The original poem is as follows: I am a dog!
I swallowed the moon,
I swallowed the sun,
I swallowed all the planets,
I swallowed the whole universe.
I am me!
I am moonlight, I am sunset glow,
I am the bottom light of all the planets,
I'm the light under the x-ray,
I am the total energy of the whole universe!
I run, I scream, I burn.
I burn like a fire!
I scream like the sea!
I fly like electricity!
I fly, I fly, I fly,
I skin me, I eat my flesh,
I chew my blood, I bite my heart,
I fly on my nerves, I fly on my spinal cord,
I am flying in my mind.
I am me! Mine! I'm going to explode!
Ideological content: This poem mainly expresses the poet's strong desire to deny the old social reality, get rid of the old ideological shackles, publicize his personality and pursue liberation by shaping the image of Tiangou, and embodies the spirit of the times advocating science, democracy and freedom during the May Fourth Movement.
During the May 4th Movement, when feudal barriers were broken and the banner of emancipating the mind was held high, Tiangou was the most typical and unique model work that fully embodied the spirit of this era.
With peculiar imagination and extraordinary symbols, this poem has created an image of "Tiangou" with strong rebellious spirit and wild personality pursuit. With great boldness of vision and extreme exaggeration, "Tiangou" swallows the sun and the moon, looks at the universe, stands tall and shines brilliantly, spewing out the unique surging passion of literature in the May 4th era and the theme of breaking the ice and welcoming the new.
The whole poem is divided into four sections. The first section describes the great spirit of "Tiangou". With the help of the story of the ancient Tiangou swallowing the sun and the moon, the poet galloped in a strange and illusory realm, and painted the huge image of Tiangou swallowing the sun, the moon and the stars with a giant pen like a rafter, which contained all natural things and lived in the center of the universe with an infinitely expanding "self". "Swallow the moon", "swallow the sun", "swallow all the planets" and "swallow the whole universe", which not only shows the majestic momentum of "Tiangou", but also shows the destructive spirit of "Tiangou" sweeping the old universe with its infinite power.
The second section conforms to the charm of the first section, and writes that "Tiangou" gains unlimited energy to create a new universe and new life. It is precisely because the "Tiangou" has the spirit of devouring everything, so it obtains unparalleled energy from all things in nature, absorbs all the light sources in the universe, integrates the "total energy of the whole universe", becomes the master of the universe, and has the bearing of sweeping everything and rebuilding the future. In Xiang Lei, a poet once said this through Qu Yuan's mouth: "I create solemn mountains and magnificent oceans, I create the sun, the moon and the stars, and I ride storms. Although I only extract myself, if I let go, I can drown the universe. " This can be seen as a vivid portrayal of the brave and decisive spirit of destroying everything and creating everything during the May 4th Movement.
Because of this, in the third quarter, Tengu, which gathered the total energy of the whole universe, finally acted violently. It flies, screams, burns, burns like a fire, screams like the sea, flies like electricity, and eats without mercy. Finally, with "I am me!" Mine is going to explode! "After the whole article, the innovative spirit of" Tiangou "finally gave up everything and hoped to seek self-renewal in the disillusionment, which was painted with strange brilliance, thus unifying the theme intention of the whole poem into the keynote of Guo Moruo's" Nirvana "spirit.
"Tiangou" has a strong subjective color. The poet projected his feelings into the image of "Tiangou" and compared himself directly with "Tiangou", describing the expansion of self-strength and the liberation of self-spirit. Every poem compares itself to a "heavenly dog", describing the expansion of self-strength and the liberation of self-spirit. Every poem begins with "I" as the subject, and the judgment word "yes" with positive tone is often used to strengthen metaphor and express one's mind directly, thus causing volcanic eruption and surging passion. It fully shows the awakening of self-consciousness and the social spirit of pursuing personality liberation and self-renewal in the May 4th era.
In art, Tiangou has the characteristics of novel imagination, great momentum, intense melody, high tone and steep language, which is unified in the unique and vigorous style of poetry. As far as the conception of poetry is concerned, the poet expresses himself by means of the "Tiangou" that devours the sun and the moon and develops magical associations, and through the bold and exaggerated strength of the "Tiangou", he creates an image of "I" (that is, "Tiangou"), a lyric subject who is bold and rebellious in symbolic poetic images. I was born, I live in the universe, I dominate everything, I am one with the universe itself, and I am reborn through autophagy. The poet firmly grasped the "dynamic" spirit of "I", showed the magical self-power that swept away and destroyed everything, and sang a hymn for the self-power with unlimited potential. This vigorous and powerful image, high style and peculiar brushwork are vivid, vivid and infectious only in the works of Guo Moruo, a romantic master with extremely rich imagination. In the form of poetry, the whole poem begins with the word "I", forming a series of parallelism from beginning to end, advancing layer by layer and strengthening step by step, effectively strengthening the language momentum and rendering the lyrical atmosphere. In addition, the poem is short and pithy, with rapid rhythm and sonorous rhythm. It reads like a raging rain, a surging tide, and it is magnificent.
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