1. introduces the writing background and main contents of this paper.
1935 5438+00 In June, the Red Army successfully arrived in northern Shaanxi, shouldering the great mission of resisting Japan and saving the country. In late October, under the leadership of the Party and Comrade Mao Zedong, the Red Army prepared to cross the Yellow River eastward. At the beginning of February, Comrade Mao Zedong led troops to Yuanjiagou, a small mountain village near the Yellow River in Qingjian County, northern Shaanxi. Here, Comrade Mao Zedong personally inspected the terrain, looked at the magnificent rivers and mountains of the motherland, looked forward to the brilliant prospects of the revolution, and wrote this poem "Spring and Snow in the Qinyuan" with passion. The whole poem is divided into two parts: the first part describes the scenery in a lyrical way, melts feelings into the scenery, depicts the magnificent and vibrant scenery of the north, and expresses warm praise and infinite love for the great rivers and mountains of the motherland; In the past and present discussions, feelings gradually sublimated and finally reached a climax, highlighting the center. The whole poem closely combines scenery description, lyricism and discussion. With vivid and accurate language, it praises the magnificent rivers and mountains of the motherland, the proletariat and the people, inspires people's patriotic enthusiasm and national pride, and inspires people to fight for the victory of the revolution and the construction of a new China.
2. The popular development background of this word.
This word was written on the eve of War of Resistance against Japanese Aggression and published in August 1945. At that time, the Japanese had just surrendered, War of Resistance against Japanese Aggression was over, the people longed for peace, and Chiang Kai-shek was plotting to launch a civil war. On behalf of the people's wishes, China issued the Declaration on the Current Situation on August 25th, 1945, calling on the people of the whole country to "realize national reunification on the basis of peace, democracy and reunification". In order to achieve this goal, Mao Zedong went to Chongqing to negotiate with the Kuomintang. I met Mr. Liu Yazi in Chongqing, and Mr. Liu Yazi asked Mao Zedong for a word, so Chairman Mao copied this poem "Spring and Snow in the Garden" to him. The next day, Chongqing's Xinhua Daily published this article.
3. Word common sense.
Words are also called long and short sentences. The sentence, number of words, rhythm and level of a word have a fixed format, which is the word spectrum. The poet writes lyrics according to the score. The names of the word spectrum are epigrams, such as Langtaosha and Qinyuanchun. Text can have no title; If in doubt, write down the inscription below. For example, "Qinyuanchun" is the inscription and "Snow" is the title.
4. Appreciate the summary.
The combination of reality and fiction in this word, three of which are "it's sunny, look at that red dress, it's particularly enchanting", takes readers to another realm. The author imagines the scene of Chu Qing after the snow. The red sun and the snow set each other off, and the artistic conception is even more charming. Here, on the surface, it is the beauty of imagination after writing snow, in fact, it is the author's image foresight of the bright future of the revolution, which shows the broad mind and optimism of revolutionary leaders.
5. About "duality".
Duality is a rhetorical method that uses sentences with the same number of words and the same or similar structure to express related or relative content. In China's ancient poems, metrical poems require duality in twos and threes, and some epigrams also stipulate that some sentences should use duality. "Qinyuanchun" requires that the fourth, fifth, eighth and ninth sentences of the first part should be matched with four words respectively, and the corresponding parts of the second part and the first part should also be matched with four words. A new breakthrough has been made in Mao Zedong's Qin Yuan Chun Xue. In addition to the four-character pair "Mountain dancing silver snake, original wax elephant" used in the eighth and nineties of the first film, the upper and lower parts used "eight-character pair" respectively: "Inside and outside the Great Wall, there are only a sea of people; Going up and down the river, losing the surging waves ","Qin Huang Hanwu, slightly losing his literary talent; Tang Zong Song Zu, slightly less coquettish. " These dialogues are magnificent and show the broad mind of proletarian revolutionary leaders.