About a year or two before Li Bai was fifteen years old, before he left Qinglian Township, he wrote lyric poems such as Early Moon, Full Moon after Rain, Xiaoqing, Duiyu and Wangfushi, among which:
Look at the moon after rain
The western suburbs are foggy, and opening an account is half a toad.
Wan Li has two trees, and a river flows.
When the mountain is white, the sea is high and then bright.
Out of pity, I sang like a fan until the fifth watch.
in the rain
Chatting with the roller blinds, the grass is wet.
The ancient cave is covered with clouds, and the empty court weaves broken cigarettes.
You can't afford to worry about pink.
Plough all day and walk in front of the river trees.
Judging from the scenery described in these poems, it is consistent with the environment in Qinglian Township. For example, "A river is crossing the river" should refer to the Panjiang River, "Ancient caves cover the clouds" refers to the misty clouds overlooking Daguanshan Mountain, Daitianshan Mountain and Wei Zi, and "ploughing all day and going back and forth in front of river trees" describes the farming map of farmers on the banks of Panjiang River and Qinglianba.
Li Bai also wrote a poem "Upstairs":
The tall buildings of the temple on the mountain are really high, like a hundred feet. People upstairs are like a hand that can pick off the stars in the sky.
Standing here, I dare not speak loudly for fear of disturbing the gods in the sky.
The language of this poem is simple and straightforward, without allusions, but it is natural and naive, with a childlike fantasy.
Li Bai became a petty official at the age of fifteen, and he has been a petty official for only half a year. He went to Kuangshan to live in seclusion, from time to time seeking immortals to visit Taoism, and wrote poems, the most famous of which was Visiting Taoism on behalf of Tianshan Mountain:
In the barking of dogs, peach blossoms are thick.
See the deer when the tree is deep, but don't ring the bell at noon.
Wild bamboos are green and misty, and flying springs hang blue peaks.
Where to go, worry about two or three loose.
This is a well-known poem written by young Li Bai when he was studying in a secluded mine. He showed us a quiet and beautiful landscape painting with a fresh and lively style. Bright peach blossoms, green wild bamboos and gurgling springs make people feel happy. Li Bai has many poems that vividly describe natural beauty. These poems can make people's hearts suddenly enlightened and gain a happy mood, which will lay a solid and beautiful mark on the hearts of tourists.
Li Bai wrote "You Dai Tian Dao Shi Shan" and "Seeking Harmony, Respecting Teachers and Living in Seclusion":
The mountain peak is steep, and Capricorn's day is free from the memory of that year.
Dial the clouds to find the ancient road, lean against the trees and listen to the flowing water.
Warm flowers lie on green cows, white cranes sleep on high pine branches.
Talk to the teacher, the river has been shrouded in dusk, I want to walk alone in the cold mountain clouds.
The poet made great efforts to render colorful and dynamic landscapes, flowers and trees, cliffs and flying springs, and the beautiful and gorgeous scenery set off a touch of sadness and disappointment.
Dai Tianshan's Visit to Taoism and Retirement for Peace and Respect for Teachers are both poems written by Li Bai when he was seventeen or eighteen years old and lived in seclusion in a big mine to seek immortality and visit Taoism. At the same time, he also wrote a poem Taihuaguan:
There are too many rock layers, and there are people deep in the white clouds.
By the roadside, I play the flute to the moon and the fairy drives the clouds.
Rocky mountains are like sitting tigers and old vines are like snakes.
I once heard where Yujing is today, and I met ten flowers in Penglai.
The big mine and Taihua Mountain are the same mountain range and depend on each other. From the northwest of daming temple, a big mine, it takes more than ten miles to Taihuaguan. Li Bai, who is good at wandering immortals, has contacts not only with Yong Zun, who lives in seclusion in Taihua Mountain, but also with Taoist priests who practice in Taihua Temple. Taihuaguan is an interview with Taoists who worship Taihuaguan. It shows the ancient and quiet scenery in the mountains and describes the fairy realm of moonlight, melodious flute and fairy riding clouds in the mountains.
In the winter of the eighth year of Kaiyuan (AD 720), Li Bai traveled to Chengdu, Yuzhou and Emei Mountain, while Su Zhe and Li Yong were not valued. He returned to a secluded place-a big mine, and wrote a song "Winter Return to Laoshan":
Back to the square lawn, I didn't wash and dye the dust tassels.
A vine path is green, and Wan Xuefeng is sunny.
Cold leaves are exhausted first, but Leng Yun is not exhausted.
Tender feelings invade the house, and old trees fall across the river.
White dogs bark in the village and moss grows on the walls.
If you walk alone in the kitchen, the old ape will sing in the next room.
Birds nest in the forest, but hedges make way for wild animals.
Blowing out of bed, the squirrel left, and the fish was surprised.
Wash the inkstone, repair the good strategy, and knock loose the quasi-virginity.
I will go again at this time, to Sanqing.
The poem describes the bleak, desolate and dilapidated scene of his former residence in winter, revealing his unhappy mood of not being reused. However, Li Bai did not lose heart. He cheered up in a very difficult environment, "washing the inkstone and repairing the good strategy, knocking loose and imitating chastity." He imagined a tall and straight pine tree, persevering despite the cold, and continuing to pursue his ideal world. During Li Bai's seclusion in Kuangshan, he went to Jiangyou County (now Nanba, Pingwu) via Yin Ping Road to meet the commandant of Jiangyou County and wrote the title "Commandant Hall of Jiangyou County".
Li Bai's last poem in a big mine is Don't Mine.
The breeze is picturesque, the teeth are staggered, and the rattan scenery shakes the wind and blows the sill.
There will be many dogs with you in the wild and firewood with you at night.
Seeing a cloud guest leaning against an ape tree, a monk who washes dishes will lose the crane pool.
No wonder I don't like Jing Qing, and I have promised to give my sword to the Ming Dynasty.
These seven laws describe the magnificent and quiet scenery of Kuangshan, express his attachment to Kuangshan and his ambition to serve the country, and show Li Bai's mentality and grand political ambition of loving nature and hometown.
Besides, Li Bai has lived and studied at home for 24 years, and his poems include Ode to Shi Niu, Firefly and Scenery. These famous poems, whether lyrical, farewell, nostalgic or painting, are an important part of Jiangyou's humanistic and natural tourism resources and the soul of Jiangyou's tourism culture.