? Chen, Tiao and Langya are all articles, pushing each other. Zhou Qingshan of Runan interprets phonology, and all his works are palace merchants, sharing four tones equally. With this rhyme, there are flat head, upper tail, bee waist and crane knee. In the five characters, the phonology is different, and within two sentences, the horn number is different, which cannot be increased or decreased. The world needs an eternal body. ?
Four tones: refers to the four tones of leveling, going up, going and entering. For today's people, the sound value can not be found, and can only be estimated by phonological spectrum. According to Yuan He's Rhyme and Yu's formula, it is inferred that the level tone may be level tone, the rising tone is rising tone, the falling tone is falling tone and the entering tone is rising tone.
Eight diseases: refers to the defects in the use of four tones when writing five-character poems.
1. Flat head: The first and second words of a five-character poem cannot be the same tone as the sixth and seventh words (the first and second words of the next sentence). Or you'll have a crew cut. For example, Fang Shishu is clear, and the pot is tilted on the platform. Both Fang Shi and the teapot are flat, that is, flat head.
2. Ending: The fifth word (the last word of the sentence) and the cross (the last word of the sentence) of the five-character poem cannot be in the same tone. Otherwise, you will make mistakes. For example, in Yuefu: the grass by the green river and the willow in the gloomy garden. Grass and willows are all upward, and they all made mistakes in ending.
3. Bee waist: As the name implies, the two ends are big and the middle is small. The tone of the second word and the fourth word of a five-character poem cannot be the same; Or the second word, the fourth word can't be voiced initial and the third word is unvoiced initial, otherwise it is a problem of bee waist. Drinking horses in the Great Wall Cave Tourists from afar left me a pair of carp. From, there are flat voiced characters on both sides, carp and I are voiced characters, and the double sound in the middle is unvoiced, and the two ends are heavy and the middle is light. This is the fault of bee waist.
4. Crane Knee: There are different opinions in this article. Choose two:
First, the tone of the fifth word and the fifteenth word in the five-character poem cannot be the same. The second is just the opposite of the second point of bee waist. This point is briefly explained in Du's note and will not be detailed.
5. Rhyme: It means that a five-character rhyme can't have a word with rhyme in two sentences. Han Yuefu Hu Ji is fifteen years old and has a spring outing alone. Hu and Lu have the same rhyme, but they make a big rhyme.
6. Xiaoyun: There can't be any homonym between two sentences of a five-character poem. Such as: old trees and stones, the spring tip is clear. Trees and dew, together with spring rhyme, guilty rhyme.
7. Fat girl: I don't quite understand this article. I can only write down the general idea in Poetry Talk. I don't know the source: it means that two sentences in a five-character poem can't have the same initial. For example, fish swim in the wind and moon, and animals are afraid of hurting their hooves when they walk. The first letter of the fish moon belongs to the problem of the ancient phonetic doubt button, which makes the side button (in addition, the animal behavior has the same rhyme, making a small rhyme).
8. Zhengniu: Two sentences of a five-character poem can't be mixed with four-tone words with the same initials and finals. For example, Liang Jianwen's poem: light clouds fall in the evening brocade, and flowing fire scatters autumn gold. The vowels of Jin and Jin initials are the same, but the tones are different, which is the problem of Zhengniu (flowing autumn rhyme).
The appearance of Yongming style indicates that China's ancient poetry is the product of primitive natural art? Antiques? Poetry, beginning to move towards artificial art? Modern poetry? . Yongming style has become a prelude to the formation of modern poetry and an important link in the development of artificial art.