Lyric prose often uses the way of lyricism while writing scenery, or focuses on lyricism after writing scenery first, or talks about one's own feelings before writing scenery. Or use all three methods at the same time. When we read, finding the lyrical core of the author is equivalent to grasping the main idea of the article. Grasping lyric sentences is the basis of reading this kind of prose.
Reading Spring in a Day excerpts the author's lyric sentences, such as "I will try my best to swallow the spring in Beiping this year" and "I have watched it for 90 days-I don't believe in spring!" "Calm is three points of sorrow and seven points of hate. In short, I don't believe in spring. " "The hatred of spring in the past has disappeared at this time. Looking up with joy, there is bright spring, extravagant spring and bright spring in front of me-it seems that spring has lingered countless times in the past 90 days, and hundreds of people have stopped it just to be here today! " "Although there is only one spring in 90 days, it seems that spring has been rewarded and there is no resentment. I am just very satisfied, but I still feel a little sorry. " When we connect these sentences, it is not difficult to find that the author is looking for spring, waiting for spring, and gradually has a resentment against spring. When he saw the begonia flowers, these resentments suddenly disappeared, and his love for spring immediately showed. Then the theme of the article is vividly expressed in the lyrical sentences of the author.
It can be said that the key to reading lyric prose is to grasp the author's emotion.