The most prominent feature of the artistic conception and artistic style of poetry in the prosperous Tang Dynasty is its broad outreach and its bold and clear beauty. Bold brushwork, vigorous weather and fluent style are the backbone of Meteorology in the Prosperous Tang Dynasty. What it contains is the high-spirited, energetic, healthy and uplifting style of the people in the prosperous Tang Dynasty, with magnificent temperament and unrestrained extroversion. On the other hand, the "weather in the prosperous Tang Dynasty" is also manifested as a delicate realm and the natural beauty of clear water producing hibiscus.
Lin Geng: "Melody full of vigor and youth, this is the essence of' the weather of prosperous Tang Dynasty' and' the voice of prosperous Tang Dynasty'." ("Summary of Tang Poetry, Meteorology in the Prosperous Tang Dynasty")
Li Zehou: "Everything is romantic, creative and talented, all reappearance has become expression, all simulation has become lyricism, and all natural and secular material existence has become a surging emotional development process." (The Course of Beauty)
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The main poets in the prosperous Tang Dynasty
(1) Poets from early Tang Dynasty to prosperous Tang Dynasty: Zhang, He, Zhang Jiuling, etc.
(2) Pastoral poets: Meng Haoran, Wang Wei, Chu Guangxi, Zuyong, Pei Di, etc.
(3) Frontier poets: Gao Shi, Cen Can, Wang Zhihuan, Wang Changling, William Wang, Li Qi, Cui Hao, etc.
(4) Li Bai and Du Fu
Landscape pastoral school:
The poet takes landscape and countryside as aesthetic objects, and throws delicate brushstrokes into quiet mountains and leisurely fields to create an idyllic life to express his dissatisfaction with reality and his yearning for a quiet and peaceful life. Pastoral poetry originated in Jin and Song Dynasties, from Xie Lingyun and from Tao Yuanming. In the prosperous Tang Dynasty, the society was stable, the national strength was strong, the social politics, economy and culture were prosperous in an all-round way, the wind of seclusion prevailed, and pastoral poetry also developed in an all-round way. Among them, Wang and Meng can best represent the creative achievements and unique features of the pastoral poetry school in the prosperous Tang Dynasty.
Artistic Features of Meng Haoran's Poems
Simple and natural, clear and broad-minded, is the overall style of Meng's poetry. The specific performance is as follows:
First, the poetic style is simple and close to nature. Wen Yiduo said that "Meng Haoran's real poetry is only when he can't see it";
Second, the framing is wide and magnificent;
Thirdly, there are many "my realm" in the sentimental language and poems;
Fourth, the image is detached and there is no wonder.
Wang Wei's life
An artistic generalist is also an official, a hermit, a Confucian and a translator.
(1) One stroke, 20 scholars-officials to ministers, right cheng-trapped thieves to make up false posts
(2) Zhang Jiuling's strike is divided into early and late stages: in the early stage, he was keen on politics, full of enthusiasm and enterprising spirit; In the later period, I roared in the mountains, lived in seclusion, and indulged in Buddhism: how many sad things have I had in my life, and I have never sold them to an empty door. ("Sighing White Hair")
(3) Mother Cui Shi, "in her thirties, she was a disciple of the Zen Master (Shen Xiu)"-"All the brothers served the Buddha wholeheartedly, ate no meat, and wore indecent clothes"-"widowed and unmarried, and lived alone for 30 years"-"The Zen Mountain is even more silent at night".
Wei was famous for his poems in Kaiyuan and Tianbao, and Kun Zhong traveled in Beijing. All kings and princes welcome him at your power door. Wang Ning and Wang Xue regard them as teachers and friends. Song Wenzhi Wangchuan Villa. Mountains and rivers are absolutely victorious. With Taoist friend Pei Di. Honest communication. Play the piano and write poems. Whispering all day. Devote oneself to being a Buddha. The dragon borrowed Zen in his later years.
-"Old Tang Book"