Yellow flower: chrysanthemum. Chrysanthemums in Huang Cancan are blooming all over the earth, just like gold scattered on the ground.
Chrysanthemums are noble and beautiful, and Ao Shuang is in full bloom, which adds luster to autumn scenery. Chrysanthemum is a traditional famous flower in China. It was recorded in ancient books 2,500 years ago, ranking third among the top ten famous flowers in China.
Chrysanthemums have many varieties, bright colors, mostly yellow, so they are used to being called "yellow flowers". Hans Zhang's Miscellaneous Poems uses scattered gold to compare colorful Huang Ju, which is vivid and well-known.
In the Tang Dynasty, ~ was regarded as the proposition of the imperial examination, and Li Bai also wrote a poem "Hans Zhang Huanghua sentence, romantic for 500 years", which further improved his popularity and can still be used to describe Huang Ju.
2. Appreciation of poetry: owing 2,365,438+0. In this environment, I suddenly heard the sound of Qiangdi, and the tune I played happened to be "Folding Willow", which aroused the sadness of the garrison.
The ancients had the custom of parting and giving gifts. "Liu" and "Liu" are homophonic and presented to Liu as a souvenir.
In the Northern Dynasty Yuefu's "Blowing the Drum Horn Across", there is "Folding Yang Liuzhi", and the lyrics say: "If you don't catch the whip when you get on the horse, you will hit Yang Liuzhi instead. Dismount and play the flute, worrying about killing travelers. "
It is mentioned in the song that pedestrians break willows when they walk. This kind of farewell wind was very popular in the Tang Dynasty.
Thus, there is a close relationship between willow and parting. Nowadays, when the foot soldiers guarding the border pass hear the sad tune of "Folding Willow" played by Qiangdi, it is inevitable that they will feel sad and not hate it.
Therefore, the poet explained in an open-minded tone: Why does Qiangdi always play the sad tune of "breaking willow"? You know, outside Yumenguan is a place where spring breeze can't blow, so there are no willows to fold! To say "why complain" is not to complain, nor to persuade the guards not to complain, but to complain is useless. The use of the word "why complain" makes poetry more economical and meaningful.
Three or four sentences, which Yang Shen thought contained irony: "This poem is not as good as frontier fortress, and the so-called military gate is far more than Wan Li." China's ancient poetry has always had a tradition of "happiness", not to mention "poetry fails to express its meaning". We think the reader will understand this involuntarily, but we are not sure whether the author really means it. Since the spring breeze outside Yumenguan can't blow, the willow outside Yumenguan naturally won't spit leaves. What's the use of just "complaining"? This word expresses the "leisure worry" that is depressed because the ideal cannot be realized.
The first part is about love and homesickness, and the first two sentences of the next part are about twilight scenery, suggesting that the lyric protagonist is waiting for the "Ling Bo" fairy until dusk, but still missing, or there are too many "idle worries". Writing "beauty" is within reach, which means that the ideal cannot be realized and the image is vivid.
The phrase "Yun Lan" in the next film refers to the rapid passage of time. At the end, three metaphors are used to express the richness, confusion and lingering of "carefree sorrow", which is very vivid, and the author has won the nickname "He Meizi". In his ci, he turned the abstract leisure into a sensible "a stream of smoke, a city full of wind and Huang Meiyu", which not only vividly and truly expressed the poet's frustrated, confused and painful inner world, but also vividly and accurately expressed the misty rain scene in the late spring of Jiangnan, winning people's appreciation at that time.
At the end, "Yichuan Smoke, Flocculation in the City, Plum Yellow Rain" refers to the deep sorrow with the scenery in the south of the Yangtze River and the vast area, "Flocculation in the City" refers to the deep sorrow with the whole space, and "Plum Yellow Rain" refers to the long-lasting sorrow, which is meaningful and meaningful. It was hailed as a swan song, which gave Zhu He the nickname "He". Huang Tingjian even praised him: "Interpreted as a heartbroken sentence in the south of the Yangtze River, there is only a congratulatory message today" ("Return the congratulatory message").
5. Appreciation of the word "one" by the author after marriage, expressing the feelings of missing her husband on the Double Ninth Festival. Legend has it that after Qingzhao gave this word to Zhao Mingcheng, it provoked Ming's sincerity to live up to expectations, so he didn't see it for three nights and wrote a few words, but he didn't beat Qingzhao's first poem "Drunken Flowers".
Fog clouds will make you sad forever. From morning till night, the sky is a "fog cloud". This gloomy weather is the most depressing. The weather outside is bad, so we have to stay indoors.
The sentence "The Beast of Rui Nao Xiao Jin" is translated into an indoor scene: She is so bored to watch Rui Nao Xiang smoking in the incense burner alone! It's the Double Ninth Festival again, and the weather suddenly turns cold. I slept until midnight, and the coolness reflected on my pillow. Compared with the warmth of the boudoir when the couple are reunited, it is really a world of difference. In the last film, there are only a few sentences describing a young woman's anxiety in the boudoir.
She went outside, and the weather was terrible; Staying indoors is boring; It is difficult during the day, and it is even more difficult at night; I can't sit still and sleep well. It's really hard to rest. The phrase "Double Ninth Festival" has a profound meaning.
The ancients attached great importance to the Double Ninth Festival. On this day, friends and relatives get together to climb mountains, enjoy dogwood and drink chrysanthemum wine.
After Li Qingzhao wrote about the loneliness of "Renao Xiao Jin Beast", she immediately added "Double Ninth Festival", which obviously implied that her husband was not around when the festival was beautiful. "Cornus officinalis is missing one person", how can she not "miss her loved ones twice on holidays"! The word "you" in Double Ninth Festival has a strong emotional color, which prominently expresses her sadness.
Followed by two sentences: "Jade pillow gauze kitchen, it's cold in the middle of the night." How do you feel when your husband is not at home, sleeping alone on the jade pillow and sleeping alone on the bedstead? "It's cool in the middle of the night" is not only that the season turns cold, but it has a bleak taste.
The next movie is about chrysanthemum viewing and drinking on the Double Ninth Festival. Watching chrysanthemums with wine was originally a major program of the Double Ninth Festival. Probably for the occasion, Li Qingzhao sat in the house all day, and it was not until the evening that she forced herself to "drink in Dongli".
However, this did not alleviate the sadness, but set off a bigger emotional wave in her heart. Chongyang is the Chrysanthemum Festival, and chrysanthemums bloom beautifully. While drinking, she enjoyed the chrysanthemums and dyed them with flowers.
However, she can't help feeling hurt. No matter how beautiful and fragrant chrysanthemums are, they can't be given to relatives in different places. The phrase "There is a faint fragrance filling the sleeves" uses the meaning of the phrase "The sleeves are full of incense, and the road is long and Xiu Yuan is Xi" in nineteen ancient poems, secretly writing down her thoughts about her husband.
She couldn't help it, and she didn't want to drink and enjoy the chrysanthemums, so she hurried back to the boudoir. "Don't forget the soul" means that the wind is getting late, and the west wind blows up the curtains, which makes people feel a chill.
Reminiscent of the chrysanthemum that just put wine on the opposite side, the petals of chrysanthemum are slender and the branches of chrysanthemum are thin. While fighting against the wind in Ao Shuang, people feel sad, sad and helpless. People are not as good as chrysanthemums at this time. Taking "people are thinner than yellow flowers" as the conclusion, there are many examples and rich connotations.
From the weather to the golden beast, from the jade pillow gauze kitchen to the chrysanthemum outside the curtain, the poet treats all this with her sad mood, and all of them are painted with a layer of sad feelings. Flowers and trees are thinner than people, and there are many similar sentences in poems. This is because it is these three sentences, "Immortality, curtain rolling west wind, people are thinner than yellow flowers", which created the lonely realm of late autumn.
"The Immortality of Mo Tao" is a metaphor for "Dongli 89" and "people imitate yellow flowers", which is combined with the overall image of the poem. The phrase "the curtain rolls west wind",
3. Ask for the poem "Picking Mulberry Seeds", which one do you appreciate?
Sang Cai includes Ouyang Xiu, Xin Qiji, Mao Zedong, Nalan Xingde and Yan Shu. I think you're asking about Mao Zedong. This should be what all students have learned.
1929 10, Chongyang, Mao Zedong, picking mulberry seeds
Life is easy to get old, but it is hard to get old. Today is Chongyang, and the yellow flowers in the battlefield are particularly fragrant.
The annual autumn wind is not as strong as spring. Better than spring, just like Wan Li frost on the vast river.
Poetry appreciation
"Life is easy to get old, but it is not easy to get old." Flying like a mountain, the momentum is abrupt. These two sentences, from a close look, the former one is empty, and the latter one is real; The first sentence generally discusses the day of life, and the second sentence leads to the topic of Chongyang. From a distance, the former sentence is the subject and the latter sentence is the object; The first sentence is an outline, covering the whole article, and the last sentence is only a further explanation. Here, we must understand the following three points: first of all, "life is easy to get old" is just a comparison with "paradise is difficult to get old", and it does not contain any negative or sentimental meaning. There are too many ancient poems that slander spring, complain autumn and lament old age. But here, it is completely another kind of thought and emotion. The emphasis here is "it is difficult to get old." Secondly, "not easy to get old" means that everything in the universe is constantly developing and changing, and the situation is always new. "Heaven" is a fragment, and "difficult to get old" means that the process of development and change is endless. These three words are simply the description of dialectical materialist world outlook, so we must pay attention to them. Once again, I understand the meaning of "it is hard to get old" and the saying that "life is easy to get old". Not only do we not lament the exposure of human life, on the contrary, what we are talking about here is that we should devote our limited life to the infinitely magnificent revolutionary cause, seize the time and emit as much light and heat as possible, but what's the harm? It's hard to get old. This meaning is rich and this feeling is high. It reveals the immortal law of historical development, embodies the spirit of revolutionary optimism, and is as alert as a motto, which is really intriguing. In this growth, it was born from the natural phenomenon or objective reality of "Double Ninth Festival", and it was an abstract concept revealed through concrete sensibility. Therefore, the former subject is the latter object, and the latter sentence is the predicate of the former sentence, but it does not mean that the latter sentence is not as important as the former one; Because, from another point of view, the former is empty, the latter is real, poetry is aroused by "Chongyang", while "life is easy to get old" is sublimation, and the two sentences are organically synthesized fine gold, which are indispensable. "Today is Chongyang, and the battlefield yellow flowers are particularly fragrant." There is a double ninth festival every year, which is endless. The ancients often wrote poems and lyrics on the Double Ninth Festival, which was nothing more than a bleak and full of silence. Only interested Mao Zedong suddenly created it alone. If we say "Chongyang again today", it is slightly like "the sun and the moon come in the morning"; And "the yellow flowers in the battlefield are particularly fragrant" will also sweep through the ages. Why is the "yellow flower" in Battlefield "particularly fragrant"? The battlefield is sown with the heads of heroes and irrigated with the blood of martyrs. In the fire, wild chrysanthemums stand upright and open, blooming with yellow fragrance, which makes people feel extraordinarily beautiful and doubly happy. "The annual autumn wind is not like spring." Grasp the meaning of the film, write about the scenery and describe the feelings. Naturally, the autumn wind is vigorous, unlike the charm of spring. But it is definitely not "spring is blooming and full of bleak". If we say that in these two sentences, there is no graceful and restrained autumn wind and spring; Then, immediately wrote: "Better than spring, the vast Wan Li frost", which was held in autumn and spring. Why Better than Spring? In spring, how can there be such a bright and gorgeous, high-spirited and smooth scene? The Frost over the River in Wan Li is quite different from Du Fu's "The sky is clear and the frost is clean, and the court is foggy". Such as autumn frost, Du Fu thought of "court" and Mao Zedong thought of "spring". The aesthetic evaluation made by comparing autumn with spring is obviously not entirely based on the natural attributes of spring and autumn, but the key lies in the poet's fighting character and light gravity. Therefore, in this kind of lyricism, there is naturally a meaning and a sustenance. "Autumn Wind" reminds people of a quiet life like flowers. So "better than spring" is a logical inference. The sentence "Jiang Tian" indicates the bright future of the revolution and shows the firm confidence in victory. These implications and sustenance are "implications" and "taste is outside" in the description of landscape romance, and its beauty lies in "taste is outside the salty and sour". The image of a poem should not be regarded as a symbol of an idea, it is better than the way of expressing one's will with things. It is the unity of true poetry and profound philosophy, and it is a great philosophical brilliance radiated by rich poetry. First of all, it gives people a strong aesthetic enjoyment, thus giving people the encouragement of resolute will and the enlightenment of wisdom and reason. This is the highest artistic conception of poetry.
4. Five poems on flowers and five couplets each, it is best to have a source and appreciate Wang Wei.
The green leaves of red peony are quietly unfolding, and the color of red peony is bright and deep. In the face of withering, peony is sad from it. Can you understand peony's thoughts?
Cauliflower
The foot soil is still even with rain and dew, and yellow flowers fly frequently. I never get tired of watching it, but it is also the spring of poor people.
Magnolia (in the snow)
Qing Zi was born cold and thin. Even before spring and after waxing. Who taught you the six great tricks and hid them, as if they were revealed first.
Don't turn your sleeves. Infinite Qiong Ying Piao Yu Gui. When flowers bloom, they see innocence, but they can tolerate Bixi and Liu Fen.
Butterfly Love Flower (Peony)
Whenever flowers bloom, spring is already dusk. The condition is life, and it is rare to get together for a long time. How many degrees can you swim a day? Look at my back. Go ahead. Butterflies are busy and jealous. Drunk eyes sing love, and flowers are the main ones. There is no place for snow to complain, and there is no place for clouds to worry. Who do you want to pay for?
(1) A modest bamboo has bow leaves, but a proud plum has no two branches. (Banqiao, Zheng Qing) (2) The thin shadow is shallow, and the fragrance wafts at dusk. (Song Linbu)
5. Appreciation of Autumn Poetry and Autumn Ci
Liu Yuxi
Since ancient times, I feel sad and lonely every autumn. I think autumn is more than spring.
There is no one in the clear sky in Wan Li, and a crane, Ling Yunfei, has aroused my meditation on the blue sky.
The mountains and rivers are clear and frosty at night, and several trees are deep red and light yellow.
Trying to get under a tall building is as crazy as spring.
Appreciation of Liu Yuxi's Two Autumn Poems
The value of these two poems lies in the poet's unique feelings about autumn and autumn colors, and they sing high-spirited and inspirational songs, which is contrary to the tradition of literati's mourning for autumn in the past.
The poet deeply understands that the essence of sorrowful autumn in ancient times is that people with lofty ideals are frustrated, disappointed with reality and pessimistic about the future, so they only see the depression in autumn and feel lonely and lifeless. The poet sympathizes with their experience and situation, but disagrees with their pessimism and disappointment. In response to this feeling of loneliness, he said that autumn is better than the spring when all things sprout and flourish, emphasizing that autumn is not lifeless, but very lively. He guided people to see cranes flying high. In the clear autumn sky, the clouds are straight, vigorous and powerful, and there is much to be done. Obviously, this crane is unique and lonely. But it is the tenacious struggle of this crane that broke through the cold breath of autumn, created a new scene for nature, and filled people with lofty ideals with vitality. This crane is the embodiment of indomitable spirit and struggling spirit. Therefore, the poet said, "Then bring poetry to Bixiao". "Poetry expresses ambition" and "poetic sentiment" is ambition. If people are really ambitious, they will have the spirit of struggle and will not feel lonely. This is the theme of the first song.
These two poems have the same theme, but they are written separately, which can be independent or complementary. One praises autumn and the other praises autumn. Qi is inspirational, color is emotional. Therefore, praise autumn for beauty and ambition, praise autumn for innocence. Scenery moves with people, and color changes with feelings. Scenery is like makeup, temperament and morality. Spring is glorious, and autumn is good character. The first two sentences of the second song describe the scenery in autumn. The poet just outlines its true colors and shows its characteristics. It is bright and innocent, red and yellow, with a slight color, showing an elegant and leisurely charm. Ling Ran is like a gentleman, which is admirable. If you don't believe me, try to look up at the stairs, and you will feel clear, clear-headed and affectionate, instead of being frivolous and crazy like bright spring and colorful. The last sentence contrasts the theme of the poem with the reverse proportion of "crazy spring scenery", pointing out that the whole poem coincides with personification, vivid and ingenious.
These are two impromptu poems expressing opinions. Poets express profound thoughts through distinctive artistic images, which have both philosophical implications and artistic charm, making people think deeply and enduring. Balzac, a great French writer, said that art is the crystallization of ideas. "A work of art is an amazing concentration of the largest amount of ideas with the smallest area", which can arouse people's imagination, image power and profound aesthetic feeling. Liu Yuxi's two autumn poems not only give people the vitality and plain color of autumn, but also awaken people's heroism and noble sentiment in fighting for their ideals and gain profound aesthetic feeling and fun.
6. Appreciation of Li Qingzhao's Drunk Flowers (Chongyang)
The fog is thick and the clouds are light, and it will always be sad. The brain sells golden beasts.
Double Ninth Festival, lying in bed, in the middle of the night, the cold on my body has just been soaked.
Dongli drinks until dusk, and faint chrysanthemum fragrance overflows his sleeves.
Mo Tao doesn't forget me, the curtain rolls west wind, and people are thinner than yellow flowers.
Drunk flowers, epigraph name. It was first seen in Mao Kun's Ci of the East Tang Dynasty, in which "people are in under the greenwood tree, looking for the last spring, and spring scenery is on the screen." Advise you to resume the guest cup ",and the epigraph takes its meaning here. Fifty-two words with two tones, five sentences up and down and three rhymes.
The name of the tune. When Huang entered the Northern Song Dynasty, there were * * * eight sentences, the first five of which were epigrams with slight changes. Generally used as the first song of the yellow bell divertimento.
This word is a seasonal expression. On the Double Ninth Festival, the author expresses people's natural feelings of missing their loved ones in the festival through many real life scenes, such as being alone in the boudoir, expressing loneliness, putting wine at dusk and enjoying flowers on the hedge. But it is also the most life-oriented description, which has created a famous sentence throughout the ages: "Mo Tao does not scatter his soul, the curtain rolls west wind, and people are thinner than yellow flowers." It is personified by flowers, lyrical by scenery, sincere and sincere, with wonderful interest and beautiful thoughts, which is praised by future generations.
Comments:
Yi' an expressed sincerity with the words of Chongyang. I really admire you, and I'm ashamed. I want to win. Those who thank their guests without eating or sleeping for three days and nights will get 50 yuan, which can easily be taken as a token of their friend Lu Defu. Dev played it over and over again and said, "Only three sentences are excellent." Be honest and sincere. He said, "Mo Tao doesn't forget me, the west wind blinds, and people are thinner than yellow flowers." Political change (quoted from Langya Collection).
Don't be surprised to write that the scenery is expensive and far away; Love is precious, don't soak it, don't be obscene. "Xiao Feng Canyue" and "The Declining Mo Wei Yun" are also good people who write landscapes; "Red rain brings sorrow to fly" and "yellow flowers are thinner than thin", and good people in love are also (on Ci).
Be careful with your words: corrupt people, dumb people, stupid people, weak people, vulgar people, blunt people and people you have never seen before in writing are not available. Pay special attention to Ye Yun's writing. The last sentence of ancient famous sentences must be clear and loud, such as "people are thinner than yellow flowers" and "the branches of red apricots are noisy in spring". But if we use this word well, it will have a unique meaning and use a pen (on hairy words).
Every word is exquisite, beautiful and elegant Affectionate and bitter tunes, Yuan people's lyrics and songs often belong to this (Shao Yunji).
This poem is one of Li Yian's early masterpieces. Express homesickness with the theme of "Chongyang".
First of all, we can see that the word is written on Chongyang, which is the ninth day of the ninth lunar month and the autumn season. The days should be getting shorter and shorter. The first sentence here is "clouds will make you sad forever", so how can you say "eternal day" Obviously, this is the author's own psychological perception. Psychologically speaking, time has relative significance to both happy and painful moods, and it is difficult to forget time when you are happy. The author is particularly sensitive to "mist and thick clouds". He is worried with his heart, and his mood is condensed and he can't be comfortable. Of course, he thinks he is worried about the "eternal day". And all this stems from the suffering of lovesickness in both places.
"Ruinao sells the golden beast", which means borneol and Ruilongnao, a valuable spice. The golden beast refers to an animal-shaped incense burner. When the author "rises in the light smoke stove and floats in the clean room" feels nostalgic, he is lost in the "golden beast" in the dead room. The light smoke on the stove is as endless as my heart. Although the brain is tired and the time is getting old, it is difficult to end the lonely and depressed feelings, and instead of decreasing, it will increase, let alone let go.
In the first two sentences, one is implied and the other is implied. Clouds, smoke and fog complement each other, and the scenes are staggered, and the whole poem spreads out in this gloomy and confusing atmosphere.
Although it was night, I tossed and turned and couldn't sleep. Autumn cold thoughts invade the skin of sleepless people through curtains. In a word, "cool first", autumn cold, cold heart, the finishing touch, full of enthusiasm. The Double Ninth Festival, originally a festival to enjoy chrysanthemums and climb mountains, is full of annual flavor. Helpless, relatives are not around, and the word "you" is fear, sadness and helplessness. Don't hate if you leave your heart.
"After drinking at dusk in Dongli", "Dongli" comes from "Picking chrysanthemums under Dongli, and seeing Nanshan leisurely" in Tao Yuanming's drinking. Tao Qian means carefree and detached. While the author is drinking and enjoying flowers, he is talking about love and drowning his worries with wine, but he doesn't add to his worries, and he cares more about the bleak twilight scene of the sunset. Why not make people feel sad?
Lin Bu Yongmei, a poet in the Northern Song Dynasty, famously said, "The shadows are shallow, and the fragrance floats at dusk." The delicate fragrance here refers to plum blossoms. The "faint fragrance" in Yi 'an's ci refers to chrysanthemum, which is cold-resistant, proud and windward, and its style is close to plum blossom. The author of the index is refined and refined, and his thoughts are noble.
At the end of the article, the sentence "Mo Dao is not ecstasy, the curtain rolls west wind, and people are thinner than yellow flowers" is the climax of the whole article. The surprise of "Mo Dao is not ecstasy" reveals how many hidden feelings, which is an uncontrollable burst of true feelings of human nature. With the word "ecstasy" in Jiang Lang's Biefu, it is pointed out that all kinds of sadness are caused by the pain of parting. Used in the last sentence, such as the light sets sail and the clock stands out. The last double negative tone seems not to come from the mouth of the heroine between the lines, but more like a sentimental third party. The change of writing angle of this book is precisely the unique charm of Yi 'an's bold and surprising writing style and the rise of mountains and peaks. The author transcends himself between the lines, is full of sympathy for himself, and regrets with "Don't get carried away". He also pointed out to the readers that "the curtain rolls west wind, and people are thinner than yellow flowers", so the author's feelings are vented through the tone of a third party. This kind of self-reflection objectifies the sad object, observes it and savors it. It can be said that it is profound and fascinating.
Cheng Gai, a poet in the Song Dynasty, once compared people with plum blossoms in Pupo River. "People are thinner, a little thinner than plum blossoms" seems attractive. Tang poetry is elegant, "the fallen flowers are silent, and people are lighter than chrysanthemums." Yi An's "People are thinner than yellow flowers" seems to be better.