After arguing with the emperor, he left angrily.
In the early days, Yi Ru had a better relationship with the emperor, and some small quarrels did not harm their relationship at all.
The first two men had a quarrel, and then they quietly drew each other's portraits. As a result, two people appreciate each other, misunderstanding, of course, lifted.
Reconciliation Li Hong not only drew a portrait of Ruyi, but also took out a handkerchief and handed her water in front of Ruyi, which proved that she was satisfied. Later, she also gave Ruyi a poem entitled "Wu Meicun Collection".
After coming back, Ruyi Embroidered took a fancy to this poem, because Li Hong took out the handkerchief that Qingying had given him before, so Ruyi embroidered the handkerchief again, not only to express his impression, but also to commemorate the feelings of two people. Embroidering the poems sent by Li Hong on the handkerchief one by one was also a serious new upgrade.
Poetry is neglected in praise collection, and Meicun is named Wu.
Wu, a native of Taicang, Jiangsu Province, was a poet in the late Ming and early Qing Dynasties.
Emperor Chongzhen, who sent poems as a juror, was at least an official and lived in the Ming Dynasty. 1653 (ten years of Shunzhi in Qing dynasty), he was forced to be an official, served as a lecturer in the secretariat, and later promoted to imperial academy to offer wine. At the end of the thirteenth year of Shunzhi, he asked for leave to go back to the south on the grounds of the funeral of his stepmother. From then on, I stopped being an official and died at home.
In the Ming Dynasty, he was known as Hui Yuan, the top scholar, Gong Zhan, the leader of Fu She Society, the host of the imperial examination and Nan Yong, the "leader of domestic sages". However, after many vicissitudes, he died in the Ming Dynasty, refused to be honest with his conscience, and became "two and a half people". He was ridiculed by the world for his lack of consistency between words and deeds of scholars.
Chen Wen's story: "A thousand years of sorrow has entrusted poets, and a generation has risen and fallen into an epic" (read Wu Meicun's collected works, because of a passage, the first volume of Yi Dao Tang's poems) is a summary of this situation.
He, together with Qian and Gong Dingzi, is also known as "the three outstanding men in Jiang Zuo" and is the founder of the Loudong Poetry School. He is good at seven-character songs, getting an introduction to "evergreen style" and then creating new songs, which is called "Meicun style" by later generations.
Meicun style is characterized by ups and downs in structure, multi-purpose allusions, beautiful melody, gorgeous words and rich colors. Garden Song is the masterpiece of "Mei Village Style", which pushes ancient narrative poetry to a new peak.
After embroidered Li Hong's poem, Yi Ru embroidered a pattern beside it.
That character is Chen Yuanyuan, and the favorite in the collection is Qu.
Yuan Yuanqu was written in the ninth year of Shunzhi, before becoming an official. Chen Yuanyuan once entered the palace, and later obtained personal income from Tian Hong, the originator of Tian Guifei, and Emperor Chongzhen, and presented it to Liaodong company commanders and Pingxibo Wu Sangui as his concubine.
Li Zicheng, the king of breakout, was occupied by peasant uprising, and Chen Yuanyuan was captured. Wu Sangui, out of personal hatred, led the Qing soldiers into the customs, fought back against Beijing and retaken Chen Yuanyuan. Wu was the No.2 scholar in Ming Dynasty, and was edited by imperial academy. He hated Wu Sangui for inviting wolves into the room (Wu Sangui colluded with the Qing Dynasty to occupy Beijing), so he wrote Yuan Yuan Qu, satirizing Wu Sangui.
But from another angle, Wu Meicun imitated Bai Juyi's Song of Eternal Sorrow, and wrote a long poem Yuan Yuanqu with the love between Chen Yuanyuan and Wu Sangui as the main line, which eulogized Chen Yuanyuan's beauty and expressed his beautiful family background and emotional joys and sorrows.
Chen Yuanyuan's family background is remarkable, and Wu Sangui's "Rushing to the Crown and Being Angry as a Beauty" embroidered this poem into a handkerchief in order to better control Chen Yuanyuan. On the one hand, he used Chen Yuanyuan as a metaphor to remind himself of everything about Li Hong, which was a bosom friend's move and won the appreciation of Emperor Qianlong.
However, because Li Hong was called to talk by the Queen Mother before and warned him that the rain and dew were wet, although Li Hong was very happy, he came to Jia Gui.