What is the standard of The Book of Songs?

The Artistic Features of The Book of Songs The Book of Songs pays attention to reality and expresses the true feelings caused by real life. This creative attitude makes it have a strong and profound artistic charm. No matter in form and genre, language skills, artistic image and expression techniques, it shows the great artistic achievements of the earliest poetry works in China. Xie's Wen Xin Diao Long Search: "It is a place where poets wander between heaven and earth, feel things, communicate endlessly, think, hear and hear." The spirit of painting, not only with things; It is attached to the sound and lingering with the heart. Therefore, the burning peach blossom is fresh, it looks like a willow, it looks like the sun, it looks like rain and snow, it sounds like the voice of a yellow bird, and it sounds like the charm of a grass bug. This is a bright day and stars, one word is poverty; If it is uneven, the two words are different. With less and less, the situation is clear. "However, elegance, ode and national style are different in language style. Most of the chapters in Ya and Song adopt a strict four-character style, with few miscellaneous words, but many national miscellaneous words. In "Xiaoya" and "National Style", repeated chapters and sentences are often used, but they are rare in the aspect of appealing to both refined and popular tastes. There are also many modal particles in Ode to Ya, such as ",","Zhi", "Zhi", "Si", "Hu", "Er", "Yi" and "Ye", but they are not as diverse as those in Guofeng. The wonderful use of modal particles in national style has enhanced the vividness and vividness of poetry and reached a vivid situation. The different linguistic features of elegance, praise and national style reflect the changes of the times and society, as well as the differences in the identity of the creative subject. "Ode to Ya" is mostly a work of the Western Zhou Dynasty, written by nobles, which embodies the dignity of "Elegant Music". "National Custom" is mostly works in the Spring and Autumn Period, mostly collected from the people, which more embodies the freedom and boldness of the new voice and is close to the spoken language at that time. In a word, the language form of The Book of Songs is vivid and colorful, and it is highly successful in language art. Artistic features 1, realistic creation method 2, simple and natural artistic style 3, expressive means of fu, bi and xing 4, repeated composition, mainly four words, with occasional miscellaneous words (two to eight characters) 5, proper use of verbs and adjectives, and repeated use. Literary value 1, a glorious starting point to create a realistic creative road. 2. Determine the position of folk literature in the history of literature. 3. Among them, excellent works have a great influence on later literature in terms of artistic techniques, language and skills. 4. The representative of rites and music culture in Zhou Dynasty was valued and respected by Confucianism. The artistic features of The Book of Songs are shown in the following four aspects: 1, richness and concreteness of nouns and verbs. The words in The Book of Songs are rich and colorful, with nearly 3,000 words, which constitute a vast number of words and express extremely rich life knowledge. The biggest feature of nouns and verbs in The Book of Songs is concretization. The Zhou Dynasty is an era dominated by monosyllabic words. When expressing different individuals of similar things, the general ability to construct compound words based on abstract concepts has not yet formed, so different monosyllabic words are often used to express different individuals. For example, in The Book of Songs, the abstract general term "horse" is rarely used, but more than 30 special terms with descriptive functions are used. For example, "bustard" refers to a black-and-white hairy horse, and "yellow" refers to a yellow-and-white hairy horse; Luo "refers to a horse with white hair and black collar." The appearance of these figurative nouns not only shows Zhou people's familiarity with horses, but also shows their extraordinary ability to control and use language. Verbs in The Book of Songs also have figurative features. For example, there are more than 50 verbs describing hand movements, which shows people's careful observation of human movements and superb language creation ability. 2. Be good at using tautology or disyllabic words to describe sound forms. A large number of adjectives in The Book of Songs are repetitive, such as: Yaoyao, Burn, Delay, Xi, Princess, etc. , with two voices such as stagger, hesitation, Miao Mian, etc. And tossing and turning, gentle and graceful, carefree and fertile. Among them, the tautology is the most, precisely because monosyllabic words are the majority in the Book of Songs era, people can't create a large number of compound words, so they can only rely on this form to enhance the effect of lyric description and make the rhythm of poetry neat. 3. The rhythm of two beats and the musical beauty of language. The main body of The Book of Songs is a four-character poem with two beats, which has strong rhythm and prosodic norms. The most commonly used rhyme method in The Book of Songs is to rhyme every other sentence in even-numbered sentences. The rhyme form of The Book of Songs laid the foundation for the rhyme form of later poems. The use of polysyllabic words, reduplicated words and standard rhymes makes the language of The Book of Songs have a strong sense of music and rhythm. 4. Repeat the rules of the chapter. The important feature of the text form of The Book of Songs is the repetition of chapters, that is, a poem consists of several chapters, and the words between the chapters are basically the same, only a few words have corresponding changes and are sung repeatedly. The form of repeating a chapter, also called chanting style, is a common style in folk songs. On the one hand, because the emotion to be expressed by folk songs is simple and profound, only important repeated singing can fully express feelings; On the other hand, because folk songs are sung orally, this form is easy to remember and recite. The form of linking chapters has influenced the language of The Book of Songs. First of all, it forms some idioms in The Book of Songs, which are not only convenient for memory, but also a skill of language use and a means of expressing the theme. The form of duet also influenced the wording and sentence-making of The Book of Songs. Because formulaic language has a relatively fixed form, it can't be changed at will. It can only be tempered by grasping the central word, and the narrative object, scenery and lyric can be realized by changing the central word, thus achieving outstanding expression effect. For example, in the novel, six verbs are changed, the action description is coherent, the picture flows and the emotion deepens, which can be described as concise and profound. As we all know, The Book of Songs is the earliest collection of poems in the history of China and the source of China's poetry creation. It laid a good foundation for later poetry creation and had high artistic achievements. Let me summarize the wonderful speeches made by the students just now: First of all, one of the most remarkable features expressed in The Book of Songs is the use of "Fu, Bi and Xing". 1. Fu is a direct line. This technique is used in most articles in The Book of Songs. Such as: Cai Wei's poem, "I am going, and the willows are reluctant." "When I think about it today, it's raining heavily. "Not only is the writing vivid, but it is also impressive through the symmetry of the scene. 2. Xing, it is the words that hold things that lead to the words that are sung. For example, in Chen Chu, the characters in the poem are more vivid. 3. By analogy, as the name implies, the typical Zhanghui is Wei Rat, which reveals the essence of profound class parasites with the image of "Shuo Rat". Generally speaking, the application of "Fu, Bi and Xing" in The Book of Songs is quite successful. Secondly, the Book of Songs is mostly lyric poetry. It adopts realistic creative methods, reflects a wide range of social life from all aspects of social life, and constitutes a real and vivid picture. Such as July, Meng, Dongshan, etc. , are all famous sentences with lengthy details. All the above are long articles, but the short poems in The Book of Songs are also rich in details. For example, Qi Feng between ten acres: "Between ten acres. Mulberry is idle, and the line is still happy. Ten acres away, mulberries are venting. The lines and the children are dead. "From this, we can easily see that most of the poems in the Book of Songs mainly reflect the poet's inner feelings through the portrayal of objective things, and all of them should reconcile the sentence" Everything depends on my color ". Furthermore, The Book of Songs basically adopts four-character form. But there are also some works with vivid sentence length and natural tone. For example, in The Decline of Taifeng, "Decline, Decline, Hu Bugui?" What's the point of your weakness? "There are many works in The Book of Songs, which are written in four chapters. Some only changed a few words, so that poetry was endowed with a sense of music and easy to recite. The most typical example is the beam that we just learned. To sum up, The Book of Songs, a great collection of poems, has had a great influence on the literary creation of later generations, so its artistic achievements have a far-reaching impact. The expression of The Book of Songs has always been divided into three categories: Fu, Bi and Xing. In The Book of Songs, a large number of expressive techniques of Fu, Bi and Xing were used, which strengthened the image of the works and achieved good artistic effects. The so-called "blessing" means "telling the truth". There are many large and small scenes in Ya, especially epic. " Comparison means "comparing this thing with another thing", which means metaphor. Metaphors are used in many places and in various ways in The Book of Songs. "Fu" and "Bi" are the most basic means of expression in all poems, while "Xing" is a unique means of expression in The Book of Songs and even China's poems. The original meaning of the word' Xing' is' Qi'. "Xing" in the Book of Songs refers to "talking about other things first to arouse what is sung", that is, using other things to pave the way for what is sung. It is often used at the beginning of a poem or a chapter. About the most primitive "xing" is just a beginning, which has nothing to do with the following, but shows drift and association for no reason. Besides, there are many meaningful uses of "Xing", such as metaphor, symbol and contrast. But it is precisely because "Xing" is originally produced by the drifting and association of ideas without reason, so even if it has a more real meaning, it is not so rigid, but subtle. For example, Guan Guan's novel begins with "Guan Guan's dove is in the river continent", which was originally used by the poet to lead to the following "My Fair Lady, Gentleman is Nice", but the harmony of Guan Guan can also be used to describe the courtship between men and women, or the harmonious love between men and women, but its metaphorical meaning is not clear. The Book of Songs mainly uses rhymes in four-character poems and parallel sentences, but it is also rich in varieties, including two characters, three characters, five characters, six characters, seven characters and eight characters, which are flexible and diverse. In composition, it has the characteristics of repeated sentences and repeated singing, and uses a lot of reduplicated words, disyllabic words and rhymes, which strengthens the vividness and musicality of the language. Some chapters in The Book of Songs are specially described, and many vivid details are drawn. Summarized the artistic features of The Book of Songs. The Book of Songs pays attention to reality and expresses the true feelings caused by real life. This creative attitude makes it have a strong and profound artistic charm. No matter in form and genre, language skills, artistic image and expression techniques, it shows the great artistic achievements of the earliest poetry works in China. Xie's Wen Xin Diao Long Search: "It is a place where poets wander between heaven and earth, feel things, communicate endlessly, think, hear and hear." The spirit of painting, not only with things; It is attached to the sound and lingering with the heart. Therefore, the burning peach blossom is fresh, it looks like a willow, it looks like the sun, it looks like rain and snow, it sounds like the voice of a yellow bird, and it sounds like the charm of a grass bug. This is a bright day and stars, one word is poverty; If it is uneven, the two words are different. With less and less, the situation is clear. "However, elegance, ode and national style are different in language style. Most of the chapters in Ya and Song adopt a strict four-character style, with few miscellaneous words, but many national miscellaneous words. In "Xiaoya" and "National Style", repeated chapters and sentences are often used, but they are rare in the aspect of appealing to both refined and popular tastes. There are also many modal particles in Ode to Ya, such as ",","Zhi", "Zhi", "Si", "Hu", "Er", "Yi" and "Ye", but they are not as diverse as those in Guofeng. The wonderful use of modal particles in national style has enhanced the vividness and vividness of poetry and reached a vivid situation. The different linguistic features of elegance, praise and national style reflect the changes of the times and society, as well as the differences in the identity of the creative subject. "Ode to Ya" is mostly a work of the Western Zhou Dynasty, written by nobles, which embodies the dignity of "Elegant Music". "National Custom" is mostly works in the Spring and Autumn Period, mostly collected from the people, which more embodies the freedom and boldness of the new voice and is close to the spoken language at that time. In a word, the language form of The Book of Songs is vivid, colorful and highly successful in language art.