Author: Wang Wei
Original text:
(1)
I hate to see thousands of families, passing by in the north and neighboring in the south.
the official government has a bottom, and who is it?
(2)
Goodbye, seal the marquis, and make a speech and give her a pair.
it's better to plow south acres than to lie high in the east window.
(3)
The crossing of Cailing is windy, and the forest is setting in the west.
The fisherman by the apricot tree altar is a family in the Peach Blossom Garden.
(4)
The lush spring grass is green in autumn, and the pine grows in Xia Han.
cattle and sheep return to the village lane, and children don't know how to dress.
(fifth)
There is a lonely village at the foot of the mountain and a plateau on the horizon.
a gourd ladle of Yan Hui alley, with Mr. Wuliu opposite the door.
(6)
Peach red contains persistent rain, and willow green is even more smoky.
The flowers have fallen, but the guests in Yingti Mountain are still asleep.
(7)
When you drink, you will come to the spring, so you can lean on the pine when you hold the piano.
in the south garden, the dew is shining, while in the east valley, it's dark at night.
Note:
1. Mingke (kē) is a kind of beautiful jade.
2. Kongtong: refers to Fairy Mountain.
3. Jade: beautiful jade.
4. J: No, no. Express rhetorical question.
5. victory: if you can compete, you can win.
6. Couple (? u): Two people plow together.
7. water chestnut: an annual aquatic herb with slightly triangular leaves and an air sac on its petiole, which blooms in summer and is white. The fruit has a hard shell and horns and is edible.
8. crutch: leaning on a stick.
9. luxuriant vegetation.
1. Luoluo: it looks loose and tall.
11. Dress: what a scholar-bureaucrat wears.
12. Yan Hui (521 BC and 481 BC): A native of Lu at the end of the Spring and Autumn Period, Zi Ziyuan, also known as Yan Yuan, was Confucius' favorite disciple. Living in a humble alley, he devoted all his thoughts to learning and carrying forward the Confucianism founded by Confucius, and lived a hard life. He died young at the age of forty.
13. Mr. Wuliu: refers to Tao Yuanming. Tao Yuanming was born in 427, about 365, and was named Mr. Wuliu, Mr. Jingjie, posthumous title. After he entered Liu Song, he changed his name to Qian. Poet, writer, lyricist and essayist in the late Eastern Jin Dynasty and early Southern Song Dynasty. Xunyang Chai Sang in the Eastern Jin Dynasty is now a native of Jiujiang City, Jiangxi Province. He worked as a small official for several years, then resigned and went home, and since then he has lived in seclusion. His poems are mainly about rural life.
14. overnight rain: night rain; Rain after night. Night, night.
15, discretion: pour wine, pour wine.
16. chōng: Put things in a mortar or mortar to pound off the skin or mash them.
Appreciation:
There are seven poems * * *, each of which is an independent chapter, and when combined, it is a whole. The group of poems shows the pastoral life and natural scenery of Wangchuan from different angles, and deeply and gracefully expresses the poet's attitude towards life and spiritual realm. Writing the scenery of Wangchuan Mountain Residence in a group of poems focuses not on the description of the external scenery, but on the expression of the inner spiritual life, which is precisely the most remarkable feature of Wang Wei's landscape poems. Because writing about mountains and water is not about mountains and rivers, but about expressing one's ambition through mountains and rivers. Mr. Lu Kanru, a famous contemporary scholar, pointed out that the key to the development of Wang Wei's poems seems to be found in Wang Wei's works, such as the lonely twilight, the leisure between heart and Guang Chuan ("Climbing Hebei Tower") and my leisure, and as this limpid water is ("Qingxi"). This key is a static word. Only others can be quiet, so he can appreciate the natural beauty of everything.
the core of Wang Wei's poetry aesthetics is a static word, and this group of poems also expresses this static word. His serenity is not to write about the serenity of the environment blindly, but to express the serenity of his mind. This kind of state of mind is quiet, and it is impossible to achieve the ultimate in ideological cultivation. Although most of the poems in "Pastoral Music" are quiet and quiet, the environment described is cool and the mood expressed is empty. However, the scenery described in the poem is beautiful, and the feelings reflected are all love and praise for nature. Therefore, Wang Wei's yearning for tranquility is inseparable from his personal love for nature and life.
besides subjective factors, Wang Wei's love for nature also has profound social factors. Wang Wei's career was bumpy all his life. At the age of 19, he entered the career. At first, he was too happy, but later he was demoted because of his involvement. He lost his wife, never married again, and lived alone for thirty years. Wang Wei was promoted by Zhang Jiuling, the prime minister. However, it didn't last long. After Zhang Jiuling's strike, he was hit and squeezed out everywhere. After the Anshi Rebellion, he was framed again and was deeply hit. Such complicated social factors make Wang Weishen touching and sinister, and his career is hard. Therefore, he had to hide many grievances and feelings in his chest and hide in the mountains in order to get spiritual relief and comfort. The poet is respectable and awesome!
the poetry of idyllic music
the poetry of idyllic music
Author: Wang Wei
Original text:
Peach red contains persistent rain, and willow green is even more smoky.
The flowers have fallen, but the guests in Yingti Mountain are still asleep.
Note:
1. Pastoral music is a group of seven six-character quatrains, which shows Wang Wei's pleasure of retiring to Wangchuan Villa and getting close to nature, so one topic is called Wangchuan Six Words.
2. Suyu: It rained last night.
3. Shanke: a person who lives in seclusion in the mountains.
Poetic:
The petals of peach blossoms still contain the rain beads of last night.
After the rain, the willow trees are green and shrouded in the morning smoke.
The petals falling from the rain are all over the courtyard, and the children haven't got up to clean up.
The orioles are singing, and the tourists are still sleeping soundly.
Appreciation:
Pastoral Music is a group poem composed of seven six-character quatrains, and the writer retired to the pleasure of being close to nature in Wangchuan Villa, so one topic is called six words in Wangchuan. Here is one of them. It is easy to think of Meng Haoran's five-line "Spring Dawn" when he writes about sleeping in spring, singing in birds, falling flowers and staying in the rain. There are so many similarities in the life content written in the two poems, but the artistic conception is very different. Compared with each other, it is most obvious to see two remarkable features of Wang Wei's poem.
the first feature is that it is vivid and colorful, and there are pictures in poetry. This does not mean that there is no painting in Meng's poems, but that Meng's poems focus on freehand brushwork. Although it also mentions the wind and rain of flowers and birds, it is not described in detail, and its environment is indirectly realized by readers from poetry. Wang Wei's poem can be completely different. It not only has a large composition, but also has specific and vivid coloring and detailed description, so that readers can draw first and then understand. Write about peach blossom, willow and warbler, and capture the characteristic scenery in spring. Here, peach, willow and warbler all refer to it, which is more specific than Meng Shi's general reference to flowers and birds, and it is easier to evoke intuitive impressions. It is obviously the same artistic effect to write about the wind and rain at night by staying in the rain and facing the smoke. On the basis of hooking the scenery, the use of the words color, red and green makes the scenery bright and pleasing. Readers will be presented with a picture of a bright future. The peach flies away, burning its splendor, and the willows are yiyi, and the scenery is pleasant. After coloring, there is a layer of rendering: the petals of deep red and light red are slightly raindrops overnight, and the color is softer and more lovely. After the rain, the air is clear and fresh, and the fragrance of Ran Ran flowers is dispersed, which makes people enchanted; The green wicker cage is more charming in a hookah. After layers of rendering and careful description, the poetic landscape has become a meticulous and colorful picture; In contrast, Meng's poems are like uncolored freehand brushwork.
one is colorful, and the other is colorless. Meng Shi wrote from I awake light-hearted this morning of spring, seeing people before entering China. Wang Shi, on the other hand, didn't meet anyone until he entered the country. Because of the persistent rain, there are flowers falling. The flowers should be cleaned when they fall, but the children at home have not. If you don't sweep, you don't sweep because people haven't got up in the morning. This scene of no one asking about the falling flowers on the ground has a quiet interest. This is exactly what Wang Wei prefers. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. In the end, I wrote about Yingying, but Yingying didn't dream, and the mountain traveler was still asleep. This is exactly a picture of I awake light-hearted this morning of spring's ecstasy. However, there are subtle differences with Meng's poems. Meng's poems were written by I awake light-hearted this morning of spring, but people have already woken up, so there is everywhere round me the singing of birds's joy and and I wonder how many blossoms were broken's suspense, and its artistic conception can be summarized by the noisy words of spring. This poem was written at the end of the spring sleep, and people slept soundly and safely, knowing nothing about the outside world. Although the flowers are falling and the birds are singing, it only sets off the tranquility of the mountain guest's residence and state of mind, so its artistic conception is mainly based on the static word. Wang Weizhi's joy is also here. It is not wrong for people to say that his poems are Zen. The idea of advocating silence has a negative side. However, Wang Wei's poetry is commendable because it is different from silence. He can write the life in silence through the interaction of motion and static, giving people a fresh, clear and beautiful feeling. Tang poetry has the characteristics of vague artistic conception, but there are still two kinds of concrete expressions. One kind is biased towards meaning, which makes people feel indirectly, such as Meng's poem "Spring Dawn". The other is biased towards the environment, which makes people realize the author's meaning from the environment, so the poem is. And from the environment, there are pictures in the poem. Is that most remarkable advantage of this poem.
This poem outlines a beautiful pastoral scenery: peach red, rain, willow green, morning smoke, falling flowers, singing birds and other scenery, which is harmonious and poetic. The word Youmian in the title of poetry can best express the poet's inner feelings at that time.
Garden music and peach red contain persistent rain
Wang Wei Garden music and peach red contain persistent rain
Peach red contains persistent rain, and willow green is even more smoky.
The flowers have fallen, but the guests in Yingti Mountain are still asleep.
Appreciation
"Pastoral Music" is a group of poems composed of seven six-character quatrains. The writer retired to the pleasure of being close to nature in Wangchuan Villa, so one topic was written in six words in Wangchuan. Here is one of them. It is easy to think of Meng Haoran's five-line "Spring Dawn" when he writes about sleeping in spring, singing in birds, falling flowers and staying in the rain. There are so many similarities in the life content written in the two poems, but the artistic conception is very different. Compared with each other, it is easiest to see two remarkable features of Wang Wei's poem.
the first feature is that it is vivid and colorful, and there are pictures in poetry. This does not mean that there is no painting in Meng's poems, but that Meng's poems focus on freehand brushwork. Although it also mentions the wind and rain of flowers and birds, it is not described in detail, and its environment is indirectly realized by readers from poetry. Wang Wei's poem can be completely different. It not only has a large composition, but also has specific and vivid coloring and detailed description, so that readers can draw first and then understand. Write about peach blossom, willow and warbler, and capture the characteristic scenery in spring. Here, peach, willow and warbler all refer to it, which is more specific than Meng Shi's general reference to flowers and birds, and it is easier to evoke intuitive impressions. It also has the same artistic effect to write about the wind and rain at night by staying in the rain and facing the smoke. On the basis of sketching the scenery, the use of the words color, red and green makes the scenery bright and pleasing. Readers will be presented with a picture of a bright future. The peach flies away, burning its splendor, and the willows are yiyi, and the scenery is pleasant. After coloring, there is a layer of rendering: the petals of deep red and light red are slightly raindrops overnight, and the color is softer and more lovely. After the rain, the air is clear and fresh, and the fragrance of Ran Ran flowers is dispersed, which makes people enchanted; The green wicker cage is more charming in a hookah. After layers of rendering and careful description, the poetic landscape has become a meticulous and colorful picture; In contrast, Meng's poems are like uncolored freehand brushwork. One is colorful, and the other is colorless. Meng Shi wrote from I awake light-hearted this morning of spring, seeing people before entering China. Wang Shi, on the other hand, didn't meet anyone until he entered the country. Because of the persistent rain, there are flowers falling. The flowers should be cleaned when they fall, but the children at home have not. If you don't sweep, you don't sweep because people haven't got up in the morning. This scene of no one asking about the falling flowers on the ground has a quiet interest. This is exactly what Wang Wei prefers. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. In the end, I wrote about Yingying, but Yingying didn't dream, and the mountain traveler was still asleep. This is exactly a picture of I awake light-hearted this morning of spring's ecstasy. However, there are subtle differences with Meng's poems. Meng's poems were written by I awake light-hearted this morning of spring, but people have already woken up, so there is everywhere round me the singing of birds's joy and and I wonder how many blossoms were broken's suspense, and its artistic conception can be summarized by the noisy words of spring. This poem was written at the end of the spring sleep, and people slept soundly and safely, knowing nothing about the outside world. Although the flowers are falling and the birds are singing, it only sets off the tranquility of the mountain guest's residence and state of mind, so its artistic conception is mainly based on the static word. Wang Weizhi's joy is also here. It is not wrong for people to say that his poems are Zen. The idea of advocating silence has a negative side. However, Wang Wei's poetry is commendable because it is different from silence. He can write the life in silence through the interaction of motion and static, giving people the feeling of fresh and clear beauty. Tang poetry has the characteristics of vague artistic conception, but there are still two kinds of concrete expressions. One kind is biased towards meaning, which makes people feel indirectly, such as Meng's poem "Spring Dawn". The other is biased towards the environment, which makes people realize the author's meaning from the environment, so the poem is. And from the environment, there are pictures in the poem. Is that most remarkable advantage of this poem.
the second characteristic is that the antithesis works hard and the rhyme is sonorous. Meng's poem "Spring Dawn" is an archaic five-character quatrain, which is very free in meter and melody. Because Meng's poems are scattered, the meaning and pulse are consistent, and they are wonderful. This poem is another work, because it belongs to a six-character quatrain, and its meter is extremely strict. From the perspective of parallel couples, not only the real words such as Peach Red and Willow Green, Suyu and Chaoyan are steady, but even empty word's confrontation is very careful. If complex and more relative, there is a progressive poetic function in the sentence; Not being right with Jude has a poetic turning point in sentences. Both verbs with and with have active meanings, which makes the objective scenery subjective and vivid. And against seiko, looking at a scene, but echoing each other, muddy into one. Peach-pink, willow-green, constant rain and morning smoke are related to each other, while the flowers come from peach, the birds come from willow, and the children are not swept and the tourists are still sleeping. What is shown here is the artistic ingenuity of manual tailoring management and the perfection of the painter's composition. The antithesis and the beauty of melody make the poem catchy. China's ancient poems were mainly composed of five or seven words, and the six-character quatrains were not developed in the past dynasties, especially the excellent works, and several of Wang Wei's poems were rare.
Seven Pastoral Music _ Seven Pastoral Music by Wang Wei
Seven Pastoral Music by Wang Wei _ Spring Water by Drinking Wine
Spring Water by Drinking Wine,
It's easy to lean on Changsong when holding the piano.
The south garden is full of dew and sunflower, and
The east valley is full of yellow flowers and yellow beams.
Appreciation
Wang Wei (71-761, one said 699-761) was born in Puzhou, Hedong (now Yuncheng, Shanxi), and his ancestral home was Qixian, Shanxi. A famous poet and painter in the Tang Dynasty, the word "Mo Mo" was named "Mo Mo Ju Shi".
Wang Wei was born in the Wangs of Hedong, and won the first prize in the 19th year of Kaiyuan (731). Li Guan right gleaned, supervised the suggestion, and made our judges in Hexi. During the Tianbao period of Emperor Xuanzong of the Tang Dynasty, Wang Wei worshipped the official department as a doctor and a servant. When An Lushan captured Chang 'an, Wang Wei was forced to take a false post. After Chang 'an was recovered, he was charged with granting Prince Zhongyun. During the first year of Tang Suzong's reign, he was appointed as a senior minister, so he was known as Wang Youcheng.
Wang Wei learned Buddhism and Taoism, and was proficient in poetry, calligraphy, painting, music, etc. His poems were famous in Kaiyuan and Tianbao, especially in five words, and he praised landscapes and pastoral areas. Together with Meng Haoran, he was called Wang Meng, and he was known as Shi Fo. Calligraphy and painting are particularly wonderful, and later generations promoted it as the ancestor of Nanzong landscape painting. Su Shi commented on it: the poem is full of paintings; Watch the painting, there are poems in the painting. [2] There are more than 4 poems, including Acacia and an autumn evening in the mountains. His works include The Collection of Wang Youcheng and The Secret of Painting.
quatrains in ancient poems are so classic and concise.