhythm, which is intermittent and connected with flying silk, giving people a feeling of simplicity and grandeur. This poetic language form created by the poet later developed into the "nail-nail style" in Sanqu and folk songs, and it still has its moving shadow in China.