Said by: Wang Ye is the work of Wang Ji, a poet in the late Sui and early Tang Dynasties. Original text:
establishment and reign of a kingdom
Tang Dynasty: Wang Ji
Looking at the dusk in Gaodong, I want to rely on it.
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song pregnant with Cai Wei.
Translation:
At night, I stood in Gaodong and looked at it from a distance. I hesitated and didn't know what to do.
Layers of trees are stained with autumn colors, and many mountains are covered with the afterglow of the sunset.
The shepherd drove the cattle home, and the hunter passed me with his prey.
Everyone is relatively silent and doesn't know each other. I really want to live in seclusion in the mountains!
Extended data:
Creative background:
After Wang Ji entered the Tang Dynasty, he waited for a letter from the provincial secretary, and soon resigned and returned home. In Zhenguan, I was so happy that I turned back. This poem was written when the poet resigned and lived in seclusion in Gaodong (in Hejin, Shanxi).
Appreciate:
This poem "Shan Ye and autumn scenery" is one of Wang Ji's representative works, full of emotion, simple and fresh, fluent and natural, trying to correct the shortcomings of Qi Liang's glitz and splendor. The first couplet is both narrative and lyrical, and the next six sentences are always carried.
The first sentence casts a twilight over the panorama of the two couplets in the middle; The second sentence is called the last sentence; Make the whole poem shrouded in faint sadness. The lower jaw couplet is about autumn scenery in the dusk, knowing each other, mountains and trees, a piece of autumn color, a touch of light.
Depression and silence aroused the poet's sense of helplessness. Neck couplets describe the moving scenery of Akita, with mountains and rivers, trees, autumn colors and twilight as the background, showing the picture of shepherds returning from calves and hunting horses and birds. This is a typical scene at dusk in autumn in Shan Ye.
Since it is a time, its dynamics from far to near are also faintly visible. If these shepherds and hunters are old acquaintances, they can talk and laugh with them endlessly (the migration of Tao Qian).
But the well is not like this, which leads to the tail connection: I don't know each other, so I can only use Long song to express my distress. Wang Ji worships Tao Qian, but he doesn't get comfort from rural life like Tao Qian, so his pastoral poems sometimes show hesitation and disappointment.
This poem washed away the habit of carving in the Southern Dynasties, but developed a new martial art form that was gradually legalized since the Southern Qi Yongming. It is already a relatively mature five laws, which have a great influence on the form of modern poetry.