Ceng Gongliang
There are thousands of peaks in the pillow, and the pine sound at the bottom of the bed is sad.
it's up to you to watch the silver mountain surf the sky, open the window and let it into the river.
Ceng Gongliang, whose name is Mingzhong, was born in Jinjiang (now Quanzhou, Fujian). He was a scholar of Song Renzong Tiansheng in the second year. He was good at politics and military affairs. He was a famous minister in the Northern Song Dynasty and once recommended Wang Anshi to be the prime minister together. This is a souvenir of his stay in Kanroji.
Kanroji, located at the top of Beigu Mountain in Zhenjiang on the south bank of the Yangtze River, overlooks the surging Yangtze River from above. The first and second sentences of the poem split empty, blending the poet's subjective feelings in exaggerated and fantasy brushwork, and writing the lofty terrain of Beigushan and Kanroji's purity away from the world of mortals. The clouds on the top of the mountain fly around the temple, which is suspected to come from the pillow where the poet leans in the monk's room. It is within reach and makes people feel that thousands of peaks are in their hearts. Songtao roared and rose in the deep valley, and it seemed to sweep under the bed, and its voice whimpered and made people tremble. The poet wrote "Clouds" and "Songsheng" precisely to set off the elegance of Chiang Mai, Kanroji, and this "Clouds" is extremely strange, as if it were coming out of a pillow, like clouds and fog, as if it were true and unreal, resulting in a dreamlike feeling. And "clouds in the pillow" and "relaxing under the bed" are not only exaggerations and fantasies, but also full of the poet's strong subjective will, which embodies the philosophical spirit of China traditional culture that "everything is ready for me". At this time, the poet is high-minded and independent, and can control everything. As you can imagine, the poet stands on the top of Beigu Mountain, watching the clouds around him, and Qianfeng seems to come close, listening to the pines rolling under his feet, and Wanhe seems to bow his head and moan, and what a heroic and handsome feeling rises in his chest.
The first and second sentences of the poem are written in a way of combining the near with the far, that is, from "under the pillow" and "under the bed" to Qianfeng and Wanhe, and at the same time, Qianfeng and Wanhe are brought into the mind, while the third and fourth sentences of the poem are written in lowercase and large, that is, the grand momentum of the Yangtze River is written with the opening of a small window, and at the same time, ". At this time, "opening the window" is actually the poet's joy, because only those who have the heroic mind and lofty mind that can hold the river and the sea will have such a grand poetic sentiment. "Opening the window and putting it in" also reflects the artistic conception of China's traditional poetics, that is, "there is the potential of Wan Li at a close distance". The poet writes about the great river with a small window, and starts from a small place to explore the true appearance of the great river.
Reward Letian, see you at the first dinner in Yangzhou
Author: Liu Yuxi Year: Tang genre: Seven laws category: thank you
Bashan Chushui desolate place, abandoned in 23 years.
Nostalgia, singing and smelling flute fu, is like a rotten ke in my hometown.
On the side of the sinking boat, Qian Fan passes, and in front of the diseased tree, Wan Muchun.
today, I listen to a song by Jun, so I can take a glass of wine for a while.
Note:
In the second year of Tang Jingzong Baoli (826), Liu Yuxi went to Luoyang after a strike and was appointed as the secretariat of the state, while Bai Juyi returned to Luo from Suzhou, and the two poets met in Yangzhou. Bai Juyi wrote a poem at the banquet as a gift: "Bring me a cup of wine and drink, and beat the chopsticks with you. Although your poetry is the first class can be called the national champion, but it is doomed you can not get the head and no way. Look up the eyes of the people dou Rong decent, but you long stay lonely, full of officials have their own satisfaction of the position, but you are empty of time. I also know that the name of the joint is folded, and it has been folded too much in 23 years. " Liu Yuxi wrote "Reward Lotte at the First Meeting in Yangzhou" to reward him.
Liu Yuxi's reward poem, taking over the words of Bai poem, focuses on expressing his feelings in this specific environment. In Bai's poems, Bai Juyi expressed infinite emotion over Liu Yuxi's experience, and the last two sentences said: "I also know that the name of the joint quilt was folded, and it was too much in twenty-three years." On the one hand, he lamented Liu Yuxi's unfortunate fate, on the other hand, he praised Liu Yuxi's talent and fame. You deserve misfortune, who told you that your talent is so high! But twenty-three years of misfortune is too much. These two poems, which contain praise in sympathy, are very euphemistic. Because Bai Juyi talked about twenty-three years at the end of the poem, Liu Yuxi went on to say at the beginning of the poem: "Bashan Chushui is desolate, and he abandoned himself in twenty-three years." I have lived in the desolate area of Bashan Chushui for twenty-three years. Come and go, showing the intimate relationship between friends.
Then, naturally, the poet sighed with emotion: "Nostalgia is like singing and smelling flute fu, and when I go to my hometown, I feel like a rotten ke." He said that he had been away for 23 years, and now he has come back. Many old friends have died, so he can only recite "Wen Di Fu" in vain to express his mourning. It's like a lifetime ago when I came back, and I feel completely different. It's no longer the old days. The latter sentence uses the allusion of Wang's rotten Ke, which not only implies the long time of his relegation, but also shows the change of the world and the unfamiliar and disconsolate mood after the reunification, which is very rich in meaning.
In Bai Juyi's poems, there are two sentences: "Looking up at the scenery is long and lonely, and the official position of the Manchu dynasty is alone", which means that all the people of the same generation have been promoted, and only you have spent your life lonely in a desolate place, which is quite unfair to Liu Yuxi. In this regard, Liu Yuxi wrote in his reward poem: "Qian Fan is on the side of the sinking boat, and Wan Muchun is in front of the sick tree." Liu Yuxi compared himself with a sinking boat and a sick tree. Although he felt disappointed, he was quite philosophical. On the side of the sinking boat, there is Qian Fan competing; In front of the sick tree, everything is spring. He dug out these two sentences from the poem of Bai Juyi, instead, he encouraged Bai Juyi not to be sad for his loneliness and waste, and showed an open mind to the changes of the world and the rise and fall of the official. These two poetic sentences echo those of Bai Shi's poem "There is nothing I can do about it" and "I also know that the combination of talent and fame is broken", but their ideological realm is higher than that of Bai Shi's poem and their significance is much deeper. Twenty-three years of relegation did not make him depressed. As he wrote in another poem: "It is late to say that Sang Yu is late, because the sky is still full of summer." His sick tree still needs to be refreshed and welcome the spring. Because these two poems are vivid, they are still often quoted and given new meaning, which shows that new things will replace old things.
Just because the couplet poem "Sinking a Boat" suddenly sprang up and changed the sad and low mood in front, the couplet went down with the trend and wrote: "Today, I listen to a song of Jun, and I will be refreshed by a glass of wine for the time being." Point out the meaning of Bai Juyi's question. It means that I am deeply touched by your poems today, so let's cheer up with wine for the time being! Under the enthusiastic care of his friends, Liu Yuxi said that he would cheer up and throw himself back into life. Show perseverance. The ups and downs of poetry, the boldness in depression, are excellent works in reward poems.