There are four schools of * * * who taught the Book of Songs in the early Han Dynasty, namely, Qi Zhiyuan's drums, Lu Pei, Yan Zhiyi's Han Ying, Zhao Zhimao Heng, and Qi's, Lu's and four schools for short (the first two schools are named after the country, while the last two schools are named after the family). The Confucian Classics of Qi, Lu and Han schools are officially recognized schools, and Mao's poems belong to the Confucian Classics of Ancient Chinese, which is a folk school. However, after the Eastern Han Dynasty, Mao's poems became increasingly prosperous and gained official recognition. The first three schools gradually declined, and in the Southern Song Dynasty, they were completely lost. The Book of Songs that we saw today is a biography of the Mao School.
The earliest annotation of Mao's poems is Mao Heng's Exegetical Biography of Mao's Poems, followed by Zheng Xuan's annotation and Kong's annotation, which is the justice of Mao's poems in the annotation of thirteen classics. This is the basic interpretation of Mao's poems. He has too many notes, and he can read the poems of Chen Qiyuan, Qing Fu Heng, Ming Changdi, Wu, Japanese Zhu Tianguanghong and Mao.
Other findings are:
Song Zhuxi's Biography of The Book of Songs
Research on Mao Chuan in Qing Dynasty. Interpreting the Book of Songs for Han people. ), the famous "Biography of Mao Poetry" and "Biography of Mao Poetry".