There are three requirements for regular poetry:
1. Flat is relative. That is, the flat tone is relative to the flat tone, and the flat tone is relative to the flat tone.
2. The relative meaning of parts of speech. The words corresponding to the upper and lower sentences are generally related words of the same kind, that is, noun to noun, pronoun to pronoun, adjective to adjective, verb to verb, quantifier to quantifier and so on. But just understanding this is not enough. Some parts of speech, mainly nouns, are divided into several small items, and they often need to be confronted according to these small items. Here are some examples.
(1) Astronomical observation: "The moon is near, and the battle is bitter." (Example 10)
② The season is "... the night now gives way to the ocean of the sun, and Jiangchun people are in the old year" (example 1).
(3) geography is right: "The color of trees changes with customs, and the sound of rivers is far away." (Example 7)
(4) The name of the place is right: "Clouds split toward Dahuashan, and showers pass through the middle ridge." (Example 7)
(5) Palace pair "add a high pavilion and open the window." (Example 9)
(6) Zhu Dui said, "The laundry girl returns in bamboo, and the lotus leaves are in front of the fishing boat." (Example 4)
(7) Animals are indifferent. "The grass withers and the eagle suffers from eye diseases, and the snow is as light as a horseshoe" (Example 8)
(8) Body and "grass withered and eagle eye disease, light snow." (Example 8)
"The first time I heard your surname, I thought you were a stranger. Later, when I heard your name, I remembered your young face." (Example 6)
(10) is worthy of the name "fresh and beautiful, facing the public, elegant and luxurious." (Example 2)
(1 1) Orientation is "Chunshu in Weibei, Twilight in Jiangdong" (Example 2)
(12) Numbers and "Since we left each other, we drifted like clouds, and ten years passed like water, until we finally got together again" (Example 3)
(13) The color pair is "Under the green hills, I and the boat, along the green water" (example 1).
(14) Empty talk: "The monkey came down the mountain to haunt me, and Liu Jiang * * * got wind and smoke." (Example 5)
In addition, there are object pairs, clothing pairs, food pairs, literary pairs, historical pairs, interpersonal pairs, pronoun pairs, branch pairs, overlapping word pairs, continuous word pairs and so on. Part of speech is relative to the words of events, which is called work pair; Words in different events are relative, which is called "tolerance". However, although some words have different events or categories, as duality, they are customarily regarded as "male pair", "soldier against horse", "poem against wine", "nothing" (verb) against "no" (adverb) and so on. There is an opposition. The second is to borrow sounds, such as "the chef has chicken millet, and the young children pick bayberry" (Meng Haoran). Because "Yang" is homophonic with "sheep", it is borrowed from "chicken". In the sentence, it is also a pair of workers. For example, "the flute is loud, and the music is in the sky" (Li Bai) and "Han", in which one, two, three, four are self-arranged, and five, six are self-arranged, and the two sentences are relative. Although the part of speech is different, it is still right to work. Self-alignment is also called sentence pair, and the part of speech is relative, even the tone is not necessarily relative.
3. Grammatical sentence patterns are relative, that is, the subject of the upper and lower sentences is relative to the subject, the predicate is relative to the predicate, the object is relative to the object, the attribute is relative to the attribute, and the adverbial is relative to the adverbial. Sentence structure and rhythm form are the same. For example, "the color of the tree changes with the wind, and the river is far away", the upper and lower sentences are "subject-predicate-object complement" and the subjects are "tree color" and ". The rhythmic form of the upper and lower sentences is "22 1". There are two taboos in the antithesis of metrical poems: one is "hands folded", that is, the upper and lower sentences are opposite by synonyms, which makes the two sentences completely or basically the same in meaning. For example, "a group of sages sang the tune of the times, and many people gathered together to warn the world." These two taboos are the same in duality. These two couplets should be changed. If you can't change the rhythm form, you should also change the grammatical structure of …, for example, the former verb is in the second word, and the latter one should be changed in other positions. The first three words are content words, and the last three words may as well use function words. In addition, don't just ask for work in confrontation. Otherwise, it will bind your mind and easily lead to crossing your hands or becoming slim. You can combine work with tolerance. For example, 6 Li, "I thought you were a stranger when I heard your last name. The last word" see "(verb) is the opposite of" capacity "(noun). The confrontation is always natural, neat and smooth. Poets often use color pairs, number pairs and orientation pairs, which are easy to form working pairs and can give readers a clear impression or increase momentum.