"The light haze floats away from the distant mountains", so slight, so slender, if there is nothing, just like the corners of the mouth that want to laugh, ethereal and helpless. "The water spider roams on the still water", empty and wandering forward, just like a smile that wants to open and close. "The poet fused the image in front of him with a smile, and the scene was filled with emotion.
Whole poem:
smile
Author: Dai Wangshu
A faint mist drifted away from the distant mountains,
Water spiders wander in calm water,
Go ahead, infinite meaning, infinite meaning.
Someone smiles,
A heart has blossomed,
Someone smiles,
Many faces are depressed.
The embellishment of the flower belt for sex,
Do it with the help of a long trip,
It's a little warm, I want to talk about it.
Extended data:
Dai Wangshu (1905165438+1October15-1February 28th, 950), male, named Cheng,No. Chao 'an, posthumous title Haishan, from Hangzhou, Zhejiang. Later, he used pen names Meng Ou, Meng Ou Sheng, Fang Xin and Jiang Si. China modernist symbolist poet and translator.
Dai Wangshu's poems are based on melancholy feelings, which contain both classical feelings of life.
First of all, Dai Wangshu's love poems are obviously influenced by the poets in the late Tang Dynasty in expressing the privacy of love, and they use more female images in expressing love. In a sense, they can even be said to be a modern interpretation of the theme of acacia in Wen and Li's poems. At the same time, love has become one of the main contents of the poet's life experience, which embodies the modernity of Dai Wangshu's poems.
In a word, Dai Wangshu's love experience is modern, and his love characteristics are modern, but the expression he endowed is classical and traditional.
Secondly, the theme of mourning for autumn in Dai Wangshu's poems is deeply influenced by China's classical literature. Poets use the traditional theme of chanting autumn to present the sad feelings of loneliness and youth troubles of modern people, which strengthens the aesthetic tension of poetry. Understanding the consciousness of death hidden behind the theme of sad autumn can better understand the melancholy emotion in poetry.
By analyzing Dai Wangshu's poems such as To the Firefly, we can also find that the poet's death imagination and writing style belong to the typical Taoist cultural system.
Finally, the idyllic homesickness and pastoral feelings in Dai Wangshu's poems are a traditional expression of human feelings and have the charm of oriental poetry. The images of wandering and tired travelers are not only influenced by the images of travelers in China's ancient poems, but also the images of dreamers and Nightcrawler are obviously influenced by western symbolism, which constitutes a modern creative motif.
As a poet deeply influenced by Chinese and western literature and culture, Dai Wangshu actively seeks the fusion point of Chinese and western poetry art and creates modern poems belonging to his own nation.
Dai Wangshu's experience and practice in the national construction of new poetry inspire modern and contemporary writers: under the background of globalization, the creation of modern new poetry in China should be based on the aesthetic psychological mechanism of national culture, take the national spirit as the soul, absorb the artistic nutrition of foreign literature, and construct the nationality of China literature with the characteristics of the times.
Baidu Encyclopedia-Dai Wangshu