Homesickness stems from special memories of the past. When the rain at night rings in our ears, homesickness will come to our spiritual bottom as promised. Because every round trip, our homesickness is like a traveler walking out of Yangguan in the west, full of the aesthetic feeling of looking back suddenly.
I once thought about the innocence of homesickness, but after a story of nursery rhymes, I can only grieve for the deconstruction of homesickness. Homesickness is getting farther and farther away from us, or it has been transformed beyond recognition by modern things. Real life is a material battlefield without smoke, and the contest between money and morality is a refuge that can't stand homesickness gradually. Is there a back garden for human beings to rest and relax in our time when the spirit and feelings are completely collapsed and instrumentalism is invincible?
Perhaps everything that exists is reasonable, so when the strait-like homesickness is slowly covered by modern high-rise buildings, when the blood-like homesickness is diluted by popular culture in one fell swoop, and when the mainland-like homesickness is completely defeated by sensory pleasure, our boring heart may have forgotten the direction of going home. Will homesickness still make you homesick? Looking back, homesickness was the spiritual connection of a dusty history, so the thunder in the paper pile spread the meaningful soul of "old friend, story, hometown" in the long river of culture.
When the sunset takes away the memory of spring in your life, can you still welcome the joy of archaeologists excavating the historical sea in the twilight?
Perhaps the deconstruction of homesickness is a helpless reality. When it is not a work of art, when it is said to be an emotional luxury, when it has become a cold memory, that unforgettable memory will not become a big lie.
In fact, we are also in a material society without homesickness, and the spiritual monument supporting our hearts collapsed in a disaster without storms. We love strange cities, we wander around the streets after drinking, we enjoy fresh performances, and we cheer for the wandering of youth.
How wonderful it is to be at home in the four seas, and heaven remains our neighbourhood! Does homesickness only make me struggle? What makes us even more embarrassed is that the beautiful hometown we recalled lost face in the sandstorm. How can I proudly write the truest words in the latest meeting after a long separation?
After homesickness was banished by industrial civilization, the emotional substitute for comfort can only be the acquired materials made on the machine assembly line, which helps to strengthen the body muscles, but does not ask whether the heart is warm or not? The modern "homesickness edition" is so trendy and different: the keyboard "sends it to the north on a rainy night" makes the future of homesickness come true with a glimpse of online affection; The boredom of telephone feelings leads to the unnecessary dumping of post-modern emotional garbage in the text feast; Check remittance, credit card guarantee the world, and suck up the spiritual fat of love with the most economical and practical exchange.
Homesickness is really just an emotional shell. Is its back garden still in the depths of peach blossoms? If the outside world is wonderful, can you put aside the bitterness of homesickness and let others drink it themselves? Remember homesickness, and let people sing more beautifully about love! "It's okay to meet, and I don't always miss you." There are always lonely times in distant places, so our writing, our singing and our meditation will inevitably overflow the fragrance of homesickness. At that time, the hometown that I couldn't go back to was so lovely, just like the nursery rhyme that my mother sang softly at the cradle when I was a child.
We will gradually understand that homesickness is a masterpiece of history, which gives us not only the clear spring in the desert, but also the dew of travelers' hearts on earth. May homesickness be revived in the spiritual grave with the rebirth of human thinkers, and don't let us lose a few acres of dreamland.
The first section, at this time, the author is "young and left home" to study, without the vicissitudes of life, with a slight feeling that "teenagers don't know the taste of sorrow" and more attachment to their mothers;
In the second section, the wife is a relative who has lived together all her life, and the bride is the most beautiful scenery she appreciates in her life. When reading aloud, we should pay attention to the warmth and tenderness in the faint sadness;
The third section, the proper use of vibrato, expresses a kind of deep sadness like crying;
In the fourth section, at the end of the article, the poet sublimated from personal joys and sorrows to thoughts of home and country: at this time, music reached its climax! So it is necessary to read it with twists and turns. Especially in the last sentence, one word at a time, the tone should be raised, "at that end" should be kept flowing, and the feeling of passion and generosity should be read.
A, four chronological words, represents the poet's four life stages. Poets write poems with the change of time, and the words of four eras summarize the poet's life, that is, deep homesickness affects the poet's life.
B, when I was a child (teenager)-mother and son separated, when I grew up (teenager)-husband and wife separated, later (middle age)-mother and son separated, and now (old age)-mainland wanderers separated.
C, using unique metaphors, turning abstract and difficult-to-capture parting into tangible things, which is a common writing skill in poetry creation: expressing feelings. In many classical poems, such as Li Yu's Yu Meiren, there is "how much sorrow can there be, just like a river flowing eastward"; Li Bai's "Xie Tiao Lou Yun Shu Xuan Zhou Bie Jiao Shu" contains "But since the water is still flowing, although we cut it with swords, we raise our glasses to dispel our worries". Yu Guangzhong chose four images from his personal life to express his feelings: "stamp", "boat ticket", "grave" and "strait". This image seems ordinary, but it is full of poetry:
Stamp-Mother-Child Affection (Strong) Boat Ticket-Couple Affection (Warm)
Grave-Where Are You Going Strait-Homesick Country (Deep)
Small stamps, narrow boat tickets, short graves, shallow straits, and the use of quantifiers such as "one, one, one side, one bend" indicate that Yu Guangzhong's homesickness is relatively light?
Although stamps are small, they have a long relationship with mothers and children. Although the ticket is narrow, it is loaded with the feelings of couples. A short grave can't hold great sorrow. Shallow straits hinder endless homesickness. Although the pen is small, it is full of poetry. Concentrating homesickness on four small and light objects just reflects the poet's deep homesickness.
The whole poem is composed with the change of time, and the spatial barrier is the common feature of these four stages, which promotes the sublimation of poetry layer by layer and finally raises homesickness to the angle of nation-state