Appreciation of Jiang Kui's Ancient Poem Nostalgia in Gusu

The night is deep, the clouds go around the teeth, and Jiang Hanxing covers the heron and sleeps on the beach.

Pedestrians looked down at the Sutai stream and once swept away the flowers with the prince of Wu.

-Jiang Kui

Generally speaking, I miss ancient poetry, open a sentence and express the feeling of ups and downs in ancient and modern times. And this poem, written plain and unique, does not involve the theme.

The word "around" in the first sentence can be felt through the flight trend of clouds, indicating that nature is in subtle and instantaneous changes. In a blink of an eye, the clouds cleared and the poet stood on the boat, looking down at the river, only to see the river clear and the stars bright. In this quiet and open background, egrets sleep on the beach, carefree. The first sentence is dynamic, and the second sentence is static and full of painting. Baishi thinks that the highest realm of poetry is natural beauty. He said: "The language is implicit. ..... There are no words in every sentence, no long words in the article, and bad things are also good; Every sentence has a aftertaste, the article is meaningful, and people are good. " (Poems by Taoist Baishi) Through the scenery, we can explore the Yu Yun of stone and the pearl of water by pursuing purposes other than images. The sunset glow is long, the river is clear, the stars are bright, and the egrets are adaptive. This is the eternal significance of Jiangshan. What the poet deliberately depicts is a quiet realm, which is a personnel change hidden through the unchanging night view of Suzhou.

"Heron sleeps in the sand", the pen goes far. The word "disappointed" in the second couplet binds the whole article with the thought of "nostalgia" and introduces the topic. This turning point seems abrupt, but it runs through the context of the previous sentence and is extremely closed. The image of "Su Tailiu" is faintly visible in the quiet night, which makes travelers move. Gusutai was a palace built by Fu Cha, the king of Wu, which was luxurious and luxurious for the king of Wu to have sex with. "Now, the king has become a coward and a hero, but he has stopped the people from going to Gusu." ("Mandarin Wu Yu") So the State of Yue took advantage of this and said, "Fan Li ... followed the messenger, and as for Gusu Palace ... then destroyed Wu." The death of the prince of Wu and the demise of the country are all due to forgetting his body. The poet was moved by the scenery. He lived in the last years of the Southern Song Dynasty, and the feeling of national decline arose spontaneously. At that time, the Song and Jin Dynasties confronted each other, and the court in the Southern Song Dynasty was half safe, thinking that it had become a peaceful world, carefree and extremely enjoyable. "When does the West Lake stop singing and dancing?" It was a true portrayal of the society at that time. Although Jiang Kui had a hard life and sent himself to a rich family, he was not indifferent to the world and the country. It's just that he shows a faint inner feeling. Here, "Su Tai Liu" is the witness of history. The sentence "I once swept away the flowers with the prince of Wu" tells the story of "Tai Su" for more than 1000 years. It is of far-reaching significance to miss the past and hurt the present.

The beauty of this poem lies in its practicality, openness and closeness. The two sentences are irrelevant and seemingly idle, but in fact they secretly tease the following and let the sentence dig out the deep meaning. "Air rippling is the most wonderful strategy of the poet. The upper meaning can connect the lower meaning, but it is not connected. The vivid portrayal inside makes the lower meaning more vivid. " (Liu Xizai's Introduction to Art) This poem has reached such a state. Luo Dajing's Record of He Lin Yu said: "Jiang Yu's poems in primary schools are exquisite. There is a poem that says ... once swept away the flowers with the king of Wu, and Yang Chengzhai likes to recite. " The beauty of the seven wonders of Baishi lies in its charm, novelty and brushwork, which can be said to have both Tang and Song Dynasties. No wonder Yang Wanli, who emphasizes "new interest" and "living method", has to recite it with joy.