The calligraphy works of ancient poetry are as follows:
The ancient poetry and calligraphy works include Yan Zhenqing's "Duobao Pagoda Stele", Liu Gongquan's "Shenjun Ce Stele" and "Mysterious Pagoda Stele", Ouyang "Jiucheng Palace Liquan Ming" written by Xun Xun and "Lingfei Jing" written by Zhong Shaojing. Wang Xizhi's "Lanting Preface", Yan Zhenqing's "Essay on Sacrifice to Sons and Nephews", Su Shi's "Huangzhou Cold Food Post".
Huai Su's "A Thousand-Character Essay on True Grass", Wang Xizhi's "Seventeen Posts", "Sangluan Posts" and "Yuanhuan Posts", and Huang Xiang's "Ji Jiu Zhang". Xu Gao's "Song Yang Guan Ji", Li Bai's "Up to the Balcony", Zheng Yu's "Cao Quan Stele".
From the superficial meaning of the word, calligraphy refers to the method of writing. In life, the word calligraphy also has the following meanings: first, the name of a certain writing work or the collective name of all writing works; second, an art category, generally referring to the art of writing Chinese characters.
Kang Youwei said in "Guang Yi Zhou Shuang Ji": "The structure of Tang language is the same as Song Dynasty's interest." From this, it can be seen that the calligraphy of the Tang Dynasty pursued the highest and most rigorous standards, and the achievements of calligraphy in the Tang Dynasty were also the highest in the history of calligraphy. The pinnacle. Calligraphy is a traditional art unique to China.
Chinese characters were created by the working people. They began to use pictures to record events. After thousands of years of development, they evolved into today's writing. And because our ancestors invented writing with a brush, calligraphy came into being. Throughout the ages, Chinese characters are mainly written with brushes. As for other writing forms, such as hard pens, finger writing, etc., the writing rules are not completely different from those of brush characters, but are basically the same.