#abilitiestraining# Introduction Tang poetry is an exquisite artistic treasure in the treasure house of Chinese classical literature. The brilliant achievements of Tang poetry aroused the interest of future generations in learning and research. Below are five selected Tang poems that are suitable for young children to memorize. Welcome to read and reference!
1. Selected Tang poems suitable for young children to memorize
Liangzhou Ci
Wang Han (Tang Dynasty)
Grape wine luminous cup , I want to drink Pipa immediately.
Lord Grim, lying drunk on the battlefield, how many people have fought in ancient times?
Wang Han's "Liangzhou Ci" is an eternal masterpiece that has touched countless passionate men. Many people use this poem as a guide for their life direction.
"Glow-in-the-dark cup of grape wine", in the Tang Dynasty, a dynasty where "no one did not drink alcohol and no one had good wine", there was a dazzling array of fine wines and a banquet with drums and music. The opening sentence pointed out this It is a joyful gathering atmosphere of passionate drinking and setting an exciting and high-spirited emotional tone for the whole poem.
There have always been two interpretations of the sentence "If you want to drink the pipa, hurry up". One is that when everyone was preparing to drink, the band also played the pipa, adding to the cheerful atmosphere. It is intended to render a scene of joyful feasting. There is another saying that the battle horn sounds at this time, which is intended to highlight the heavy, sad and sentimental atmosphere.
"Don't laugh at me lying drunk on the battlefield. How many people have fought in ancient times?" I lie drunk on the battlefield. My friend, please don't make fun of me. Since ancient times, how many people have been able to return home safely after going to war? Shi Buhua, a poet of the Qing Dynasty, said of these two lines of poetry: "It is easy to read when it is sad, and it is wonderful to read when it is humorous. It is only when the scholar understands it." ("Poems Said by a Maid of Xian")
"The Lord Lies Drunk on the Battlefield" Don’t laugh, how many battles have you fought in ancient times? “It’s inevitable to be frustrated in life, but never lose the coolness in your heart. Just like the movie "Life Is Beautiful", even in the most difficult and desperate days, even if you are in danger and death is right in front of you, you can use courage and wisdom to illuminate the people you want to illuminate and become the person you want to be.
2. Selected Tang poems suitable for young children to memorize
Children’s fishing
Hu Linngneng [Tang Dynasty]
A child with a shaggy head learns fishing , sitting sideways with strawberries reflected on it.
Passers-by asked me to wave, for fear of being frightened.
Appreciation
"Children Fishing" is a poem based on children's life. The poem describes a "child with unkempt hair" learning to fish, "sitting sideways on the strawberries and grass" , passers-by waved to the child and wanted to ask him something, but the child was "afraid of frightening the fish and not saying a word" (fearing that the fish would be frightened). It was really vivid, lifelike, both physical and spiritual, and full of interest. Its artistic achievements are no less than Du Mu's poem "Qingming".
This poem is divided into two levels: fishing and asking for directions. The first and second sentences focus on fishing (form), and the third and fourth sentences focus on asking for directions (expressive).
The first and second sentences are childish. "Puffy head" describes his appearance, highlighting the child's childishness, naughtiness, innocence and cuteness. "Lun" means fishing wire, and "Dianglu" means "fishing" in the title, which means fishing. The poet did not embellish the appearance of the fishing child, but directly described the wild child's true appearance with disheveled hair, making people feel natural, cute, real and credible. "Learning" is the poetic eye of this poem. This kid is new to fishing, so be very careful. When fishing, he "sitting sideways", with the grass reflecting his body, and the action scene as if in front of his eyes. "Sitting sideways" means sitting down casually. Sitting sideways, rather than sitting firmly, is consistent with the state of mind of children who are just learning this. This can also be imagined as a child concentrating on fishing without any formality. "Raspberry moss" generally refers to lower plants that grow close to the ground in moist places. From "berry moss" we can not only know that the place where the child chooses to fish is in a place where sunlight is rare and inaccessible, but also that the fish are not frightened. It is an ideal fishing place where people are not exposed to the sun, which pave the way for what will be said later on: "the fish are afraid of being frightened and do not respond to people". "The grass reflects the body" is not just a portrait of a child. In terms of structure, it has a direct relationship with the "passers-by asking questions" in the next sentence - passers-by ask questions to the children because they can see the children.
In the last two sentences, the subject of "waving from afar" is still children. When passers-by asked, the child was afraid of answering Jingyu, so he waved from afar without answering. This is a depiction of a child in action and psychology, who is scheming, strategic, alert and smart. The reason why the child uses actions instead of answering is because he is afraid of scaring the fish away. The child's action is "waving from a distance", which shows that the child is not indifferent to the questions of passers-by. How the child whispers to "passers-by" after "waving" is something in the reader's imagination, and the poet no longer needs to explain it. Therefore, after explaining the reason for "waving from afar", the poem comes to an abrupt end. end.
In Tang poetry, there are relatively few subjects about children, which makes them valuable. This poem about children's fishing is very interesting. There are no brilliant colors or deliberate carvings in the poem. It is just like a beautiful hibiscus. It reveals some innocence, infinite childlike interest and some concentration in the plain and simple narrative. This poem can be regarded as a masterpiece describing children with a blend of scenes and both form and spirit.
3. Selected Tang poems suitable for young children to memorize
Chuzhou West Stream
Wei Yingwu (Tang Dynasty)
Du Lian Youcao Stream On the edge, there are orioles singing in the deep trees.
The spring tide brings rain that comes late, and there is no boat crossing the wild river.
Appreciation
When the author was the governor of Chuzhou, he visited the West Stream of Chuzhou and wrote this poetic poem. Although this poem is about ordinary scenery, after the poet's touch, it has become a rhymed painting with a profound artistic conception. It also contains the poet's helpless and sad feelings that are not in his place and cannot be used, that is, The author feels unfair to his talent for not being recognized.
The first two sentences describe the spring scene, loving the secluded grass and caressing the oriole, which is a metaphor for keeping the festival, but jealous of the beauty; the last two sentences describe the urgent spring tide with rain, and the scene of the rushing water and the boat crossing, which contains A kind of helpless sadness that is not in its place and cannot be used. The whole poem expresses the tranquility and sadness.
The poem writes about late spring scenery. "It's a pity that the grass grows beside the stream, and the oriole sings in the deep trees." It is said that the poet only likes the quiet grass growing by the stream, where the oriole crows deep in the shade of the tree. This is an elegant scenery intertwined with beautiful colors and beautiful music. In late spring, after the fragrance had passed, the poet took a leisurely walk to the stream, where he saw a patch of luxuriant green grass. The secluded grass and deep trees here reveal the coldness of the realm. Although they are not as charming as the flowers, their verdant figures, their willingness to be lonely and unwilling to follow the trend of the weather, are consistent with the author's quiet character. The mutual agreement naturally won the poet's love. Here, the word "pity alone" is extremely emotional, reflecting the poet's unique feeling. It reveals the author's leisurely and tranquil mood. Wang Anshi's sentence "Green shade and quiet grass are better than flowers", describing the scene of early summer, has the same idea. The first sentence is static; the second sentence is dynamic. The oriole chirped gracefully, sliding between the deep trees. The chirping of orioles seemed to break the silence and leisure just now, but in fact it caused deeper ripples in the poet's quiet heart. The second sentence is preceded by the word "上", which not only describes the time and space transfer of objective scenery, but more importantly, describes the poet's cheerfulness and open-mindedness of adapting to the circumstances and being contented.
The next two sentences focus on the scene of Nodu in Arajin. Although the scenery is different, it still develops based on this sentiment: "The spring tide brings rain in the evening, and there is no boat crossing the wild road." These two sentences mean: In the evening, the spring tide rises, the spring rain pours, and the water in Xijian suddenly becomes turbulent. The ferry crossing in the countryside was already desolate and indifferent, but now it is becoming increasingly difficult to find people. There is only an empty boat sailing along with the waves. The word "dai" is used between "spring tide" and "rain", as if the rain comes with the tide, tightly connecting two things that do not belong to each other, and using the word "ji" to write Understand the dynamics of tide and rain. Concluding sentence. Use "no one" to describe the "wild" nature of the ferry. The situation described in the two lines of the poem is somewhat desolate, but the use of the word "自" reflects leisure and contentment. Wei Yingwu likes to use the word "zi" in his poems. The word "zi" can be interpreted as "free" and "natural", and contains the connotation of "self-appreciation" and "self-love". The sentence "Yedu" should be interpreted like this. Otherwise, it would be contrary to one or two sentences. These two sentences use the momentum of rapid flow to set off the leisurely and tranquil scenery. It can be said that there is painting in the poem and emotion in the scenery.
Whether there is any sustenance in this poem and what its meaning is has always been debated endlessly. The old annotation thought that this poem had political sustenance, saying that it was written as "the image of a gentleman below and a villain above", which contained a helpless sadness of being out of place and useless, but it was too detailed and clichéd to justify it. Some people think that "this is a scene of the Western Stream, and there is no need for any explanation." In fact, the emotions revealed in the poem are vague and obvious. When you mention the grass and the oriole at the beginning, the poet uses the word "pity alone", which has an obvious meaning. It shows the poet's broad-mindedness when he is poor and modest, and does not live in flattery. The last two sentences are in The leisurely scene of the rushing water and boat crossing contains a kind of helplessness, worry and sadness of being out of place and useless. The poet describes the scenery with emotion, uses the scenery to express his thoughts, writes about the scenery he likes and dislikes, and talks about the things he likes and dislikes. His tranquility and sadness are naturally revealed. This poem expresses the author's love for life.
4. Selected Tang poems suitable for young children to memorize
Peach Blossoms in Dalin Temple
Bai Juyi [Tang Dynasty]
April in the world is full of beauty , the peach blossoms in the mountain temple began to bloom.
Eternally regretting the return of spring, there is no place to look for, and I don’t know where to turn.
Appreciation
The poem has only four short sentences. From the content to the language, there seems to be nothing profound or surprising. He made some records and descriptions of the scenery and seasons that were "late" and "different from the settlements on the plains". But if you read it carefully, you will find that this simple and natural poem is written with profound artistic conception and full of interest.
The two lines at the beginning of the poem, "The beauty of April in the world is gone, and the peach blossoms in the mountain temple are beginning to bloom." It is written that the poet was already in Mengxia when he climbed the mountain, and it was the time when the spring returned to the earth and the beauty was gone. But unexpectedly, in the ancient temple on the mountain, we encountered an unexpected spring scene - the peach blossoms blooming at the beginning of the film. From the following sentence "Eternally regretting the return of spring without finding a place", we can know that before the poet arrived, he had regretted the rush of spring and was angry and disappointed. So when this unexpected spring scenery bursts into view, it should make people feel so surprised and happy. The first line of the poem, "The fragrance ends", and the second line, "Beginning to bloom", echo each other in contrast. They are literally chronicles and descriptions of scenes, but in fact they are also descriptions of jumps in emotions and thoughts - from a melancholy feeling of lamenting death, to surprise, joy, and even elation.
Moreover, at the beginning of the first sentence, the poet intentionally uses the word "human world", which means that this adventure and this scenic scene bring a special feeling to the poet, that is, as if he suddenly stepped into a world from the real world of the human world. What a fairyland, in another world other than the human world.
It was triggered by this feeling that the poet's imagination took flight. "I have always regretted that spring has nowhere to go, and I don't know where to turn." The poet thought that he once cherished and loved spring, and even regretted the ruthlessness of spring's departure, but who knew that he had mistakenly blamed spring, and it turned out that spring had not returned. , just like a child playing hide-and-seek with others, secretly hiding in this place.
In this poem, peach blossoms are used to replace the abstract spring scenery, making the spring scenery concrete and tangible, and the image is beautiful; it also personifies the spring scenery, writing the spring scenery as if it really has legs. Turn around and hide. No, it doesn’t just have legs, it actually has a naughty and provocative personality. In this short poem, the spring scenery in nature is described so vividly and concretely, innocently, cutely and vividly. Without the infinite nostalgia and love for spring and the childlike innocence of the poet, it would not have been possible to write it. The beauty of this little poem lies in its novel conception, clever conception, and elegant dramatic language that evokes people's thoughts and makes people like it. It can be said to be another treasure among the quatrain poems of the Tang Dynasty.
When the poet wrote this little poem, he was in charge of Sima Jiangzhou. During the Zhenyuan period of the Tang Dynasty, Bai Juyi, who was born as a Jinshi, was awarded the title of Secretary Provincial Secretary. Unexpectedly, during his career as a Beijing official for several years, because of his outspoken advice, he offended the powerful, was ostracized by the court, and was demoted to Jiangzhou Sima. Bai Juyi, who was a Sima in Jiangzhou, once expressed his emotion about the vicissitudes of life when facing the pipa girl, "we are all the same fallen people in the world" in the poem "Pipa Xing". This emotion of vicissitudes of life may naturally blend into the artistic conception of this little poem, giving the travel poem "Peach Blossoms of Dalin Temple" a metaphorical color of the vicissitudes of travel.
5. Selected Tang poems suitable for young children to memorize
He who seeks hermitage will not be found
Jia Dao (Tang Dynasty)
Matsushita asked the boy , Master Yan went to collect medicine.
Only in this mountain, I don’t know where the clouds are.
Appreciation
Jia Dao is a bitter poet famous for the word "examination". It is generally believed that he only worked hard on the use of words. In fact, his "elaboration" not only focused on perfecting words and sentences, but also took great pains in planning and conceiving. This poem is an example of this.
"The pine tree asked the boy, telling the master to go to the mountains to collect medicine." The first two sentences of this poem are: Under the pine tree, I asked the young schoolboy; he said that the master had gone to the mountains to collect medicine. . The characteristic of this poem is that it contains both questions and answers. "Matsushita asked the boy", there must be something to ask, but here the question is omitted, and only the four words "Teacher went to collect medicine" from the boy's answer can be seen. What Matsushita asked at that time was "Where is the teacher going?" go".
"Only in this mountain, I don't know where the clouds are." The last two sentences of the poem said, he also said to me: In this big mountain, but the forest is deep and the clouds are dense, I don't know where he is. whereabouts. Here again, the question "Where is the medicine collected?" is omitted, and the boy's answer is "Only in this mountain" to implicitly include the question. The last sentence "I don't know where the clouds are deep" is the boy's answer to the question of where to collect medicine in front of the mountain, behind the mountain, on the top of the mountain, or at the foot of the mountain.
In this poem, it is obvious that three questions and answers require at least six sentences to express it. Jia Dao adopts the method of including questions in answer sentences and simplifies it into twenty words. This kind of "examination" is not limited to every word or sentence.
However, the success of this poem lies not only in its simplicity; simple and complex words are not enough to explain its beauty. Shigui is good at expressing emotions. The lyrical feature of this poem is the depth found in the plain. Normally when visiting friends, if they ask where they are, they will naturally be disappointed and leave. But in this poem, he does not give up after the first question, and then follows it with two questions and three questions. The words are very complicated, but the writing is simple. The simple writing is used to write the complex feelings, which shows the depth and passion of the poem. Moreover, these three questions and answers are in-depth step by step, and the expression of emotions has ups and downs. When "Panasonic asked the boy", he was in a light mood and full of hope; "The teacher went to collect medicine", the answer was not what he expected, and he was disappointed; "Only in this mountain", a glimmer of hope sprouted in the disappointment; in the end As soon as he answered: "I don't know where I am in the depths of the clouds," I felt lost and helpless.
The lyricism of poetry must rely on artistic images and pay attention to tone. On the surface, this poem seems to be bland and plain, a light makeup rather than a heavy one. In fact, it has a natural shape, bright colors, and appropriate shades. The lush green pines and lingering white clouds, the green and white, the pine and the clouds, its image and tone are exactly consistent with the identity of the hermit deep in the cloud mountain. Moreover, those who have not seen the hermit first saw his paintings, with infinite vitality hidden in the upright greenery; and then saw the vast white clouds, deep and misty, elusive, which makes people think that the beauty in the autumn water is nowhere to be found. The gradual change of shapes and the sequence of tones also reflect the author's emotional transfer with objects.
The hermit in the poem collects medicine for a living and helps people in the world. He is a true hermit. Therefore, Jia Dao has a high admiration for him. In the poem, the white clouds show his nobility, the green pine trees praise his character, and the description of the scenery also contains the meaning of comparison. However, the fact that he admires but does not meet him only highlights his feeling of loss. In addition, the author, as an intellectual in a feudal society, left the bustling city and went to "find hermit" among the unworldly green pines and white clouds. The reason is also thought-provoking and fascinating.