In Six Meanings, the classification of style, elegance and praise is based on two theories:
First, from the perspective of music, it is divided into two parts: Zheng Bei's "The voice of local customs is the wind, the voice of the imperial court is elegant, and the voice of the ancestral temple is the ode to the sun" (preface to insect planting in volume 75 of Tongzhi); Wang Guowei's On Zhou Song: "The distinction between elegance and righteousness should be based on sound" (Guan Tang Ji Lin, Volume 2).
Secondly, it is divided from the perspective of content genre: Preface to Mao Poems says: "The matter of a country is the foundation of one person, which is called the wind. It is an elegance to talk about everything and form a wind in all directions. Ya, yes, Wang said that it is also a waste. Politics is big and small, so there are few elegance. This singer, described as the beauty of virtue, was also told to the gods because of his success. " ("Justice of Mao Poetry" Volume I) Confucius said: "If there is a way in the world and there is no discussion, if it is used to pacify the past, it will be a thorn in beauty ... So, if it becomes vulgar from the beginning, it will be a folk song, elegant and serious. Chuhe is praised by the people, and Zhou Song's article is also. " (The Justice of Mao Poetry, Volume I)
Usually we use the theory of music, but in the process of spreading music with different characteristics in different regions, there are also differences in content. It is generally believed that the wind is a musical tune, and the national wind is a musical tune in all regions. Elegance is right, which can be divided into elegance and indecency. Ode is the joy of ancestral temple sacrifice, and the music is more soothing.
The Book of Songs is divided into three categories according to style, elegance, and intonation:
Wind is the tune of music, and national wind is the tune of music in every region. Countries refer to regions and territories. The 15-nation Wind 160 articles include Nan Zhou, Zhao Nan, Qifeng, Zhu Feng, Feng Wei, Feng Wang, Zheng Feng, Qifeng, Wei Feng, tang style, Qin Feng, Martin, Qifeng, Cao Feng and Zhuifeng. Money is a place name, Wang refers to Luoyang, the capital of the Eastern Zhou Dynasty, and the rest are the names of princes. The Fifteen Kingdoms is the local folk music in these areas. In the national style, Qi's works are all works of the Western Zhou Dynasty, except for a few works originating from the Western Zhou Dynasty, most of them are works of the Eastern Zhou Dynasty.
Elegance is right, which means the court is happy. Wang Ji's music in the Western Zhou Dynasty is divided into elegance and vulgarity. Daya 3 1 is a work of the Western Zhou Dynasty, most of which were written in the early Western Zhou Dynasty and a few in the late Western Zhou Dynasty. There are 74 works by Xiaoya, except a few of which may be works of the Eastern Zhou Dynasty, the rest are works of the late Western Zhou Dynasty. The author of "Elegance" is mainly an upper-class aristocrat; The author of Xiaoya is not only an upper-class aristocrat, but also a lower-class aristocrat and a person with low status.