The abyss has always existed, whether in Ebinur or in people's hearts, Ebinur can still see the last place, but people's hearts, bottomless, have fallen. Once they want to get out, they will find that the inner abyss is full of barbs like the curse of Ebinur, and they want to return to their original life from it? Then the price paid will not be weaker than the harm caused by the curse.
At first, I didn't quite understand why the protagonist was a child. The general argument is to set off the cruelty inside.
Are these children just for comparison? Looking at it slowly, those pictures suddenly popped up in my mind: children who get up at 5 am, cooking and feeding pigs;
Suddenly found that this is a strange world.
I often hear some words: what upper class, what middle class, civilians, refugees. Feel strange? Even if you see the ruins in the news and see the sad and helpless eyes, can you really understand the world?
Those children are not in our sense, they have been assimilated into the Abbiss abyss, and they are the products of the abyss.
I have lived here since I was a child.
I saw in the short comments of Douban that the characters were adorable ... and some people said that Liko was a bitch.
Many years ago, watching the cloud pictures in the cinema, I didn't understand why the prophecy chose Xingmei, and even hated why the world had to be saved by "someone". This is obviously too difficult, and many people have to sacrifice one after another. Until I saw Xingmei looking at the rows of similar bodies hanging. Originally, they thought they were going to a beautiful paradise, but as a result, they were sent to the factory and made into nutrient solution for her daily consumption. She said with tears, "All this must change." I realized:
The lieutenant is just a kind revolutionary youth. He may be kind, upright and have a conscience. He can't turn a blind eye to what's happening here. The people in the anti-government alliance are essentially no different from the lieutenant. But Xingmei is a person who feels the same way. Many people think that the difficulty of revolution is that there are no guns and cannons, so what matters is guns? I don't think so. In the peasant uprising, many people went into battle with hoes. What matters is what makes you dare to fight them with a hoe in front of a sharp sword of armor. In addition to being cornered, they must believe that holding a hoe can change their situation. Simple faith is not enough.
I think it's faith.
Everyone says that the hardest thing is to take the first step, and what supports you to take the first step and stick to it is faith.
Entrepreneurs may understand.
Apart from cooking a good dish, Li Ke seems to be the most useless, but only she has enough faith to move forward, not Rick, not a friend of their orphanage, and not many people who regard the abyss as their livelihood. She is the beginning of everything.
In other words, my favorite dog, Dawn Dog, can write articles independently. Legends are never created by people who hesitate, but by people who keep forging ahead.
Sally has faith, courage (whistling to lure away monsters and save her companions, of course you can call her stupid), and she is prepared (knowing the abyss). Knowledge doesn't automatically come to your door. ), not blindly arrogant (before Rick appeared, she wanted to follow the rules step by step. )
She basically has all the qualities needed for adventure, and the conditions are almost the same. It is very logical from the beginning. But I have to say that there is a considerable gap between what Li Ke thinks "can" and the actual "can" (after all, she is a child). Gave her a lesson without moving clearly. And Rick, who relies on it and is laughed at by everyone as the protagonist, is weak in front of the white whistle, and it is easy for the white whistle to rolling in the deep. Not to mention dawn dog.
But they didn't stop Rico, and even encouraged her to move on. I had some doubts before watching Dawn Dog, but after watching the tragedy of Mitty, it became clear to me that this is not a normal world. Here, it is no problem for children to take risks, and even death is just a common thing. It is normal. If it is described in one way, it is that pilgrims are called by the Lord to make a pilgrimage.
I don't want to understand "From the Abyss" in a normal way, because what is expressed in it is probably literal. There are many references to this plant in the abyss of fragrance for a hundred years, and how it runs through everything from diet to funeral. The products of the abyss are not only monsters and relics inside, but also people living in huge towns above the abyss. There are many details that people here have long been assimilated by the environment.
More than once, I have thought of those poor children who have fallen into remote mountainous areas. Maybe we can "imagine" what difficulties they will have, but that only comes from our cognition and a certain degree of exaggeration. I really can't understand the stress and torture they have suffered at the spiritual level.
So I hope to look at some works with an inclusive attitude. By the way, in order to see this, I joined the iQiyi membership and saw the crime of being unlicensed. What I despise most is those who come to the barrage and say "chasing the murderer at night", which is much better than this. It seems that their aesthetic level is still relatively high. Movies or anime works are not incomparable, but if they are only compared, they can only be said to be ridiculous.