First, taste the beauty of artistic conception with emotion.
The beauty of scene is not equal to the beauty of artistic conception, but the beauty of artistic conception cannot be separated from emotion and scenery. If there is no "infinite harmony" between emotion and scenery after artistic processing, it is impossible to sublimate it into "artistic conception" Natural scenery such as mountains, rivers, flowers, trees and so on, as aesthetic objects, is purely objective in itself, but if written into literary works, it is humanized nature that permeates the author's emotional experience. They are warm, bright, full of vitality, bitter, warm and quiet, or show the author's high-spirited enterprising spirit, or reveal the author's lonely and sad feelings, or show the author's quiet and peaceful taste, which is the unity of emotion and scenery.
Second, grasp the beauty of thought seriously.
"Expressing ambition" is the general guiding ideology of poetry creation. For example, at the end of Cao Cao's "Looking at the Sea"-"Fortunately, the song is a chant", which impressively indicates that poetry is a chant. It depicts the wonders of the universe with rich imagination-"the journey of the sun and the moon, if it is out of its territory; The splendor and surprise of Xing Han expressed the poet's lofty sentiments of striving for progress and his ambition of unifying China. The ideological beauty contained in the works can often make readers strongly feel the writer's lofty personality beauty, such as Zhuge Liang's model, Zhou Dunyi's love lotus theory, Yue Fei's Xiao Zhongshan, Wen Tianxiang's Zero Crossing and Ding Yang.
The ideological beauty of works is always inseparable from emotion. In the works with patriotism, love, friendship, landscape, society and nostalgia as themes, "ambition" and "affection" are interlinked. Belinsky believes that "emotion is a major active factor in the essence of poetry; Without emotion, there would be no poet and no poem. " The reason why Lu You's poems can be read down through the ages is because they are full of the poet's patriotic passion. "Emotion is in the heart, but it is in words", which is the patriotic enthusiasm that never fails, and makes Lu You sing the strongest voice of that era.
Third, appreciate the beauty of painting gracefully.
In the aesthetic process, mobilizing the aesthetic enthusiasm of various senses can strengthen the visual image, obtain a comprehensive three-dimensional composite aesthetic feeling, and make the appreciator have a feeling of seeing people and hearing voices. In Zhang Ji's a night-mooring near maple bridge, "On a frosty night, Jiang Feng sleeps by fishing and fire" is picturesque, and the viewer can feel a little melancholy of a wanderer in a foreign land. Autumn Night in a Mountain Residence by Wang Wei is a vivid landscape painting of a mountain village after the rain: it depicts the scenery with colors, including pine green, bamboo green, lotus green and bright moon; Write in detail about villagers' activities, lively girls returning from laundry and fishermen fishing in the river by moonlight. Wang Wei showed the poet's personality beauty and ideal social beauty in the natural picture scroll with beautiful scenery and simple folk customs. The scenery in the poem is natural and fresh, which seems handy. Su Shi said: "There are pictures in poetry, which are fascinating; Look at the picture, there are poems in the picture. " In fact, Wang Wei's poems are not like this. Many excellent poems are meaningful freeze-frames, such as "Jiang Nanan Spring Breeze Green", "Two orioles singing green willows, a row of egrets soaring into the sky", "Lonely smoke in the desert, long river setting the yen" ... are all beautiful sentences that combine poetry and painting.
Appreciating ancient poetry requires rich aesthetic experience and knowledge accumulation. Only in this way can we achieve the effect of "practicing thousands of songs and then knowing the sound, watching thousands of swords and then knowing the instrument". A connoisseur should have not only knowledge of literature, aesthetics and linguistics, but also relevant knowledge of philosophy, history, folklore, psychology and natural science. The wider the knowledge, the deeper the cultivation, and the more wonderful the aesthetic feeling will be.