Author: Bai Juyi
Zhang zhuoming
An old man selling charcoal cuts wood and burns charcoal in the mountains in the south all year round.
His face was covered with dust, which was the color of smoke burning, his temples were gray, and his ten fingers were burnt black.
What's the point of selling charcoal? You can't eat with clothes on.
Pity that he is wearing thin clothes, but he is worried that charcoal can't be sold, hoping it will be colder.
At night, it snowed a foot outside the city, and Xiao drove a charcoal car over the ice.
Cows are tired and people are hungry, but the sun has risen very high. They are resting in the mud outside the south gate of the market.
Who are the two riders? Yellow messenger and white shirt.
Holding the document was forgiven, and the cow was led north when she got back to the car.
A load of charcoal, more than 1000 kilograms, eunuch attendants to drive away, the old man is helpless, but there is no way.
Half a horse's red yarn is a silk, which is filled with charcoal to the cow's head.
Notes (1) Selling Charcoal Weng: This poem is selected from Bai Changqing Collection.
(2) Logging: Logging.
Salary: firewood.
Nanshan: Zhongnanshan is one of the main peaks of the Qinling Mountains, located 50 miles south of Xi, Shaanxi.
(3) pale: gray.
(4) get: get.
He Suoying: What? Camp, operation.
(5) rolling (ni m 4 n): the same as "rolling" and rolling.
Track: the track of a wheel.
(6) sleepy: sleepy and tired.
(7) city: market.
(8) Parallel: a light and free situation. It is described here as getting carried away.
Rider: A person who rides a horse.
(9) White and yellow emissary: The yellow emissary refers to the eunuch in the palace. White shirt, refers to the eunuch's minions.
(10) take: take.
Order or imperial edict of the emperor.
(1 1) Back: Turn around.
Scold: make a hullabaloo about
Pulling north: The palace of the emperor of the Tang Dynasty is in the north of Chang 'an. Pulling north means driving the charcoal cart into the palace.
(12) 1000 kilograms: it's not a real reference, and it's described a lot.
(13) Driver: Hurry up. Yes, there is no substantive meaning, auxiliary words.
I can't stand it: I can't stand it. Yes, I can.
(14) xiāo: raw silk.
Aya: A kind of silk with patterns.
(15) Department: Hangzhou.
Straight: same as "value", value. [ 1]
An old man selling charcoal is chopping wood and burning charcoal in Zhong Nanshan. His face is covered with dust, showing the color of smoke and fire. His temples are gray and his fingers are black. What is the money for selling charcoal for? The clothes you wear and the food you eat. It's cold, and the clothes worn by the poor are very thin, but I'm worried that charcoal is cheap, and I hope it's colder. It snowed a foot thick outside the city at night. In the morning, the old man drove a charcoal cart and ran over a frozen rut. Cattle are tired, people are hungry, the sun has risen very high, and the old man is resting in the mud outside the south gate of the market.
Two riders came briskly. Who are they? Eunuchs in yellow and officials in white. Holding a document in his hand, he said it was the emperor's order, then turned around and shouted to drive the cow to the north. A load of charcoal, 1000 kilograms, Miyagi messenger insisted on driving away, but the old man could not bear to part with it, but he was helpless. The angel of Miyagi hung half a red yarn and a silk on the bull's head as the price of charcoal.
[Edit this paragraph]
works appreciation
Interpretation of sentence meaning
Charcoal vendor describes the hardships of an old man who burns charcoal for a living, and exposes the evils of the "court market" in the Tang Dynasty.
At the beginning of this poem, the reader is taken to Zhong Nanshan Mountain near Chang 'an, the capital at that time, to show the reader that an old man who burns charcoal lives a very poor life. "Selling charcoal Weng, Nanshan cuts wood and burns charcoal." The old man who burns charcoal doesn't even have an inch of land. All he lives on is an axe, an ox cart and ten fingers blackened by fireworks. He has no wife and children, and he is alone. He cuts his salary and burns charcoal on Nanshan Mountain, making his face "dusty, smoky, with gray temples and black fingers". The hardships of labor can be imagined. Old people who burn charcoal have low demands on life. "What's the point of selling charcoal to make money?" ? He just wants to have food and clothing and maintain a minimum life. Arguably, it is not difficult for a person to support himself, but even such a wish is difficult for him to realize. Charcoal is what people use to keep warm. The old man worked hard to cut wood and burn charcoal, which brought warmth to others, but his clothes were pitifully thin. Thin clothes should have expected the weather to get warmer. On the contrary, the elderly forced by life "worry about charcoal and wish it was cold", and would rather endure double cold in order to sell more charcoal. This ambivalence profoundly shows the tragic situation of charcoal sellers.
"It snows a foot outside the city at night, and Xiao drives a charcoal car to roll the ice." The cold weather is really coming. Early in the morning, he got into the car and sold charcoal on the icy road in Chang 'an. From Zhong Nanshan to Chang 'an, the poet didn't tell readers what he thought along the way. But readers can see that he must be full of hope, because this car charcoal is directly related to his later life. The poem is written here, which narrows the distance between the reader and the protagonist, and makes the reader eager to know whether this car charcoal can be sold or not, and whether it can be sold at a reasonable price. However, the poet did not tell the reader the result immediately. He let the charcoal seller have a rest, catch his breath, let the reader calm down a little, and then wrote, "Who are those two riders?" The yellow messenger has a white shirt. "One is a yellow eunuch, and the other is a pawn of a white eunuch. They pretended to be ordered by the emperor to come out to buy goods, and whether the charcoal seller agreed or not, they drove the charcoal cart north. The north of the city is where the emperor lives, and the driver is the eunuch in the palace. An old man selling charcoal certainly can't handle it. " A load of charcoal, more than 1000 kilograms, the palace envoys will not let go. "Thousands of kilograms of charcoal, I don't know how many kilograms of firewood to burn, and I don't know how many days to cut; In order to burn firewood into charcoal, the lonely old man had to endure the torture of dust and fireworks. However, I didn't get anything from all this. " Half a horse's red yarn and a foot's silk are worth the charcoal on the cow's head. "Even the yarn and silk add up to three zhangs, far less than the hard work of the old man for many days. These court envoys are not shopping, but naked looting. They took away not only a car full of charcoal, but the hope of the old man's life and his right to exist. This is enough to arouse readers' anger and make them worry that it is difficult for the elderly to survive the cold winter with this reward.
Means of artistic expression
Charcoal sellers are very artistic. In the first eight sentences, the poet first made a general introduction to the charcoal seller, just as he introduced his own family. "The face is full of dust and fireworks, the temples are gray and the fingers are black." The simple but affectionate fourteen words vividly outline the appearance of the old man. "Poor man's clothes are simple, his heart is worried about charcoal, and he hopes it will be cold" is another simple and affectionate fourteen words, which deeply depicts his inner activities. This introduction is like a series of movie pictures. From the perspective of Nanshan, the camera zoomed in steadily, and then there were several close-ups: temples, fingers, dusty face and rags, which were shocking.
After this introduction, the poet picked up an experience of selling charcoal Weng and described it in detail. Bai Juyi deliberately put him on a snowy day. Although the snow made his body particularly cold, it ignited hope in his heart. Although it increased the difficulty of catching the bus, it also gave him strength and made him reach his destination in one breath. This description is very dramatic. The charcoal seller rushed to the market hopefully, but he didn't rush to sell charcoal at once, but stopped to have a rest. However, his heart is not as calm as his appearance. "The cow is sleepy, people are hungry, and there is a rest in the mud outside the south gate." Just like the short silence before the tragedy, these two poems hold the readers' heartstrings tightly.
Next, the poet turned the pen, which made the story turn sharply, and suddenly two court envoys appeared. Bai Juyi once again wrote from far to near that they rode horses from far away. They looked imposing and dressed proudly, which was in sharp contrast to the way charcoal sellers rested in the mud. Before the charcoal sellers figured out what had happened, they had driven to the north. At this point, the poet could not bear to write any more. He briefly explained the result of the matter. The author is not as outspoken as other poems in New Yuefu, but it is this short ending that is more subtle, powerful and thought-provoking.
Practical significance
Bai Juyi has a preface under the title of each poem in New Yuefu, explaining the theme of the poem. The preface of "Selling Charcoal Weng" is "Kugong City", which reflects the pain brought by the palace city to the people. In the Tang Dynasty, when the palace needed things, it sent people to the market to get them and gave them some money at will. In fact, this is an open plunder. Tang Dezong used eunuchs to manage it. Bai Juyi wrote "New Yuefu" when it was the most harmful in the court market. He knew the palace market like the back of his hand and showed deep sympathy for the people, so he was able to write this touching "charcoal man". The significance of this poem goes far beyond revealing the palace market. In the typical image of selling charcoal Weng, the poet summarized the bitterness and bitterness of the working people in the Tang Dynasty, and reflected the darkness and injustice of the society at that time in the small matter of selling charcoal. After reading this poem, readers will see more than just a charcoal seller. Through him, they can also see many people who farm, fish and weave. Although it is not a "black finger", it also bears the imprint of hard life; Although they won't be hurt by selling charcoal, they also shed tears of bitterness and hatred under the weight of land rent or taxes. The poem "Selling Charcoal Weng" not only had positive significance at that time, but also had certain educational function for today's readers. [2]
[Edit this paragraph]
Brief introduction of the author
Bai Juyi (772-846), Han nationality, was born in Xinzheng, Henan (now Xinzheng, Zhengzhou). He was called "Bai Yuan" with Yuan Zhen and "Bai Liu" with Liu Yuxi. He is a famous poet and writer with far-reaching influence in the history of China literature. He is as famous as Li Bai and Du Fu and is a "poet demon". Bai Juyi's ancestral home was Taiyuan, Shanxi, and his great-grandfather moved to the summer suburbs (now Weinan North, Shaanxi). His grandfather Huang Bai moved to Xinzheng, Henan. Bai Juyi was born in Dongguozhai Village (now Dongguo Temple) in the west of Xinzheng on the 20th day of the first month of the seventh year in Dali, Tang Daizong (February 28th, 772 AD). Bai Juyi lived in Xiangshan, Luoyang for a long time in his later years, and was called "Xiangshan laity". In August (846), five cases of Huichang, Bai Juyi died of illness in Luoyang and was buried in Xiangshan, Luoyang, at the age of 75. After his death, Emperor Xuanzong of the Tang Dynasty wrote a poem to mourn him, saying, "Who taught Ming Lu to write poems for sixty years and make jade beads?" Floating clouds are naturally happy if they are not famous and easy to live in. Boys perform "Song of Eternal Sorrow", and Hu Er can sing "Pipa". I am very sad that the article filled people's ears for a while. "He is the author of seventy-one volumes of Bai Changqing Collection.
In his later years, Bai Juyi was made a prince, and posthumous title was a white father and a white man. He actively advocated the new Yuefu movement in literature, and advocated that "articles should be written in time and poems should be written for things". He wrote many poems lamenting the times and reflecting the sufferings of the people, which had a great influence on later generations. He is a very important poet in the history of China literature. Yuanhe was a bachelor of Hanlin and a doctor of Zuo Zanshan. Because of offending powerful people, he was demoted to Jiangzhou Sima, and he was a good Buddha in his later years, so he was called Shi Fo, and he became a free and unfettered layman himself. He wrote many poems in his life, among which allegorical poems are the most famous, and the language is easy to understand, so he is called "the eloquent old woman". Narrative poems such as Pipa Xing and Song of Eternal Sorrow are all famous.
Bai Juyi's poems were widely circulated at that time, from the palace to the folk, and their fame spread far and wide in Xinjiang, Korea and Japan. Bai poetry has a great influence on later literature. Pi Rixiu, Lu Guimeng, Nie, Luo Yin and Du Xunhe in the late Tang Dynasty and Wang Yucheng, Mei, Su Shi, Lu You, Wu and Huang Zunxian in the Qing Dynasty were all inspired by Bai Juyi's poems. Bai Juyi's poems have the greatest influence in Japan. He is Japan's favorite poet of the Tang Dynasty. His poems are often quoted by Japanese classical novels. It can be said that Bai Juyi was the man of the hour in China's Tang poetry.
Bai Juyi's main works are: Song of Eternal Sorrow, Pipa, Farewell to Ancient Grass, Spring Tour in Qiantang River, Mujiang Song, Memory of Jiangnan, Peach Blossom in Dalin Temple, Drunk with Li Eleven, Memory of Yuanjiu, Knowing the Book Province in China, Sauvignon Blanc, The Theme of Yueyang Tower, The View of Cutting Wheat and Palace.
Bai Juyi was enthusiastic about helping the world in his early years, emphasizing the political function of poetry and striving for popularity. He wrote 60 poems, New Yuefu, Qin Zhongyin, which truly made people sick by singing only, and every sentence must be tuned, just like Du Fu's "Three Officials" and "Three Farewells". The long narrative poems "Song of Eternal Sorrow" and "Pipa Journey" represent his highest artistic achievements. Middle-aged people encounter setbacks in officialdom. "Since then, the career has been long-term, and the world has never been opened." But he still wrote many good poems and did many good things for the people. Hangzhou West Lake and Bai Causeway commemorate him. In his later years, he sent his feelings to the mountains and rivers, and also wrote some small characters. There is a poem for Liu Yuxi: "Don't listen to the old songs, but listen to the new word Yang Liuzhi. It can be seen that he has read some new words. Among them, Notes on Hua Fei's Works (1) sells charcoal Weng: this poem is selected from Bai Changqing Collection.
(2) Logging: Logging.
Salary: firewood.
Nanshan: Zhongnanshan is one of the main peaks of the Qinling Mountains, located 50 miles south of Xi, Shaanxi.
(3) pale: gray.
(4) get: get.
He Suoying: What? Camp, operation.
(5) rolling (ni m 4 n): the same as "rolling" and rolling.
Track: the track of a wheel.
(6) sleepy: sleepy and tired.
(7) city: market.
(8) Parallel: a light and free situation. It is described here as getting carried away.
Rider: A person who rides a horse.
(9) White and yellow emissary: The yellow emissary refers to the eunuch in the palace. White shirt, refers to the eunuch's minions.
(10) take: take.
Order or imperial edict of the emperor.
(1 1) Back: Turn around.
Scold: make a hullabaloo about
Pulling north: The palace of the emperor of the Tang Dynasty is in the north of Chang 'an. Pulling north means driving the charcoal cart into the palace.
(12) 1000 kilograms: it's not a real reference, and it's described a lot.
(13) Driver: Hurry up. Yes, there is no substantive meaning, auxiliary words.
I can't stand it: I can't stand it. Yes, I can.
(14) xiāo: raw silk.
Aya: A kind of silk with patterns.
(15) Department: Hangzhou.
Straight: same as "value", value. [ 1]
An old man selling charcoal is chopping wood and burning charcoal in Zhong Nanshan. His face is covered with dust, showing the color of smoke and fire. His temples are gray and his fingers are black. What is the money for selling charcoal for? The clothes you wear and the food you eat. It's cold, and the clothes worn by the poor are very thin, but I'm worried that charcoal is cheap, and I hope it's colder. It snowed a foot thick outside the city at night. In the morning, the old man drove a charcoal cart and ran over a frozen rut. Cattle are tired, people are hungry, the sun has risen very high, and the old man is resting in the mud outside the south gate of the market.
Two riders came briskly. Who are they? Eunuchs in yellow and officials in white. Holding a document in his hand, he said it was the emperor's order, then turned around and shouted to drive the cow to the north. A load of charcoal, 1000 kilograms, Miyagi messenger insisted on driving away, but the old man could not bear to part with it, but he was helpless. The angel of Miyagi hung half a red yarn and a silk on the bull's head as the price of charcoal.
[Edit this paragraph]
works appreciation
Interpretation of sentence meaning
Charcoal vendor describes the hardships of an old man who burns charcoal for a living, and exposes the evils of the "court market" in the Tang Dynasty.
At the beginning of this poem, the reader is taken to Zhong Nanshan Mountain near Chang 'an, the capital at that time, to show the reader that an old man who burns charcoal lives a very poor life. "Selling charcoal Weng, Nanshan cuts wood and burns charcoal." The old man who burns charcoal doesn't even have an inch of land. All he lives on is an axe, an ox cart and ten fingers blackened by fireworks. He has no wife and children, and he is alone. He cuts his salary and burns charcoal on Nanshan Mountain, making his face "dusty, smoky, with gray temples and black fingers". The hardships of labor can be imagined. Old people who burn charcoal have low demands on life. "What's the point of selling charcoal to make money?" ? He just wants to have food and clothing and maintain a minimum life. Arguably, it is not difficult for a person to support himself, but even such a wish is difficult for him to realize. Charcoal is what people use to keep warm. The old man worked hard to cut wood and burn charcoal, which brought warmth to others, but his clothes were pitifully thin. Thin clothes should have expected the weather to get warmer. On the contrary, the elderly forced by life "worry about charcoal and wish it was cold", and would rather endure double cold in order to sell more charcoal. This ambivalence profoundly shows the tragic situation of charcoal sellers.
"It snows a foot outside the city at night, and Xiao drives a charcoal car to roll the ice." The cold weather is really coming. Early in the morning, he got into the car and sold charcoal on the icy road in Chang 'an. From Zhong Nanshan to Chang 'an, the poet didn't tell readers what he thought along the way. But readers can see that he must be full of hope, because this car charcoal is directly related to his later life. The poem is written here, which narrows the distance between the reader and the protagonist, and makes the reader eager to know whether this car charcoal can be sold or not, and whether it can be sold at a reasonable price. However, the poet did not tell the reader the result immediately. He let the charcoal seller have a rest, catch his breath, let the reader calm down a little, and then wrote, "Who are those two riders?" The yellow messenger has a white shirt. "One is a yellow eunuch, and the other is a pawn of a white eunuch. They pretended to be ordered by the emperor to come out to buy goods, and whether the charcoal seller agreed or not, they drove the charcoal cart north. The north of the city is where the emperor lives, and the driver is the eunuch in the palace. An old man selling charcoal certainly can't handle it. " A load of charcoal, more than 1000 kilograms, the palace envoys will not let go. "Thousands of kilograms of charcoal, I don't know how many kilograms of firewood to burn, and I don't know how many days to cut; In order to burn firewood into charcoal, the lonely old man had to endure the torture of dust and fireworks. However, I didn't get anything from all this. " Half a horse's red yarn and a foot's silk are worth the charcoal on the cow's head. "Even the yarn and silk add up to three zhangs, far less than the hard work of the old man for many days. These court envoys are not shopping, but naked looting. They took away not only a car full of charcoal, but the hope of the old man's life and his right to exist. This is enough to arouse readers' anger and make them worry that it is difficult for the elderly to survive the cold winter with this reward.
Means of artistic expression
Charcoal sellers are very artistic. In the first eight sentences, the poet first made a general introduction to the charcoal seller, just as he introduced his own family. "The face is full of dust and fireworks, the temples are gray and the fingers are black." The simple but affectionate fourteen words vividly outline the appearance of the old man. "Poor man's clothes are simple, his heart is worried about charcoal, and he hopes it will be cold" is another simple and affectionate fourteen words, which deeply depicts his inner activities. This introduction is like a series of movie pictures. From the perspective of Nanshan, the camera zoomed in steadily, and then there were several close-ups: temples, fingers, dusty face and rags, which were shocking.
After this introduction, the poet picked up an experience of selling charcoal Weng and described it in detail. Bai Juyi deliberately put him on a snowy day. Although the snow made his body particularly cold, it ignited hope in his heart. Although it increased the difficulty of catching the bus, it also gave him strength and made him reach his destination in one breath. This description is very dramatic. The charcoal seller rushed to the market hopefully, but he didn't rush to sell charcoal at once, but stopped to have a rest. However, his heart is not as calm as his appearance. "The cow is sleepy, people are hungry, and there is a rest in the mud outside the south gate." Just like the short silence before the tragedy, these two poems hold the readers' heartstrings tightly.
Next, the poet turned the pen, which made the story turn sharply, and suddenly two court envoys appeared. Bai Juyi once again wrote from far to near that they rode horses from far away. They looked imposing and dressed proudly, which was in sharp contrast to the way charcoal sellers rested in the mud. Before the charcoal sellers figured out what had happened, they had driven to the north. At this point, the poet could not bear to write any more. He briefly explained the result of the matter. The author is not as outspoken as other poems in New Yuefu, but it is this short ending that is more subtle, powerful and thought-provoking.
Practical significance
Bai Juyi has a preface under the title of each poem in New Yuefu, explaining the theme of the poem. The preface of "Selling Charcoal Weng" is "Kugong City", which reflects the pain brought by the palace city to the people. In the Tang Dynasty, when the palace needed things, it sent people to the market to get them and gave them some money at will. In fact, this is an open plunder. Tang Dezong used eunuchs to manage it. Bai Juyi wrote "New Yuefu" when it was the most harmful in the court market. He knew the palace market like the back of his hand and showed deep sympathy for the people, so he was able to write this touching "charcoal man". The significance of this poem goes far beyond revealing the palace market. In the typical image of selling charcoal Weng, the poet summarized the bitterness and bitterness of the working people in the Tang Dynasty, and reflected the darkness and injustice of the society at that time in the small matter of selling charcoal. After reading this poem, readers will see more than just a charcoal seller. Through him, they can also see many people who farm, fish and weave. Although it is not a "black finger", it also bears the imprint of hard life; Although they won't be hurt by selling charcoal, they also shed tears of bitterness and hatred under the weight of land rent or taxes. The poem "Selling Charcoal Weng" not only had positive significance at that time, but also had certain educational function for today's readers. [2]
[Edit this paragraph]
Brief introduction of the author
Bai Juyi (772-846), Han nationality, was born in Xinzheng, Henan (now Xinzheng, Zhengzhou). He was called "Bai Yuan" with Yuan Zhen and "Bai Liu" with Liu Yuxi. He is a famous poet and writer with far-reaching influence in the history of China literature. He is as famous as Li Bai and Du Fu and is a "poet demon". Bai Juyi's ancestral home was Taiyuan, Shanxi, and his great-grandfather moved to the summer suburbs (now Weinan North, Shaanxi). His grandfather Huang Bai moved to Xinzheng, Henan. Bai Juyi was born in Dongguozhai Village (now Dongguo Temple) in the west of Xinzheng on the 20th day of the first month of the seventh year in Dali, Tang Daizong (February 28th, 772 AD). Bai Juyi lived in Xiangshan, Luoyang for a long time in his later years, and was called "Xiangshan laity". In August (846), five cases of Huichang, Bai Juyi died of illness in Luoyang and was buried in Xiangshan, Luoyang, at the age of 75. After his death, Emperor Xuanzong of the Tang Dynasty wrote a poem to mourn him, saying, "Who taught Ming Lu to write poems for sixty years and make jade beads?" Floating clouds are naturally happy if they are not famous and easy to live in. Boys perform "Song of Eternal Sorrow", and Hu Er can sing "Pipa". I am very sad that the article filled people's ears for a while. "He is the author of seventy-one volumes of Bai Changqing Collection.
In his later years, Bai Juyi was made a prince, and posthumous title was a white father and a white man. He actively advocated the new Yuefu movement in literature, and advocated that "articles should be written in time and poems should be written for things". He wrote many poems lamenting the times and reflecting the sufferings of the people, which had a great influence on later generations. He is a very important poet in the history of China literature. Yuanhe was a bachelor of Hanlin and a doctor of Zuo Zanshan. Because of offending powerful people, he was demoted to Jiangzhou Sima, and he was a good Buddha in his later years, so he was called Shi Fo, and he became a free and unfettered layman himself. He wrote many poems in his life, among which allegorical poems are the most famous, and the language is easy to understand, so he is called "the eloquent old woman". Narrative poems such as Pipa Xing and Song of Eternal Sorrow are all famous.
Bai Juyi's poems were widely circulated at that time, from the palace to the folk, and their fame spread far and wide in Xinjiang, Korea and Japan. Bai poetry has a great influence on later literature. Pi Rixiu, Lu Guimeng, Nie, Luo Yin and Du Xunhe in the late Tang Dynasty and Wang Yucheng, Mei, Su Shi, Lu You, Wu and Huang Zunxian in the Qing Dynasty were all inspired by Bai Juyi's poems. Bai Juyi's poems have the greatest influence in Japan. He is Japan's favorite poet of the Tang Dynasty. His poems are often quoted by Japanese classical novels. It can be said that Bai Juyi was the man of the hour in China's Tang poetry.
Bai Juyi's main works are: Song of Eternal Sorrow, Pipa, Farewell to Ancient Grass, Spring Tour in Qiantang River, Mujiang Song, Memory of Jiangnan, Peach Blossom in Dalin Temple, Drunk with Li Eleven, Memory of Yuanjiu, Knowing the Book Province in China, Sauvignon Blanc, The Theme of Yueyang Tower, The View of Cutting Wheat and Palace.
Bai Juyi was enthusiastic about helping the world in his early years, emphasizing the political function of poetry and striving for popularity. He wrote 60 poems, New Yuefu, Qin Zhongyin, which truly made people sick by singing only, and every sentence must be tuned, just like Du Fu's "Three Officials" and "Three Farewells". The long narrative poems "Song of Eternal Sorrow" and "Pipa Journey" represent his highest artistic achievements. Middle-aged people encounter setbacks in officialdom. "Since then, the career has been long-term, and the world has never been opened." But he still wrote many good poems and did many good things for the people. Hangzhou West Lake and Bai Causeway commemorate him. In his later years, he sent his feelings to the mountains and rivers, and also wrote some small characters. There is a poem for Liu Yuxi: "Don't listen to the old songs, but listen to the new word Yang Liuzhi. It can be seen that he has read some new words. One of the flowers is not a flower, and a beautiful flower is hazy.