This poem expresses the love psychology in a feminine style. It contains burning desire and persistence in sorrow, and its emotional realm is profound and rich. The first two sentences are about the unfortunate experience of love and the mood of the lyric hero: because of some power, it is difficult for a pair of lovers to meet each other, and the pain of separation is unbearable for her. The "don't" in the first sentence does not mean that we say goodbye now, but refers to the established forced separation. The word "difficult", the first refers to the difficulty of meeting, and the second is pain and embarrassment. In previous poems, some sentences such as "It's a piece of cake to meet difficulties" (Ge Yanxing by Cao Pi) and "It's a piece of cake to meet difficulties" (Hugh by Ding Du by Song Wudi) all emphasize the difficulty of reunion and lament the pain of parting. Li Shangyin went further from here, saying that "seeing each other late" means "parting is also difficult"-it is difficult to give up and the pain is unbearable.
The poet used the word "difficult" twice in one sentence, and the appearance of the second word "difficult" gave people a slight sense of suddenness because of repetition, which made the whole poem interlocking and made the parting pain of reunion after a long separation particularly profound and lingering because of the low expression; This sentimental modality is not easy to understand in such a straightforward narrative as "Don't be easy to get". This lyric hero is already so sad, but facing the scenery in late spring, of course, it makes her sad. In late spring, the east wind is weak, flowers bloom and fall, and the beautiful spring is about to pass away. There is nothing that human beings can do about it. Their own misfortunes and mental pains are like flowers that wither with the passage of spring, because beautiful things are destroyed, which makes people feel endless disappointment and regret!
The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works. For example, the first two sentences of "A note to friends in the north on a rainy night" say: "Jun asked that the return date is undecided, and the rain rose in the autumn pool in the evening." The second sentence not only symbolizes that the poet stays in Bashu, but also reflects the boredom of leaving. For example, in "And the East Wind Has Arised, Let a Hundred Flowers Bloom", realism and symbolism are integrated into one, giving feelings a tangible external form, which is usually called the lyrical way of feeling in the scene. In three or four sentences, it is more tortuous to write the feelings of "seeing each other late" and "inseparable" The word "silk" in "Spring silkworms must weave until they die" is homophonic with "thinking". You miss each other like silkworms until you die. "And the candle will cry the wick every night" is a metaphor for the endless pain of not being together, as if the candle burned to ashes and the wax tears ran out. Miss more than, showing deep attachment, but will spend a lifetime in miss, but it also shows that meeting is indefinite and the future is hopeless. Therefore, his own pain will accompany him all his life. However, although the future is hopeless, she loves it to death and will be attached to it all her life; Despite the pain, there is only patience. Therefore, in these two sentences, there are both disappointed sadness and pain, as well as lingering and burning persistence and pursuit.
Pursuit is hopeless, and we still have to pursue it in hopelessness, so this pursuit is also pessimistic. These feelings seem to circulate endlessly, and it is difficult to find the end; It seems to have formed a multi-faceted solid, and light can't see the whole picture from one angle. The poet successfully expressed such a complicated psychological state with only two metaphors, which shows that his association is very rich. The phrase "Spring Silkworm" is first of all the association between the lingering attachment of human beings and the endless spinning of spring silkworms, and then from the spinning of silkworms to the ending of "death" and then to the unswerving love of human beings. So writing "silk to death" gives this image various metaphorical meanings. "Silkworm should not be old (no, it means' ignoring' here), and it often wears silk day and night. What a pity! When you are exhausted, it is time to be lingering. " The intention is similar to the sentence of "Spring Silkworm" in Untitled. The idea of "how to be tired" of spring silkworms here is a kind of idea of "lingering has its own time", and its future is quite promising.