Poets, represented by Yang Yi and He Qian, consciously studied and imitated Li Shangyin's overall style of poetry in the early Song Dynasty.
Similar to Li Shangyin, Li Shangyin's creative methods, such as using allusions to accomplish things, choosing words and making sentences, and using colors and ink, were also influenced by Li Shangyin. All aspects of their creation have more or less inherited and followed the Yishan family law. Li Shangyin's poems were very popular in the early Song Dynasty. "Kunxi style" imitated the allusions of Yishan poems, and later became the Kunxi poetry school, but they only learned rhetoric mechanically, but they could not get Yishan poems.
As we all know, all the poets in Quincy like Li Shangyin very much. In ancient times, some critics only evaluated Quincy's poems by their similarities with Yishan's poems, but in fact.
I fell into a misunderstanding. This paper compares with Yishan's poems in terms of material selection, allusion, word selection, antithesis and main style, and draws the conclusion that the inheritance and learning of Yishan's poems by Kunxi poets are combined with their selection, transformation and development. Style is a new poetic style initiated by Yang and Liu in the early Song Dynasty, which has unique artistic characteristics and outstanding artistic achievements.
This is a case study. Accordingly, most of Quincy-style works are only exquisite forms of "white body", and it is difficult to reach the artistic and ideological height of "one mountain". The final failure of "Kunxi Style" following the footsteps of "Yishan" shows that Song poetry is in a new situation that is fundamentally different from the political culture and academic atmosphere in the Middle Ages, and can no longer take the unique image realm of Tang poetry and pre-Tang poetry.