Close the doors and windows
Thought darkness wouldn't come in
I turned on the light.
But darkness is a pack of wolves
Still squatting at my door
I heard there are thousands of claws.
Tearing at my window.
The lights are shaking.
I write poetry in the uneasy light.
Poetry does not tremble!
Han Niu
Han Niu, a famous poet in modern times, was originally named Shi, with a pen name. The distant ancestor was Mongolian. 1923 10 was born in a poor peasant family in Dingxiang county, Shanxi province. /kloc-Before he was 0/4 years old, he had been herding cattle, collecting firewood, singing yangko, practicing boxing, wrestling, making clay sculptures, and fighting in blowing sheng. He is the most naughty boy in the village. He is covered with scars and has never faded in his life. After two years of primary school, I can't even write my own name correctly. I always write the word "Cheng" wrong. My father is a middle school teacher with artistic temperament and democratic and free thinking. During the Great Revolution, he studied in Peking University and wrote old poems with superb skills. Since he was ten years old, he has been fascinated by reading obscure books and periodicals hidden by his father. His mother taught him to read Tang poetry. His mother was straightforward and stubborn by nature, and he inherited some emotional qualities from her. After the outbreak of War of Resistance against Japanese Aggression, he went into exile with his father in Shaanxi, sold newspapers in xi 'an, studied painting for several months, climbed Longshan to Tianshui on foot, and entered a middle school that specially recruited exiled students in the war zone. I am fascinated by painting and writing poems, but I tried to study Lu Yi in northern Shaanxi several times. 1940 began to publish poetry, 194 1 Chengdu published a poetic drama "Sorrow of Wisdom", 1942 Guilin published "Ordos Grassland", which attracted the attention of the poetry circle. At the same time, he was deeply attracted by the fresh poetic style of a group of young poets, such as Zou Difan, A Long,, and Lv Yuan. 1943 was admitted to northwest university in chenggu, Shaanxi province, majoring in Russian. At the beginning of 1945, the literary journal Filariasis was edited in Xi 'an. Life in Color was published in the summer of 1948 and entered the North China Liberated Area in August of 1948. In the early days of the People's Republic of China, I worked in colleges and universities and the army. 1955 was arrested and examined for Hu Feng's case, and it was not until 1980 that he was rehabilitated. In the 1970s, when I was working in Xianning Cadre School in Hubei Province, poetry suddenly rose from my grief and indignation. From 1979, he wrote about two or three hundred poems.
South China tiger
I saw a tiger in Guilin/the zoo. I was crowded in the chattering crowd/separated by two bars/looked at the tiger in the cage/looked for a long time/but never saw it/the tiger's colorful face/flaming eyes. The tiger in the pet/with his back to the timid and desperate audience,/lying peacefully in the corner,/someone stoned it/someone yelled at it/someone tried to persuade it/it ignored anything! Long, thick tail/fluttering,/Oh, tiger, tiger in cage,/Have you ever dreamed of the vast forest? /Is the humiliating heart twitching? /or do you want to beat those poor and ridiculous audiences with your tail?
Your strong legs/spread out in all directions,/I saw your toes and claws/all broken,/with thick blood! /Are your toes/claws tied/hinged alive? /or because of sadness/you used the same broken teeth/(I heard that your teeth were sawed off with an old hacksaw)/I crushed them with blood ... I saw the blood ditch in the iron cage/on the gray cement wall/as dazzling as lightning! I finally understand .../I left the zoo in shame,/I heard a rock-breaking roar in a trance,/an unruly soul/flew over my head/flew away,/I saw fiery stripes/fiery eyes,/and huge broken/bleeding toes and claws!
A sweaty horse
Running thousands of miles across the Gobi is the only river.
Run through the desert and lead to the grassland.
A windless day in July and August
Gobi is the territory of fire.
Only gallop
Running on all fours.
I feel the wind blowing through my chest.
Through hundreds of miles of hot dust
Sweat was completely licked up by thirsty dust.
Sweat crystallized into white stripes of horses.
Sweat flowed out.
Bile has been used up.
A look into the blank.
Wide twitching chest muscles
Walk silently into your own life.
From shoulders, feet and ass.
A drop of blood cells oozed out.
In the world; After all, after all
Only horses with blood.
Blood vessels communicate with sweat glands.
There are no wings on the shoulders and feet.
Hooves don't get wind.
Blood horse doesn't know the wonderful myth in the world.
It just flies forward.
Transpiration is like a mass of red gas.
In order to climb over the snow-covered Osaka
And frozen clouds.
Life keeps spontaneous combustion.
Blow out the last drop of blood
You can fly a thousand miles with your bones and muscles.
A sweaty horse
Fall at the peak of life
Burned into a flower
Snow white flowers
This poem may be written too briefly in one place. The first two lines of the last section, "I finally understand ... I left the zoo in shame", were originally written in a more specific way, writing about my remorse at that time; But I don't want to analyze myself too much. I think "link thought" is a bit general and formulaic. It is better to brush it off and leave a blank for readers to think about. I can't say that this consideration is unreasonable, but deletion is too bitter. "I finally understand ..." Use ellipsis to hide many activities in my heart, and only use the word "shame" to point out my feelings. It may be better if the first two lines of the last line of the poem become one line, leaving one line in front and one line behind, so that readers can read here, pause and think about my hidden complex feelings.
The poems I have written in recent years, including this one "South China Tiger", are trying to open up the artistic conception of poetry. Every poem, from the first sentence to the end, is a complete artistic life. Every line and word is an integral part of a complete life, neither more nor less. Its expression (not only the external form) is completed with the situation, image, charm and rhythm of the poem at one time. Of course, it is difficult to achieve this situation. This is just the ideal I have been fighting for.
Interpretation of Han Niu's Poems
Yu Wei
"My poem is not a personal autobiography, but a tiny detail of a historical biography and a fruit of history. All my works, including essays, are fresh faults in history and have epic pain. " He also said: "My poetry and I are so tenacious to live, not to chew pain, not to retaliate against history. My poetry only makes history come out of the disaster soberly. "
Han Niu
"My poems just let history get out of the disaster soberly."
Witness "suffering"
In Han Niu's situational poems, the beautiful images of life are often placed in sinister situations: some are at the critical juncture of being aimed at by guns, such as Monk; Some have been "killed" by violence, such as maple trees that have been cut down; But most of them are still crippled by evil in bad living conditions, such as South China Tiger, Half Tree, Giant Root and so on. However, they did not fall, but stubbornly survived in distortion and bravely fought against danger. In a word, the aesthetic relationship between images and situations in Han Niu's situational poems is often the resistance of life images, which conflicts and struggles with cruel violence in sinister situations. A heavy sense of hardship and a strong sense of strength in Han Niu's situational poems arise from this. Works will come from the pain of life and the pursuit of personality until death, will be reflected in animals and plants with similar experiences, and will be expressed in a symbolic image or artistic conception.
Ai Qing said, "Suffering is more beautiful than happiness." Ai Qing is the first great poet in the history of new poetry who has not made suffering weightless. At that time, Han Niu, full of blood, embarked on the road of anti-Japanese and poetry creation with Ai Qing's Poem of the Northland in his pocket. Ai Qing's influence on Han Niu is decisive and lifelong. Ai Qing's poetry collection "The North" has an epic weight, which lies in his original creation of many situations that condense national suffering. Han Niu, like Ai Qing, tried to create a unique suffering situation in his poems. He said, "You will never write a poem unless you find something new."
Han Niu said: "My poem is not a personal autobiography, but a tiny detail of a great historical biography and a fruit of history. All my works, including essays, are fresh faults in history and have epic pain. " He also said: "My poetry and I are so tenacious to live, not to chew pain, not to retaliate against history. My poetry only makes history come out of the disaster soberly. " As a witness, it is Han Niu's "self-definition" to express the national suffering in a specific historical period and hope that the Chinese nation will not repeat such a catastrophe.
People who have really experienced great disasters can best understand happiness.
Happiness is not enjoyment.
"arrested 1955, wearing a counter-revolutionary hat for 25 years, without citizenship and without the right to publish works; Constantly reforming through labor, still working as an editor in the unit, and asking you to copy cards as soon as you engage in sports. Then go to the countryside to work, for two or three years. As soon as the festival was over, we were blown to work in Badaling ... That era was ridiculous and ridiculous, not to mention happiness. " Han Niu said: "Perhaps a sad person, a person who has experienced so many misunderstandings, distortions, persecutions and blows, and a person who has really experienced a great disaster can best understand happiness. True happiness is not empty or realistic enjoyment. Happiness is a spiritual pursuit from the heart and an ideal realm. "
Han Niu has suffered too much in his life: exile, hunger, persecution, arrest, imprisonment, imprisonment, trial, labor reform, all kinds of heavy work ... It is indeed a "painful and rich life", and his poems are the true records of this kind of life pain. If his early poems were too intense and exposed in conveying this kind of pain, the poetic style after the hardships of purgatory life became deep and concise. "It's too easy for me to talk about suffering. There are blood, tears, anger and accusations in my poems ... but I didn't bow to suffering, retreat, escape, degenerate, surrender, betray my conscience, humanistic spirit and my poems. It is because I believe that there must be a higher humanistic realm and spirit beyond all realistic norms and interests, which is worth pursuing. This in itself is a part of happiness, and you can call it happiness. "
In Han Niu's view, happiness is a process of constant pursuit, discovery, breakthrough and pursuit. "For poetry, for literature, I can give everything. Under no circumstances have I given up poetry or stopped literary creation. My poetry is inseparable from my life experience. It is about autobiographical inner activities, and poetry reflects my living conditions. "
I never consider myself an outstanding person, but I am indeed an extremely devout hiker.
The power of life
He said that poetry is the driving force of his life. Without poetry, he wouldn't be today. In May, 2003, Lefsky, the visiting chairman of Macedonian Writers' Association, presented Han Niu with the "Literary Baton Award" at the Chinese Writers' Association. This award is an international literary award established by the Macedonian Writers Association. "When I learned that the Macedonian * * * Republic's' literary scepter award' was awarded to me, I immediately felt very ashamed and uneasy. The scepter is a broad and lofty image in my heart. It not only symbolizes solemnity and sacredness, but also shows awesome authority. And I am just an ordinary old man trudging to the holy land of human poetry; In the turbulent and harsh life of more than half a century, I am eager to burn myself completely in order to create an ideal world: plasma, tears, bones and muscles, unwilling soul, are all contributions without regrets. Perhaps it is precisely because of this persistent and infatuated spirit that readers understand and trust; It can also be said that it is precisely because the fate of the individual is always closely related to the security of the country and the immortal belief of the nation that my true humanity and poetic temperament have been cast. "
In modern and contemporary poetry, Han Niu is an unavoidable name. Among middle school students, it is more because his poems of at least 10 have been selected into the textbooks of People's Education Press and those of students from China, Hongkong and South Korea, and have many fans. In the first general survey of readers of China's poems held in Sohu.com, 680,000 readers of Selected Poems voted for him. Among the top ten favorite poets, Han Niu ranks fifth. "I am very happy to be recognized by readers."
"Among many poets in China, in the field of poetry creation, I never consider myself an outstanding person, but I am indeed an unusual and pious trekker. Although I am ordinary, I am firm. " Han Niu said: "I have never counted how many poems I have written in my life, but I know one thing: most of my poems are heavy, which is really a regret in my life. For many years, I have been eager to write some sweet poems. I have been writing poems hard just to taste a drop of honey that I have never tasted. In the history of nearly a hundred years in China, as a sincere poet, there are few poets who have not written a bitter poem. If someone pretends to be a poet but has never written a bitter poem, I absolutely don't trust the quality of this poet, let alone appreciate his or her poems. How I long for my poems to make readers suck a little sweetness in the future. "
"It's not because experts identified this stone that it suddenly became precious. From the moment I met it underground, I felt its spirituality. "
Shiyuan
Han Niu's study is not big, but the whole wall is covered with bookshelves. Books, horizontal, vertical and dense, are mostly poems and literary works. The reporter noticed that there are many grotesque stones in desks and bookcases, all of which are unwashed and polished natural stones from shape to color, naked and unruly. Han Niu has an unusual friendship with these stones.
The poet pointed to a big stone held in a delicate wooden tray-it was Han Niu's hard work in Mengze, Guyun, Hubei Province, and once he turned over the soil in the scorching sun, a yellow stone suddenly appeared in front of him. He bent down and lifted it, which was much heavier than ordinary stones. Han Niu wiped it with naked sweat. It was like waking up and opening its eyes, shining with dignified and affectionate light. A classical literature expert took it, weighed it over and over again, wiped it over and over again, and wiped it with the tip of his tongue. He said to Han Niu, "You have found a treasure, mainly Tian Huang, but it is extremely difficult to polish. It has been buried in the ground for at least tens of thousands of years. " Classical literature experts added: "It can be broken into stones and polished into the most precious Yin Zhangshi." Han Niu thought: Why hurt it and dismember it into a stamp? No, never! It should preserve its perfect image, which can also be said to be the image of a poem bred by the sacred land.
"It's not because experts identified this stone that it suddenly became precious. From the moment I met it underground, I felt its spirituality; A large uncultivated wasteland is full of Chu-colored soil. Why did you only find this stone? How can it endure tens of thousands of years of deep burial without turning into mud? " Han Niu took it back to the dormitory and hid it by the pillow. He often rubs it at night and puts it on his forehead. Cool, as if a clear spring had infiltrated his hot body. I tried to write a poem, but I didn't. I only remember writing about its three noble qualities: first, it is hard and can withstand burial and corruption; The second is silence, which can withstand loneliness; Third, it has an eternal fire in its heart. When it is hit, it will shine brightly. This stone (supported in a wooden tray) gave me great wisdom and strength. From then on, I learned the silence of stone and found that silence is the strongest language and the deepest realm. As Kafka said, one may escape from songs (and curses), but one can never escape from the silence that cannot be captured. Silence is an endless world. "
Tall figure, bright eyes, Hong Zhong-like voice, steady steps of holding your head high, but for beautiful hair, you would be too tough to resonate with his 80-year-old age-your manners are full of energy. On the day of the interview, I didn't expect that it happened to be Han Niu's 83rd birthday. Leaders of Chinese Writers Association and Poetry Publishing Society congratulated him on his birthday. "My back is very straight! No, my spine is straight. " Han Niu's writing is humorous and poetic. Now, whenever people admire his health, he always says that it is due to more than 20 years of labor reform. All the misfortunes were taken away by a relaxed humor, and countless hardships became colorful lives.
Han Niu's wife, Wu Ping, was born in a famous family, and her grandfather was the chief teacher (equivalent to the provost) of Shi Jing University Hall (the predecessor of Peking University), and was a leader of Tongcheng School in the later period. Wu Ping once worked underground with Han Niu in Luoyang, Henan. Wu Ping was bedridden for many years due to fracture in his later years, and Han Niu took care of him alone. "Now, with my wife gone, I'm a loner, with no chores to worry about, and I can concentrate on writing again."
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At the intersection of Anshan West Road and Bai Causeway Road, next to China Industrial and Commercial Bank, Room A067 on the ground floor (get off the escalator and walk next to the cargo elevator in the upper right corner), Tengyue Electronic Games, a Tianjin agent, is mainly engaged in animation games and surrounding things, and is a licensed version of fugue-game machine. There are little fugue GBA, little fugue SP, little fugue id and all kinds of burning cards, as well as genuine hand-made Warcraft, necklaces, playing cards, all kinds of mobile phone chains, badges, watches, accessories and other things around animation.
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