Excerpt from translation: (Xue Baochai hates corrupt officials like Jia Yucun, so Xue Baochai wrote "Xie Fu", which is the most poisonous in the book:
Guiyin sits with a curtain, and Chang 'an looks forward to Chongyang.
There is no latitude and longitude in the road ahead, and the skin is black and yellow in spring and autumn.
Chrysanthemum should also be used when the wine is not fishy, and ginger must be used to prevent cold accumulation.
What are the benefits of falling into the kettle today? Yuepu spare corn and millet.
This poem by Baochai compares corrupt officials, corrupt officials and people who are greedy for coolness to crabs who bully the weak and fear the hard, and gives the sharpest attack and criticism. This is the so-called "Xue Heng satirical crab"!
"Osmanthus fragrans" refers to the fragrance of Osmanthus fragrans, which is obviously autumn. The place pointed out by "Tongyin" is the shadow of Tonglin. "Cup" means wine glass. "Chang 'an" is the representative name of the capital. There is a special explanation in the JOE edition of "Ordinary Cases": "When Chang 'an is written in a book, it has been called between literati's pen and ink since ancient times. When a foolish couple quarrels, they say it is in Beijing, which means they don't want to be in the direction. When you establish the country of the son of heaven, you should also respect China and avoid words like southeast and northwest. " "Chang 'an" here refers to myself living in Beijing. My mouth is watering. The overall meaning of the first couplet is: as soon as I live in Beijing, I will sit in the shade of Tonglin in the autumn with sweet-scented osmanthus, drooling with my glass and looking forward to something to drink on the Double Ninth Festival. Zhuanlian clearly pointed out that this thing is a crab. Crabs run wild, which is different from people and ordinary animals, so they say, "There is no latitude and longitude in the road ahead. "The crab paste in the live crab shell is black and yellow, so it is also called' spring and autumn skin is black and yellow'." "Lippi Chunqiu" is another idiom, which means that people are hypocritical on the surface, but there is a conspiracy in their stomachs. Therefore, Zhuan Xu is using the characteristics of crabs to compare the lawlessness and scheming of corrupt officials. How to deal with this kind of goods? Followed by the neckline: "Chrysanthemum is still used when the wine is not defeated by fishy smell, and ginger is needed to prevent cold accumulation. "Crab meat has a fishy smell, and wine alone can't suppress its fishy smell. Be sure to drink chrysanthemum wine. Chinese medicine believes that crab meat is cold, and eating more is easy to accumulate cold in the abdomen. So hot ginger soup is needed to deal with it. In the traditional culture of China, chrysanthemum has always been regarded as a noble thing. Ginger, the older the better. Therefore, the couplet adds another metaphor: Xue Baochai hopes that people with ideal personality will destroy and eradicate these corrupt officials in one fell swoop by mastering power, noble character and old-fashioned means! Finally, William laughed at the fate of crabs and imagined a clean world after dirty people were cleaned up: crabs, crabs, you have been bullied all your life, and now you have fallen into the pot and become people's food. Look at the pond under Na Yue. Only the smell of rice and wheat is left!
In ancient China, there was a tradition of chanting crabs and mocking powerful people. Shen Defu's "Wild Collection of Wanli in the Ming Dynasty", Volume 26, "Riding the dignitaries with crabs" said: "When Song and Zhu were in Wuzhong, scholars sometimes chanted crabs to satirize them. Zhonglian said,' The water is clear, but the old man can't escape the red back.' Guy had once broken the law, so he took it as a joke. In the Jiajing dynasty, Zhang and Gui were reckless in their use of things, and some people let crabs run wild in the court, with the word Zhu on their backs. Sejong saw it. It's the name of lacquer book and calyx. So did this generation of great men. Later, when he came to power, he killed Guixi for nothing, and it was also appropriate. The people in Beijing hate it, saying,' I hate Yan Jiexi, and I work very hard. I often look at crabs coldly. How long have you been wild?' The insignificance of a crab is a metaphor for dignitaries, but a crab is not as good as a crab. "
Qing Ji Xiaolan's Notes on Yuewei Caotang also contains: "Song people chant crab poems: the water is clear, the old man can't escape the red, and Zhu Cuo's greed will also fail." Baochai's "crab fu" obviously inherited this excellent tradition.
The author also specially wrote the reaction of people who read this poem in the Grand View Garden at that time. First of all, the sisters' point of view:
After reading it, everyone said it was the swan song of eating crabs. These small topics are supposed to be great talents with general ideas, but ironically, they are too toxic to the world.
The other is Jia Baoyu's reaction:
Seeing this, everyone can't help but marvel. Baoyu said, "Good writing! My poem should be burned, too. "
Because Baochai mocked all kinds of corrupt officials and dignitaries and hinted at the general idea with small topics, her sisters all called her "crab singing" "crab eating swan song". Because Baochai expressed deep hatred and made the most violent attack on the officialdom at that time, Baoyu couldn't help shouting "Write happily"! )
By the way, Zhi Yanzhai once commented on Xue Baochai's poems:
Baochai's poems are all self-identification and satire on current events. Only the behavior of goods is the first, and the skill is the last. Delicate and erratic words, beautiful and beautiful words have been washed away, and they must be washed away. I hate that the tone of 100 beautiful poems in recent novels is just a beautiful draft.
In Xue Baochai's poems, it is obvious that he writes his own identity first, such as chanting Bai Haitang (cherishing his charm, knowing that the flowers are more colorful at the beginning) and catkin words (here I want to focus on the last sentence, "Good winds rely on their strength to send me to the top of the world", which is not the meaning of climbing high and looking far, fame and fortune as explained by garbage redologists. On the contrary, this sentence is a manifestation of Xue Baochai's noble character, not seeking profit and ambitious.
This sentence is adapted from a sentence in the migration of Beishan in the Northern and Southern Dynasties: Fu took Geng Jie as the standard to pull out customs, while he sprinkled dust, and the snow was clean and clean, while he rose to the top. [Some hermits think that they have the standard of Gengjie's vulgarity and the ideal of scattering dust; Pure character, such as snow; Noble personality, compared with Qingyun]
Xue Baochai, described by the author, is a hermit with noble character, pure as snow and crystal clear, which can be said to be a perfect fit with the passage of Beishan migration. This poem is that Xue Baochai flaunts that she has achieved a lofty goal by striving for self-cultivation [that is, relying on strength], which can be compared with Qingyun, that is, only acting on goods first)
There is also a key word in this criticism that satirizes current events. This word means that Xue Baochai sings a poem on a corrupt official's crab to satirize current events.
PS: I have explained it so clearly. Give me something to step on. Most of them have been deeply brainwashed by garbage redologists. I firmly believe that Xue Baochai is hiding traitors, talent shows and crop disasters ... then I will say more.
Xue Baochai didn't choose to show:
Recently, due to the worship of poetry and ceremony, the recruitment of talents can not reduce the elegance of the world. In addition to choosing concubines, all the daughters of famous officials have signed up for the Ministry, in order to prepare for choosing concubines, accompany princesses and princesses and praise good people as talents.
It is clearly stated in the book that Xue Baochai is the escort of the princess, that is, Bandu, the daughter of a famous minister, who wants to register. In order to avoid misunderstanding, the author specifically said that in addition to hiring concubines, I just don't choose concubines.
Green Pavilion is not framed. Not only Xue Baochai used Lin Daiyu as a shield, but Jia Baoyu and Wang Xifeng had it. I can just find a paragraph:
Just when the lotus root officer lost his mind and saw Baoyu, he added a little fear. Suddenly, when I heard him hiding, my heart turned from sorrow to joy, and I stubbornly said, "You really look like paper money. I burned the broken paper written by teacher Lin. "
Xiaohong can't help Lin Daiyu at all. Xiaohong can't even get close to Jia Baoyu's body. The only close contact was also targeted by various people. This is the difference between a slave and a young master. All the people fighting in the room have a rest.
Fat criticism: butterflies play by the pool and have fun occasionally. Outside the pavilion, they are about to shed their shells. It is obvious that Baochai is a pedantic woman.
In this passage, the author describes Xue Baochai's quick thinking, not as rigid and pedantic as a female teacher.
Rubbish redologists take "Baochai never produces dust" as an example of Cao Xueqin's satire on Xue Baochai. But Cao Xueqin was afraid of being misunderstood. He satirized Xue Baochai, and especially added "What a treasure this town is" in front of him.
"The day before yesterday, I saw the five-character law of Cen's history. There is an existing saying that there are many treasures in this town. How could you forget? Later, when I read Li Yishan's seven-character quatrains, there was another sentence:' Baochai does not produce dust'. I also smiled and said that his two names were originally in Tang poetry! "
Are there many people like Jia Baoyu? In fact, there are not many, but few. This town is short of Baoyu. So Baochai does not produce dust every day? No, Baochai has never been exposed to dust.
In the book, Cao Xueqin wants to promote Xue Baochai, and he first suppresses and then promotes:
Jia Zheng said, "The houses here are tasteless." As a result, when I entered the door, I was suddenly confronted with big and exquisite rocks, surrounded by all kinds of stones, but the houses inside were covered, with no flowers and trees. I saw many different kinds of grass, either vines or vines, hanging from the top of the mountain, or through stone crevices, or even hanging eaves around columns, lingering around the steps, or floating like a green belt, or bending like a golden rope, or really like cinnabar. The word "or" is used together from the poetics of Nanshan in Changli. Jia Zheng couldn't help laughing: "Interesting!"
Cao Xueqin's writing about Wu Heng Courtyard is tasteless on the surface, but interesting inside, which actually implies that Baochai is boring, but it has its own charm.
Fat comment: the method of restraining first and then promoting is very difficult to write. Zhi Yanzhai made it clear that Cao Xueqin had suppressed Xue Baochai when he wrote about the opposition between men and women.
Cao Xueqin asked Jia Baoyu to say that Xue Baochai was seeking fame and reputation, and joining the country's thieves and ghosts was the first suppression of Xue Baochai.
Cao Xueqin asked Shi Xiangyun to praise Xue Baochai: Cao Xueqin asked Shi Xiangyun to write poems to praise Xue Baochai.
Qiu Yin stretched out his Fang Xue. Fat batch: awesome! The overwhelming crowd, in this sentence.
Why did this sentence overwhelm Fang Qun? Because this sentence contains two images: autumn shade and snow. Autumn shadow: autumn cloud, used to refer to Shi Xiangyun. Snow refers to where Xue Baochai's autumn clouds hold flowers as white as snow, and to Shi Xiangyun's pursuit of Xue Baochai.
Naturally, widows are hardy. Compare Xue Baochai, who was widowed after Jia Baoyu became a monk, to a widow and praise her coldness, loneliness and indifference.
Fat batch: I don't want to take off the future. Even Shi Xiangyun's ending is similar to that of Xue Baochai, who is widowed and hardy.
It's not about beautiful girls, it's about souls. The story of Away from the Soul tells the story of Zhang Qiannv's soul leaving her body to catch up with her beloved. It is said here that although the poet is not Zhang Qian's daughter, he loves begonia flowers to the point of out-of-body experience. Used to refer to Shi Xiangyun's love for Xue Baochai to the point of out-of-body experience.
But I like the poet's tireless singing, which makes my loneliness ache. The poet likes the white begonia so much that he sings it tirelessly and doesn't want it to be lonely. It is used to imply that Shi Xiangyun loves and praises Xue Baochai, and wants to accompany Xue Baochai and prevent her from living alone.
The first step leads to Robbie Gate. It is pointed out that the place where begonia is planted is Yuan.
Also suitable for corners and pots. It is said that begonia can live in a corner or in a flowerpot. It means that Xue Baochai in Wu Heng Courtyard can survive in any harsh environment and praises Xue Baochai's perseverance.
Flowers find it difficult to find a mate because they are happy and clean. It is said that Xue Baochai can't get into her eyes because she loves cleanliness, so it is difficult to find a good partner.
Jade candle drops dry the tears in the wind, and the crystal curtain separates the remnant moon marks.
The dark color wants to persuade Chang 'e, and the night is dim in the empty corridor.
The poet wept sadly at the candle, and the deep night blocked the trace of the moon like a crystal curtain, making him unable to see the moonlight. The poet wants to pour out his heart to Chang 'e in the middle of the month, but the night is dark and he can't do it. It means that Shi Xiangyun wants to talk to Xue Baochai, but she can't see her.
Moving from other gardens is more expensive than gold. Gold refers to Xue Baochai. Chrysanthemums moved from other gardens are as precious as gold. It means that chrysanthemums are noble, just like Xue Baochai.
Sitting on the fence, sitting on your head, kneeling in the Leng Xiang. The poet sat by the bleak hedge without a hat, and his knees were singing poetry in the cold fragrance of chrysanthemums. It implies that Shi Xiangyun was under the influence of Xue Baochai's Leng Xiang and moral character.
It's even more arrogant, as if I were the only confidant. Let me count, there is nothing in the world more proud than you, Xue Baochai. In my opinion, only Shi Xiangyun is your bosom friend.
Qiu Guang wasted time to live up to his expectations, so he might as well cherish the money more than before. Time flies, autumn will soon pass and chrysanthemums will wither. Shi Xiangyun and Xue Baochai are also getting married and entering a tragic day. Shi Xiangyun should cherish the time with Xue Baochai.
Playing the piano and thinking about wine is fascinating, and several cases are Tingting.
When the poet plays the piano and drinks, he is very happy to be accompanied by chrysanthemums, as if he had found his peers. Their activities are quieter with chrysanthemums on the table. Shi Xiangyun is very happy that Xue Baochai is with him.
Every other seat is divided into three roads, and the book thrower faces the autumn.
You can also distinguish the fragrance of chrysanthemums through the seat, and abandon books to enjoy chrysanthemums. Refers to Shi Xiangyun even in the vast sea of people, with heavy barriers, he can recognize Leng Xiang from Xue Baochai at a glance. Give up the idea of taking the road of official career economy and just want to be with Xue Baochai.
First frost made a new dream by clearing the paper account, and the cold sunset in the nursery recalled the past.
Sleeping in a paper tent, smelling the frost and dew of chrysanthemums, I had a cold dream, woke up in the sunset and recalled my previous play in the garden. Shi Xiangyun misses playing with Xue Baochai.
In a world that is proud of the same smell, the spring breeze will not stay for a long time.
The poet said that he is as proud as a chrysanthemum, and his ideals and ambitions will not stay in the secular world. It means that Shi Xiangyun and Xue Baochai share the same taste, stick to their ambitions, stand proudly in the world and are not influenced by the world.
Cold fragrance should stay in the soul, and frost seal is vivid and dreamy.
Cold is cold, Fang is sweet, and cold is Leng Xiang, referring to Xue Baochai.
Lengju left a figure here, so its soul will stay here. It's just that this chrysanthemum figure is lifelike, lifelike, but just like an illusory dream. Expressed Shi Xiangyun's inseparable feelings for Xue Baochai, hoping that Xue Baochai can be with himself forever.
Take care of the faint fragrance, don't step on it, you won't recognize it when you are drunk.
We should cherish and attach importance to chrysanthemums, and don't crush the complete shadow of chrysanthemums, but who is drunk and can recognize the vague figure of chrysanthemums with their eyes?
Shi Xiangyun hopes that Xue Baochai will be cherished and cared for by the world, and thinks that people who don't cherish Xue Baochai are drunk and confused:)
Two poems about Bai Haitang and three chrysanthemums, each capital is a compliment to Xue Baochai. Cao Xueqin even borrowed Shi Xiangyun's words to let the world cherish Dimfragrance, which is not ordinary cruelty. Therefore, garbage redologists should eat less brainwashing bags. They don't cherish Xue Baochai's slander. In Cao Xueqin's eyes, it's all rubbish:)