Ascending is Du Fu's most famous seven rhymes. Although it is a sad song, it can give people a positive feeling. Try to analyze why it gives people such a feeling.

This poem was written by Du Fu in Kuizhou in 767 AD. When Du Fu wrote this poem, the Anshi Rebellion had ended for four years, but local warlords took the opportunity to compete for territory with each other, and the society was still in chaos. In this situation, he had to continue to "wander in the southwest between heaven and earth" (the first part of "Yearning for Monuments") and struggle with the sigh of "When is the year to return" (the second part of "Jueju"). The hardships of the times, family, personal illness and unfulfilled ambition, coupled with the successive deaths of friends Li Bai, Gao Shi and Yanwu, are always like a thick cloud on his mind. He came to the stage to get rid of his depression. Through the scenery of Qiu Jiang, the whole poem tells the poet's complex feelings of wandering for many years, being entangled in old diseases and dying alone.

The first four sentences of the poem are about climbing mountains, and the poet painted a moving picture of autumn approaching the world. Kuizhou has always been famous for its many apes, and the canyon is famous for its windy scenery. The description here is by no means accidental, it combines the poet's complex and profound feelings. The first couplet climbs the mountain, feels the wind of hunting, and listens to the empty valley apes. Move your eyes and look at Dao Jiang from a height. On the background of clear water and white sand, birds flying with the wind are dotted, which is really a beautiful picture. There is a sad atmosphere at the beginning of this poem: "The sharp wind ape whimpers in the vast sky, and the birds fly home on the clear lake and white beach". This picture is bleak, but it also reflects the sadness in the poet's heart, especially the two details of "mourning for apes" and "birds flying back", which is simply a portrayal of thousands of displaced people in Qian Qian, including the poet. But the poet's thought didn't stop there. He also outlined an extremely broad picture for us: "Leaves fall like the spray of a waterfall, while I watch the long river roll forward." Couplet poets look up at the boundless rustling leaves and overlook the rushing river. The words "boundless" and "inexhaustible" in the sentence, coupled with the sound of rustling leaves, make people feel that the Yangtze River is rolling, and the works have reached a superb level. More importantly, we can see that the poet's mood is stirring: falling leaves means that the year is coming to an end, which will make him feel fleeting. Perhaps, this aggravated his homesickness, and he would ask himself: When will this long-lost career end? The endless Yangtze River will even make him go beyond the time limit. When he thinks of the unfortunate experiences of some outstanding figures in the past dynasties, he can't help but want to "shed tears every thousand autumn sadly" (Ode to Monuments II) to express his feelings that his youth is fleeting and his ambition is hard to pay. These two couplets have indeed covered the poet's "bitterness, bitterness and hatred", and their precise language and magnificent atmosphere can be described as the swan song of all climbing poems. Neck couplets illustrate the feelings contained in the above two scenery description couplets, and the last sentence is "I came from three thousand miles away." Sadness follows autumn today ",describing the suffering of wandering for many years; The next sentence, "With my hundred years of sorrow, I climbed this height alone", is about old illness and loneliness. This couplet is about autumn scenery, a poet who witnessed desolation and recovery. He can't help but think of the situation that he was banished to a foreign country, old, weak and sick, and he was infinitely sad about autumn. Among them, "Wan Li" corresponds to "Endlessness" in the first film, and "Centennial" corresponds to "Endlessness", which profoundly and extensively expresses the poet's worries from two aspects of time and space. The poet's travel anxiety and loneliness, like fallen leaves and rivers, can be pushed and driven away endlessly, and the harmony between emotion and scenery shows the subtlety of the concept.

The poet at the end of the couplet suffered from hardship and poverty. They are worried about the country and the people, and their white hair is increasing. In addition, they were deprived of alcohol because of illness, which made it more difficult for them to let go of their grief. Originally, I climbed high and looked far with great interest, but I hated and worried for no reason. The poet's complex emotions and ambivalence are fully displayed, including infinite desolation.

The first half of the poem describes the scenery and the second half is lyrical. The first couplet focuses on describing the specific scenery in front of us, just like the meticulous brushwork of a painter, vividly showing the shape, sound, color and state. Couplets focus on rendering the atmosphere of the whole autumn, just like the painter's freehand brushwork, which should only be vivid and let readers expand their imagination wings to supplement it. Neck band expresses feelings, from vertical (time) and horizontal (space) aspects, from wandering in a foreign land to writing disability. The change from white hair to alcohol loss due to illness comes down to the difficulty of the times, which is the root cause of sadness, illness and poverty. In this way, the poet's feelings when he was worried about the country and hurt the country jumped from the paper.