First, "The Master of Furong Mountain in the Snow" Liu Changqing
The setting sun is far away, the weather is cold and the house is poor.
Chai Men heard dogs barking and went home on a snowy night.
translate
Twilight is boundless, and I feel the mountain road is far away. It's freezing in the cold, and I feel very poor to stay in someone else's house.
Suddenly, I heard a dog barking in Chai Men. It should be the owner's snowy night.
Make an appreciative comment
This is a poem and a painting. In just twenty words, the whole poem outlines a mountain village scene on a cold winter night and the image of a man sleeping in the snow.
As soon as the poem comes up, what is presented to the readers is that the boundless dusk in the distance hangs over the valley thousands of miles away, and the hut in the wilderness looks so lonely and quiet under the attack of the cold. Couplets don't write about pedestrians trekking to find a place to stay, but first write about the mountain village scene he saw from a distance after he found a place to stay, which not only avoids the straightforward description of the layout, but also creates a broad space and a bleak atmosphere for couplets.
The next two sentences, gradually moving closer from the foreground, write that someone came back from the White House and caused dogs barking outside Chai Men. How sudden and pleasant the sound is! If the first one has formed a cold landscape painting, then the second one is to add sounds and characters to the conspicuous parts of the painting, plus cold wind and flying snow. After such rendering and care, the distant "Cangshan" and "White House", the recent "dog barking" and the present "snow" are intertwined.
The artistic conception of Liu Changqing's poems originates from the central word "night". "Night" is the main line of the whole poem, and "cold weather" and "snow" deepen the chill of "night". This night is an objective and realistic cold night before us, and it is also a symbolic cold night for the poet's inner feelings about the current situation. Liu Changqing is a WTO member, "Wei Que's heart is always there, and he went to Qin with you" ("Sent to Korea"), but in real life, he became an exiled minister who traveled to Chu Xiang. He hates the false accusation of his boss, and knows that the sacred will of Daizong is hard to violate. In the poet's mind, the present situation of the imperial court and officialdom is like this "snowy night". He doesn't want to go with the flow, and naturally he will sigh. Because he has been running on the road of life for a long time, when the poet was received by the owner of Furong Mountain on a snowy night, his inner complex thoughts could be imagined: some kind of happiness and warm comfort were mixed with grief.
The choice of words and sentences in this poem is quite skillful. Using "Cangshan" to "white house", the mountain is pale and the house is white, and the two reflect each other from a distance, forming a silvery white world. Then it points out the vastness in front of us with the principles of "far" and "poor" (here "poor" means little and lack), and accurately expresses the scene seen from a distance. The third sentence "Chai Men" and "dog barking". It not only takes care of the "White House", but also extends the "White House". In particular, the word "bark" in the sentence is loud and clear, which breaks the tranquility of the cold mountain village at dusk, evokes the echo of the lonely mountain and brings vitality to the sleeping country.
Second, Jiang Xue Liu Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
translate
Birds and mountains are all extinct; All the roads, no sign of anyone.
Alone on the river, fisherman Dai Li; Fishing alone is not afraid of ice and snow.
Make an appreciative comment
The landscape poems written by Liu Zongyuan have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river. What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world. What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent. The wider the background, the more prominent the main description object. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone". Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image. But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively. It can also be said that the first two sentences were originally a foil. According to the general understanding, it is enough to outline the outline, and there is no need to make great efforts to carve it. However, poets just don't handle it this way. It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are. The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers. As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang".
In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making "birds fly away" and "people disappear". Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow". On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water. However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent. Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly. Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings. It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman.
Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.
Third, Bai Xuege sent Tian Shuji Wu home.
The north wind swept across the earth and messed up Pennisetum, and the weather in August will be covered with heavy snow.
Suddenly, like a night wind blowing, like a pear tree in blossom.
Snowflakes fell into the curtains and wet them. The fur was not warm and the gold cup was too thin.
The general used cold hands to protect his hands. The armored steel was too cold to wear. (Difficult to do: still writing)
The desert freezes over/kloc-0.000 feet, with a crack, and the sky is full of darkness and melancholy.
In the manager's account, this wine is a farewell party, and the Huqin Pipa flute ensemble adds luster to this entertainment.
In the evening, in front of the headquarters gate, heavy snow fell, the red flag froze, and the wind could not drag.
Luntai East Gate, welcome to the capital. Go, the mountain road is covered with snow.
I haven't seen you in the winding mountain road, leaving only a row of horseshoe prints.
translate
The north wind swept the earth and scattered the white grass. It began to snow in Alakazam in August.
Suddenly, it was like a spring breeze blowing overnight, as if thousands of trees and pears were in full bloom.
Snow fell into the bead curtain and wet the curtain, and the fox fur was too thin to put on the warm brocade quilt.
The general was too cold to open his bow and put on his armor.
The desert is frozen and cracked, and the sky in Wan Li is full of clouds.
The coach put the wine in the account as a farewell party to return the guests, and the Huqin Pipa Qiangdi played an ensemble.
At night, the snow in front of Yuanmen kept falling, the red flag froze and the wind could not move.
Take you back to Beijing outside the east gate of Luntai. Tianshan road was covered with heavy snow when I went there.
The winding mountain road has lost sight of you, leaving only a line of horseshoe prints on the snow.
Make an appreciative comment
Bai Xuege, a masterpiece of frontier poems, was written in his second frontier stage. At this time, he was highly valued by Feng Changqing, the envoy of Anxi, and most of his frontier poems were written in this period. In this poem, with the poet's keen observation and romantic style, Cen Can depicts the magnificent scenery of the frontier fortress in the northwest of the motherland and the warm scene of envoys leaving Beijing in the frontier fortress barracks, showing the patriotic enthusiasm and sincere feelings of the poet and the border guards for their comrades.
The whole poem takes the change of snow scene in one day as a clue, and describes the process of bidding farewell to envoys in Beijing. It has an open mind and a good structure. * * * is divided into three parts.
The first eight sentences are the first part, describing the wonderful snow scene you saw when you got up in the morning and the sudden cold you felt. Friends are about to embark on the road back to Beijing, and the snow hanging on the branches turns into pear flowers in the eyes of the poet, with the arrival of beautiful spring. The first four sentences mainly write about the beauty of the scenery. Words such as "namely" and "suddenly like" vividly and accurately show the expression when you suddenly see the snow scene in the morning. After a night, the earth was wrapped in white and completely new. Then write four sentences about the cold after snow. The line of sight gradually shifted from outside the account to inside the account. The wind has stopped, and the snow is not heavy. The flying snowflakes seem to be fluttering leisurely, entering the bead curtain and wetting the military account. Poets choose daily activities such as living, sleeping, dressing and bowing to express coldness, just like choosing to watch snow in the morning to express strangeness. Although it was cold, the soldiers had no complaints. Moreover, it is "uncontrollable", it will train when it is cold, and it is still training with a bow. Writing cold on the surface is actually using cold to foil the inner heat of soldiers, which shows the optimistic fighting mood of soldiers.
The four sentences in the middle are the second part, which depicts the grandeur of the snow scene during the day and the grand occasion of the farewell party. "The sand sea deepens the ice depth, the clouds are bleak, and Wan Li condenses" depicts the overall image of heaven and earth in the snow with romantic exaggeration, which sets off the happy scenes below and embodies the positive significance of soldiers singing and dancing. "But we drink to the guest who came home from the camp and play the savage pipa, guitar and harp for him." A few words show the warmth and solemnity of farewell. In the commander-in-chief of China's army, a banquet was held, and all kinds of musical instruments were brought with all their money, singing and dancing, and drinking to the fullest. The banquet lasted until dusk. The first part of the inner enthusiasm, generated here, reached the climax of joy.
The last six sentences are the third part. They say goodbye to friends at night and set foot on the road home. "Until dusk, when the snow crushed our tent, our frozen red flag could not fly in the wind." The returning guests walked out of the tent in the dusk against the falling snowflakes, and the bright flags frozen in the air looked colorful in the snow. The unshakable and indomitable image of the flag in the cold wind is a symbol of soldiers. These two sentences, one moving and one static, one white and one red, set each other off and become interesting, with vivid pictures and bright colors. "I watched him cross the gate of the wheel tower and head east into the snow drift on Tianfeng Road." The snow was getting heavier and heavier, and the people who saw him off refused to go back. "Then he disappeared at the corner of the pass, leaving only hoofprint" expressed the soldiers' sincere feelings for their comrades in plain language, vivid words and subtle meanings. This part describes the feelings of saying goodbye to friends, and also shows the heroism of frontier soldiers.
This poem accurately, vividly and vividly creates a beautiful artistic conception with beautiful snow scenes, vigorous brushwork, free opening and closing structure and cadence. It is not only well-written melody, moderate relaxation, but also rigid and flexible, which is a rare frontier masterpiece. The whole poem is constantly changing the picture of snow, turning the scene into emotion, generous and tragic, full of vigor and vitality. It expresses the poet's feelings of seeing his friends off and the melancholy caused by their return to Beijing.
Fourth, "Don't move big" is of high quality.
Like a bird, she still flapped her wings and felt sorry for herself, leaving Beijing for more than ten years.
A gentleman is poor, who wants to meet today without paying for drinks?
translate
Thousands of miles away in Huang Yun, the sky and the sun are dark, and the north wind is blowing snow.
Don't worry about having no friends ahead. Who doesn't know you in the world?
Make an appreciative comment
This is a farewell poem to the famous pianist Dong. During the prosperous Tang Dynasty, Hu music was popular, and few people could enjoy such ancient music as the lyre. Cui Jue has a poem: "Seven strings are cold and five tones, and this skill of knowing friends has been difficult since ancient times. Only Fang Zilu (Prime Minister of the Tang Dynasty) in Henan Province has always pitied Dong Lanting. " At this time, Gao Shi was also very depressed. In wandering around, he is often in a poor situation (he wrote in "Don't move big" II: "The husband should be poor and cheap, and there is no money to drink today." )。 However, in this farewell poem, his cheerful attitude and heroic style make his farewell speech passionate and inspiring.
The first two sentences, "Thousands of miles away in Huang Yun, the white sky is shining, and the north wind is blowing goose feathers and snow one after another", describe the scene at that time in simple terms: the north wind roared, the yellow sand and Li Qian covered the sky, the clouds everywhere seemed to turn yellow, and the bright sunshine was indifferent at the moment, just like the afterglow of the sunset. It was snowing heavily, and the geese flew south neatly. In this bleak and magnificent environment, the poet bid farewell to the musician who was stunted but unappreciated.
The last two sentences, "Mochow has a vast road ahead, and everyone in the world doesn't know you", are comforting friends: you won't worry about meeting your bosom friends when you visit here. Everyone in the world doesn't know you, Dong! How loud and powerful the words are, full of confidence and strength in comfort, inspiring friends to struggle and struggle.
[Poetry describing the beauty after snow] Related articles:
1. Love Poems of Chu after Snow
2. Poems and famous sentences describing the beauty of autumn
3. Poems describing the beauty of early autumn
4. Poems and famous sentences describing winter
5. Poems and famous sentences describing rain
6. Poetry describing festivals
7. Describe melancholy poems and famous sentences.
8. Poems and famous sentences describing spring rain
9. Poems and famous sentences describing patriotism
10. Poems and famous sentences describing flowers